Shakespeare in Germany in the Sixteenth and Seventeenth Centuries PDF Download
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Author: Albert Cohn
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 380
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Book Description
Author: Albert Cohn
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 380
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Book Description
Author: Albert Cohn
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Book Description
Author: Lukas Erne
Publisher: Bloomsbury Publishing
ISBN: 1350084026
Category : Drama
Languages : en
Pages : 263
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Book Description
This book is a translation of German versions of both Hamlet and Romeo and Juliet. The introductions to each play place these versions of Shakespeare's plays in the German context, and offer insights into what we can learn about the original texts from these translations. English itinerant players toured in northern continental Europe from the 1580s. Their repertories initially consisted of plays from the London theatre, but over time the players learnt German, and German players joined the companies, as a result of which the dramatic texts were adapted and translated into German. A number of German plays now extant have a direct connection to Shakespeare. Four of them are so close in plot, character constellation and at times even language to their English originals that they can legitimately be considered versions of Shakespeare's plays. This volume offers fully edited translations of two such texts: Der Bestrafte Brudermord / Fratricide Punished (Hamlet) and Romio und Julieta (Romeo and Juliet). With full scholarly apparatus, these texts are of seminal interest to all scholars of Shakespeare's texts, and their transmission over time in print, translation and performance.
Author: A. J. Hoenselaars
Publisher: Cambridge University Press
ISBN: 9780521829021
Category : Drama
Languages : en
Pages : 316
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Book Description
This volume, with a foreword by Dennis Kennedy, addresses a range of attitudes to Shakespeare's English history plays in Britain and abroad from the early seventeenth century to the present day. It concentrates on the play texts as well as productions, translations and adaptations of them. The essays explore the multiple points of intersection between the English history they recount and the experience of British and other national cultures, establishing the plays as genres not only relevant to the political and cultural history of Britain but also to the history of nearly every nation worldwide. The plays have had a rich international reception tradition but critics and theatre historians abroad, those practising 'foreign' Shakespeare, have tended to ignore these plays in favour of the comedies and tragedies. By presenting the British and foreign Shakespeare traditions side by side, this volume seeks to promote a more finely integrated world Shakespeare.
Author: Michelle M. Dowd
Publisher: Bloomsbury Publishing
ISBN: 135016187X
Category : Literary Criticism
Languages : en
Pages : 409
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Book Description
How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.
![Shakespeare in Germany in the sixteenth and seventeenth centuries. [With] Texts [of 6 plays, by J. Ayrer and others. In Germ. and Engl.] 2 pt PDF](https://books.google.com/books/content/images/frontcover/BZ8NAAAAQAAJ?fife=w80-h100)
Author: Albert Cohn
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
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Book Description
Author: Hugh Macrae Richmond
Publisher: A&C Black
ISBN: 9780826477767
Category : Literary Criticism
Languages : en
Pages : 590
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Book Description
Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Book Description
Author: Dr Roger Clegg
Publisher: Royal College of General Practitioners
ISBN: 0859899624
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
A popular crowd-pleaser in the late 16th and mid-17th century, the dramatic jig was a short, comic, bawdy musical-drama which included elements of dance, slapstick and disguise. With a cast of ageing cuckolds and young head-strong wives, knavish clowns, roaring soldiers and country bumpkins, jigs often followed as afterpieces at London’s playhouses, and were performed at fairs, in villages and in private houses. Troublesome to the authorities, they drew the crowds by offering a lively antidote to more sober theatrical fare. This performance edition presents for the first time nine examples of English dramatic jigs from the late sixteenth century through to the Restoration; the scripts are re-united as far as possible with their original tunes. It gives a comprehensive history, discusses sources, plots, instrumentation and dancing, and offers practical information on staging jigs today. Includes: Transcriptions of the original texts Contextual notes: plot synopses and discussion of sources, themes and audience reception Musical notation for each tune, with suggestions for underlay and chords, and notes on instrumention and style Appendix of dance instructions and reconstructions
Author: Joel B. Lande
Publisher: Cornell University Press
ISBN: 1501727133
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society. Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.
