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Author: Nathalie Vienne-Guerrin (éd.)
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 9782877758413
Category : Art
Languages : en
Pages : 364
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Book Description
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.
Author: Nathalie Vienne-Guerrin (éd.)
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 9782877758413
Category : Art
Languages : en
Pages : 364
Get Book Here
Book Description
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1108298699
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
Author: Victoria Bladen
Publisher: Cambridge University Press
ISBN: 1009200933
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
Providing up-to-date coverage of screen versions of Romeo and Juliet, this book encompasses a broad range of media from canonical movies to web series. The chapters, written by internationally recognized scholars, revisit well-known films and TV productions, while also exploring free retellings and introducing appropriations from around the globe.
Author: Victoria Bladen
Publisher: Cambridge University Press
ISBN: 1108426921
Category : Drama
Languages : en
Pages : 277
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Book Description
An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1107113504
Category : Drama
Languages : en
Pages : 333
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Book Description
This volume provides up-to-date coverage of recent screen versions of Shakespeare's plays, as well as critical reviews of older canonical films.
Author: James L. Calderwood
Publisher: Univ of California Press
ISBN: 9780520036529
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Author: Kenneth S. Rothwell
Publisher: Cambridge University Press
ISBN: 9780521543118
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
This edition of A History of Shakespeare on Screen updates the chronology to 2003, with a new chapter on recent films.
Author: William Shakespeare
Publisher: e-artnow
ISBN:
Category : Drama
Languages : en
Pages : 533
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Book Description
Shakespearian Henriad refers to a group of four William Shakespeare's history plays: Richard II, Henry IV, Part 1, Henry IV, Part 2, and Henry V. These four plays constitute the Shakespearian epic with Prince Harry, who later becomes Henry V, as a central figure. Thanks to Shakespeare, King Henry V today stands side by side with the classical epic heroes such are Achilles and Aeneas, as one of the greatest warrior kings of medieval England,.
Author: Thomas Cartelli
Publisher: Polity
ISBN: 0745633927
Category : Drama
Languages : en
Pages : 215
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Book Description
The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave. It maps a vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; and more.
Author: Leslie C. Dunn
Publisher: Springer Nature
ISBN: 3030572080
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances of disability. Proffering an expansive view of early modern disability in performance, the contributors suggest methodologies for finding and interpreting it in unexpected contexts. The volume also includes essays on disabled actors whose performances are changing the meanings of disability in Shakespeare for present-day audiences. By combining these two areas of scholarship, this text makes a unique intervention in early modern studies and disability studies alike. Ultimately, the volume generates a conversation that locates and theorizes the staging of particular disabilities within their historical and literary contexts while considering continuity and change in the performance of disability between the early modern period and our own.
