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Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Eustace M. Tillyard
Publisher: A&C Black
ISBN: 048530015X
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Annotation. This is a perceptive and illuminating account of the background to, and range of, Shakespeare's comedy, fosucing principally upon the early plays. First published in 1965, it is written with Dr Tillyard's usual ranging curiosity, independence and brisk incisiveness. Dr Tillyard is primarily concerned with interpretation of character, and with Shakespeare's instinct in comedy to stay close to ordinary life. He examines the subtle characterisation of the two sisters in The Comedy of Errors; the importance of the Bianca theme in The Taming of the Shrew; the uneasy balance of love and friendship in The Two Gentlemen of Verona; the way in which Love's Labour's Lost mocks at male adolescence; and Shylock's spiritual stupidity in The Merchant of Venice. E.M.W. Tillyard (sometime Master of Jesus College, Cambridge) is remowned for his many works on Shakespeare and Milton.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307420590
Category : Drama
Languages : en
Pages : 738
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Book Description
The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography
Author: William Shakespeare
Publisher: Simon & Schuster
ISBN: 9781982170196
Category : Drama
Languages : en
Pages : 448
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Book Description
The authoritative edition of Three Comedies from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. The havoc wrought on lovers by magic in A Midsummer Night’s Dream, the furious battle of the sexes waged in The Taming of the Shrew, and a stranded woman finding her way in a man’s world in Twelfth Night—this collection of three of Shakespeare’s greatest comedies is based on the acclaimed individual Folger editions of the plays. The authoritative edition of A Midsummer Night’s Dream, The Taming of the Shrew, and Twelfth Night from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Author: Alexander Leggatt
Publisher: Cambridge University Press
ISBN: 9780521779425
Category : Drama
Languages : en
Pages : 260
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Book Description
An accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Author: Michael J. Collins
Publisher: University of Delaware Press
ISBN: 9780874135824
Category : Drama
Languages : en
Pages : 268
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Book Description
"This collection of essays on Shakespeare's early comedies has been designed to suggest how five four-hundred-year-old plays have been and might continue to be, in the words of Jonathan Miller, "assimilated to the interests of the present" to the men and women who encounter them, as texts or performances, in the last years of the twentieth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Joseph Allen Bryant
Publisher: University Press of Kentucky
ISBN: 9780813130958
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.
Author: K. Smidt
Publisher: Springer
ISBN: 1349184217
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Author: Penny Gay
Publisher: Cambridge University Press
ISBN: 1139469770
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.
Author: Grant W. Smith
Publisher: Vernon Press
ISBN: 1648892701
Category : Literary Criticism
Languages : en
Pages : 371
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Book Description
'Names as Metaphors in Shakespeare’s Comedies' presents a comprehensive study of names in Shakespeare’s comedies. Although names are used in daily speech as simple designators, often with minimal regard for semantic or phonological suggestiveness, their coinage is always based on analogy. They are words (i.e., signs) borrowed from previous referents and contexts, and applied to new referents. Thus, in the literary use of language, names are figurative inventions and have measurable thematic significance: they evoke an association of attributes between two or more referents, contextualize each work of literature within its time, and reflect the artistic development of the writer. In the introduction, Smith describes the literary use of names as creative choices that show the indebtedness of authors to previous literature, as well as their imaginative descriptions (etymologically and phonologically) of memorable character types, and their references to cultural phenomena that make their names meaningful to their contemporary readers and audience. This book presents fourteen essays demonstrating the analytical models explained in the introduction. These essays focus on Shakespeare’s comedies as presented in the First Folio. They do not follow the chronological order of their composition; instead, the individual essays give special attention to differences between the plays that suggest Shakespeare’s artistic development, including the varied sources of his borrowings, the differences between his etymological and phonological coinages, the frequency and types of his topical references, and his use of epithets and generics. This book will appeal to Shakespeare students and scholars at all levels, particularly those who are keen on studying his comedies. This study will also be relevant for researchers and graduate students interested in onomastics. He can be reached at
[email protected].
