Shakespeare's Characters of the Passions and Imagination PDF Download
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Author: Mrs. Jameson (Anna)
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Author: Mrs. Jameson (Anna)
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
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Book Description
Author: William Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
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Book Description
Author: Anna Brownell Jameson
Publisher:
ISBN:
Category : Women in art
Languages : en
Pages : 380
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Book Description
Author: Paula Marantz Cohen
Publisher: Yale University Press
ISBN: 0300258321
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
An award-winning scholar and teacher explores how Shakespeare's greatest characters were built on a learned sense of empathy While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare's most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat "the other." Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature's power to champion what is best in us.
Author: Gail Marshall
Publisher: Cambridge University Press
ISBN: 0521515238
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The first full-length study of Shakespeare's influence on Victorian women writers, actresses and readers.
Author: William Hazlitt
Publisher: BoD – Books on Demand
ISBN: 3387038569
Category : Fiction
Languages : en
Pages : 394
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Mrs. Jameson (Anna)
Publisher:
ISBN:
Category : Heroines in literature
Languages : en
Pages : 420
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
Author: Li Ou
Publisher: Bloomsbury Publishing
ISBN: 1441101039
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
"Negative capability", the term John Keats used only once in a letter to his brothers, is a well-known but surprisingly unexplored concept in literary criticism and aesthetics. This book is the first book-length study of this central concept in seventy years. As well as clarifying the meaning of the term and giving an anatomy of its key components, the book gives a full account of the history of this idea. It traces the narrative of how the phrase first became known and gradually gained currency, and explores its primary sources in earlier writers, principally Shakespeare and William Hazlitt, and its chief Modernist successors, W. B. Yeats and T. S. Eliot. Meanwhile, the term is also applied to Keats's own poetry, which manifests the evolution of the idea in Keats's poetic practice. Many of the comparative readings of the relevant texts, including King Lear, illuminate the interconnections between these major writers. The book is an original and significant piece of scholarship on this celebrated concept.
Author: Nicholas R. Helms
Publisher: Springer
ISBN: 3030035654
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Cognition, Mindreading, and Shakespeare's Characters brings cognitive science to Shakespeare, applying contemporary theories of mindreading to Shakespeare’s construction of character. Building on the work of the philosopher Alvin Goldman and cognitive literary critics such as Bruce McConachie and Lisa Zunshine, Nicholas Helms uses the language of mindreading to analyze inference and imagination throughout Shakespeare’s plays, dwelling at length on misread minds in King Lear, Much Ado About Nothing, Othello, and Romeo and Juliet. Shakespeare manipulates the mechanics of misreading to cultivate an early modern audience of adept mindreaders, an audience that continues to contemplate the moral ramifications of Shakespeare’s characters even after leaving the playhouse. Using this cognitive literary approach, Helms reveals how misreading fuels Shakespeare’s enduring popular appeal and investigates the ways in which Shakespeare’s characters can both corroborate and challenge contemporary cognitive theories of the human mind.
