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Author: Meredith Anne Skura
Publisher: University of Chicago Press
ISBN: 9780226761800
Category : Drama
Languages : en
Pages : 348
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Book Description
For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England. Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
Author: Meredith Anne Skura
Publisher: University of Chicago Press
ISBN: 9780226761800
Category : Drama
Languages : en
Pages : 348
Get Book Here
Book Description
For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England. Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
Author: John Barton
Publisher: Anchor
ISBN: 0307773914
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
Author: John Southworth
Publisher: The History Press
ISBN: 0752472445
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Man of the Millennium' he may be but William Shakespeare is a shadowy historical figures. His writings have been analysed exhaustively but much of his life remains a mystery. This controversial biography aims to redress the balance. To his contemporaries, Shakespeare was known not as a playwright but as an actor, yet this has been largely ignored or marginalised by most modern writers. here John Southworth overturns traditional images of the Bard and his work, arguing that Shakespeare cannot be separated from his profession as a player any more than he can be separated from his works. Only by approaching Shakespeare's life from this new angle can we hope to learn or understand anything new about him. Following Shakespeare's life as an actor as he learns his craft and begins work on his own plays, Southworth presents the Bard and his plays in their proper context for the first time. Groundbreaking, contentious and a work of deep scholarship and understanding, 'Shakespeare the Player' should change the way we think about the English language's greatest artist.
Author: M.M. Mahood
Publisher: Routledge
ISBN: 1134673655
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
PUBLICITY TITLE Will appear in 1998 Theatre Craft leaflet and in a New Theatre Quarterly advert Re-issue of hardback published by CUP - this received exceptional review coverage M. Mahood is an all-time old-school Great: well known for Shakespeare's Wordplay and her Penguin editions of Twelfth Night and Merchant of Venice The Pb will include a new appendix aimed at helping directors and actors Will appeal to actors and directors, critics and students The six studies of individual plays offers models for students to follow in studying and writing about the other thirty plays. Includes an index of characters as well as a detailed general index - very user friendly
Author: Patrick Tucker
Publisher: Routledge
ISBN: 1135862265
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.
Author: John Payne Collier
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 362
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Book Description
Author: Lauren Gunderson
Publisher: Dramatists Play Service, Inc.
ISBN: 0822237725
Category : Drama
Languages : en
Pages : 95
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Book Description
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
Author: Scott Kaiser
Publisher: Simon and Schuster
ISBN: 1581159609
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
Who says only the British can act Shakespeare? In this unique guide, a veteran acting coach shatters that myth with a boldly American approach to the Bard. Written in the form of a play, this volume's "characters" include a master teacher and 16 students grappling with the challenges of acting Shakespeare. Using actual speeches from 32 of Shakespeare's plays, each of the book's six "scenes" offer proven solutions to such acting problems as delivering spoken subtext, using physical actions to orchestrate a speech, creating images within a speech, dividing a speech into measures, and much more.
Author: Park Honan
Publisher: Clarendon Press
ISBN: 9780199774753
Category : Biography & Autobiography
Languages : en
Pages : 522
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Book Description
In the most complete, accurate, and up-to-date narrative of Shakespeare's life ever written, Park Honan uses a wealth of fresh information to dramatically alter our perceptions of the actor, poet, and playwright. The young poet's relationships, his early courtship of Anne Hathaway, their marriage, his attitudes to women such as Jennet Davenant, Marie Mountjoy, and his own daughters, are seen in a new light, illuminating Shakespeare's needs, habits, passions and concerns. Park Honan examines the world of the playing companies -- the power of patronage, theatrical conditions, and personal rivalries -- to reveal the relationship between the man and the writing, and using previously unpublished material explores the causes of Shakespeare's success; Stratford childhood, his parents' capabilities, and his preparations for a London career. Shakespeare: A Life casts new light on the complexity and fascination of Shakespeare's life and his extraordinary development as an artist.
Author: John Southworth
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 328
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Book Description
This volume provides a "much-needed" view of Shakespeare as a playwright, player, and shareholder in a popular theater, revealing how each of these roles influenced the others. The author gives valuable insight into the actor's craft and creates plausible arguments for how specific plays would have been performed and which roles Shakespeare himself may have played. While many academics have seen Shakespeare's career as an actor as a short aberration or an embarrassment, this author glories in the power and vitality of the Elizabethan stage, showing how the theater influenced the structure, subject, and construction of Shakespeare's plays. This work gives the reader a greater understanding of the plays as dramatic productions intended to be seen and heard rather than simply as literary works to be read.
