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Author: Richard Schoch
Publisher: Cambridge University Press
ISBN: 110878867X
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.
Author: Richard Schoch
Publisher: Cambridge University Press
ISBN: 110878867X
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.
Author: Paul Edward Yachnin
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655855
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Using the tools of theatre history in their investigation into the phenomenology of the performance experience, the essays here also consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. The contributors strive to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
Author: David Bevington
Publisher: University of Chicago Press
ISBN: 0226044793
Category : Drama
Languages : en
Pages : 256
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Book Description
This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
Author: Sarah Werner
Publisher: Psychology Press
ISBN: 9780415227308
Category : Art
Languages : en
Pages : 148
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Book Description
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning.
Author: Dennis Kennedy
Publisher: Cambridge University Press
ISBN: 9780521785488
Category : Drama
Languages : en
Pages : 468
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Book Description
Most studies of the performance of Shakespeare's work concentrate on how the text has been played and what meanings have been conveyed through acting and interpretive directing. Dennis Kennedy demonstrates that much of audience response is determined by the visual representation, which is normally more immediate and direct than the aural conveyance of a text. Ranging widely over productions in Britain, Europe, Japan and North America, Kennedy gives a thorough account of the main scenographic movements of the century, investigating how the visual relates to Shakespeare on the stage. The second edition of this acclaimed history includes a new chapter on Shakespeare performance in the 1990s, bringing the story up to date by drawing on examples from a wide international field. There are more than twenty new illustrations, some of them in colour (bringing the total number of illustrations to almost 200), and previous references have been updated.
Author: Farah Karim Cooper
Publisher: Bloomsbury Publishing
ISBN: 1408157055
Category : Drama
Languages : en
Pages : 317
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Book Description
How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
Author: Valerie Clayman Pye
Publisher: Taylor & Francis
ISBN: 1317208781
Category : Drama
Languages : en
Pages : 239
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Book Description
What can the Globe Theatre tell us about performing Shakespeare? Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels. From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 90
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Book Description
Author: Michael Bristol
Publisher: Routledge
ISBN: 1134601204
Category : Art
Languages : en
Pages : 217
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Book Description
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 1108420486
Category : Drama
Languages : en
Pages : 259
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Book Description
Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama.
