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Author: Emma Whipday
Publisher: Cambridge University Press
ISBN: 1108614787
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Domestic tragedy was an innovative genre, suggesting that the lives and sufferings of ordinary people were worthy of the dramatic scope of tragedy. In this compelling study, Whipday revises the narrative of Shakespeare's plays to show how this genre, together with neglected pamphlets, ballads, and other forms of 'cheap print' about domestic violence, informed some of Shakespeare's greatest works. Providing a significant reappraisal of Hamlet, Othello, and Macbeth, the book argues that domesticity is central to these plays: they stage how societal and familial pressures shape individual agency; how the integrity of the house is associated with the body of the housewife; and how household transgressions render the home permeable. Whipday demonstrates that Shakespeare not only appropriated constructions of the domestic from domestic tragedies, but that he transformed the genre, using heightened language, foreign settings, and elite spheres to stage familiar domestic worlds.
Author: Emma Whipday
Publisher: Cambridge University Press
ISBN: 1108614787
Category : Literary Criticism
Languages : en
Pages : 275
Get Book Here
Book Description
Domestic tragedy was an innovative genre, suggesting that the lives and sufferings of ordinary people were worthy of the dramatic scope of tragedy. In this compelling study, Whipday revises the narrative of Shakespeare's plays to show how this genre, together with neglected pamphlets, ballads, and other forms of 'cheap print' about domestic violence, informed some of Shakespeare's greatest works. Providing a significant reappraisal of Hamlet, Othello, and Macbeth, the book argues that domesticity is central to these plays: they stage how societal and familial pressures shape individual agency; how the integrity of the house is associated with the body of the housewife; and how household transgressions render the home permeable. Whipday demonstrates that Shakespeare not only appropriated constructions of the domestic from domestic tragedies, but that he transformed the genre, using heightened language, foreign settings, and elite spheres to stage familiar domestic worlds.
Author: Natasha Korda
Publisher: University of Pennsylvania Press
ISBN: 0812202511
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Shakespeare's Domestic Economies explores representations of female subjectivity in Shakespearean drama from a refreshingly new perspective, situating The Taming of the Shrew, The Merry Wives of Windsor, Othello, and Measure for Measure in relation to early modern England's nascent consumer culture and competing conceptions of property. Drawing evidence from legal documents, economic treatises, domestic manuals, marriage sermons, household inventories, and wills to explore the realities and dramatic representations of women's domestic roles, Natasha Korda departs from traditional accounts of the commodification of women, which maintain that throughout history women have been "trafficked" as passive objects of exchange between men. In the early modern period, Korda demonstrates, as newly available market goods began to infiltrate households at every level of society, women emerged as never before as the "keepers" of household properties. With the rise of consumer culture, she contends, the housewife's managerial function assumed a new form, becoming increasingly centered around caring for the objects of everyday life—objects she was charged with keeping as if they were her own, in spite of the legal strictures governing women's property rights. Korda deftly shows how their positions in a complex and changing social formation allowed women to exert considerable control within the household domain, and in some areas to thwart the rule of fathers and husbands.
Author: Arthur F. Kinney
Publisher: Oxford University Press
ISBN: 0199566100
Category : Drama
Languages : en
Pages : 846
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Book Description
Contains forty original essays.
Author: Sandra Clark
Publisher: Bloomsbury Publishing
ISBN: 1472581814
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
This dictionary explores the language of domestic life found in Shakespeare's work and seeks to demonstrate the meanings he attaches to it through his uses of it in particular contexts. "Domestic life" covers a range of topics: the language of the household, clothing, food, family relationships and duties; household practices, the architecture of the home, and all that conditions and governs the life of the home. The dictionary draws on recent cultural materialist research to provide in-depth definitions of the domestic language and life in Shakespeare's works, creating a richly rewarding and informative reference tool for upper level students and scholars.
Author: Catherine Richardson
Publisher: Manchester University Press
ISBN: 9781847791870
Category : Art
Languages : en
Pages : 264
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Book Description
In a theatre which self-consciously cultivated its audiences' imagination, how and what did playgoers 'see' on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence - the majority previously unpublished - for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods. The plays she cites include Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness, and A Yorkshire Tragedy.
Author: Lea Puljcan Juric
Publisher: Rowman & Littlefield
ISBN: 1683931777
Category : Literary Criticism
Languages : en
Pages : 369
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Book Description
Illyria in Shakespeare’s England is the first extended study of the eastern Adriatic region, often referred to in the Renaissance by its Graeco-Roman name “Illyria,” in early modern English writing and political thought. At first glance the absence of earlier studies may not be surprising: that area may seem significant only to critics pursuing certain specialized questions about Shakespeare’s Twelfth Night, which is set in Illyria. But in fact, it is not only often misrepresented in the discussions of that play but also typically ignored in the critical conversation on English prose romances, poems, and other plays that feature Illyria or its peoples, some rarely read, others well-known, including Shakespeare’s Comedy of Errors, 2 Henry VI, Measure for Measure, and Cymbeline. Lea Puljcan Juric explores the reasons for such views by engaging with larger questions of interest to many critics who focus on subjects other than geographic regions, such as “othering,” religion, race, and the development of national identity, among other issues. She also broadens the conversation on these familiar problems in the field to include the impact of post-Renaissance notions of the Balkans on the erasure of Illyria from Shakespeare studies. Puljcan Juric studies the encounters of the English with the ancient and early modern Illyrians through their Greek and Roman heritage; geographies, histories, and travelogues, written in a variety of European polities including Illyria itself; religious conflict after the Reformation and the threat of Islam; and international politics and commerce. These considerations show how Illyria’s geopolitical position among the Ottoman Empire, Habsburg Empire and Venice, its “national” struggles as well as its cultural heterogeneity figured in English interests in the eastern Mediterranean, and informed English ideas about ethnicity, nationhood, and religion. In Shakespeare studies, however, critics have consistently cast Twelfth Night’s Illyria as a utopia, an enigma, or a substitute for England, Italy, or Greece. Arguing that twentieth-century politics and negative conceptions of the eastern Adriatic as part of “the Balkans” have underwritten this erasure of Illyria from our perspective on the field, Puljcan Juric shows how entrenched cultural hierarchies tied to elitism and colonial politics still inform our analyses of literature. She invites scholars to recognize that, for Shakespeare and his contemporaries, Illyria is the site of important socio-political and cultural struggles during the period, some shared with neighboring areas, others geographically specific, that invite dynamic historical and literary scrutiny.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438132751
Category : Othello (Fictitious character) in literature
Languages : en
Pages : 245
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Book Description
A collection of critical essays on the Shakespeare play, Othello, arranged in chronological order of publication.
Author: Neema Parvini
Publisher: Edinburgh University Press
ISBN: 1474432891
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Examines the aesthetics, concepts and politics of chaotic and obscured moving images.
Author: Neema Parvini
Publisher: Edinburgh University Press
ISBN: 147442354X
Category : LITERARY CRITICISM
Languages : en
Pages : 256
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Book Description
Shakespeare's History Plays boldly moves criticism of Shakespeare's history plays beyond anti-humanist theoretical approaches. This important intervention in the critical and theoretical discourse of Shakespeare studies summarises, evaluates and ultimately calls time on the mode of criticism that has prevailed in Shakespeare studies over the past thirty years. It heralds a new, more dynamic way of reading Shakespeare as a supremely intelligent and creative political thinker, whose history plays address and illuminate the very questions with which cultural historicists have been so preoccupied since the 1980s. In providing bold and original readings of the first and second tetralogies (Henry VI, Richard III, Richard II and Henry IV, Parts 1 & 2), the book reignites old debates and re-energises recent bids to humanise Shakespeare and to restore agency to the individual in the critical readings of his plays
Author: Susan Zimmerman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838641202
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern culture. Volume XXXIV continues the journal's series of Forums, in which a group of scholars address an issue of importance to early modern studies. The Forum in this issue is entitled "Is There Character After Theory?" Organized and introduced by Raphael Falco, it features Tom Bishop, Dympna Callaghan, Jonathan Crewe, Christy Desmet, Elizabeth Fowler, and Alan Sinfield. Volume XXXIV also includes three essays: Roger Chartier on "Jack Cade, the Skin of a Dead Lamb, and the Hatred for Writing"; Julian Yates on "Stealing Shakespeare's Oranges"; and Anston Bosman on " 'Best Play with Mardian': Eunuch and Blackamoor and Imperial Culturegram." Susan Zimmerman is Professor of English at Queens College, City University of New York. Garrett Sullivan is Associate Professor of English at Pennsylvania State University.
