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Author: Min Jiao
Publisher: Taylor & Francis
ISBN: 100085664X
Category : Drama
Languages : en
Pages : 130
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Book Description
This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.
Author: Min Jiao
Publisher: Taylor & Francis
ISBN: 100085664X
Category : Drama
Languages : en
Pages : 130
Get Book Here
Book Description
This volume takes a deep dive into the philosophical hermeneutics of Shakespearean tradition, providing insight into the foundations, theories, and methodologies of hermeneutics in Shakespeare. Central to this research, this volume investigates fundamental questions including: what is philosophical hermeneutics, why philosophical hermeneutics, what do literary and cultural hermeneutics do, and in what ways can literary and cultural hermeneutics benefit the interpretation of Shakespearean plays? Hermeneutic Shakespeare guides the reader through two main discussions. Beginning with the understanding of "Philosophical Hermeneutics", and the general principles of literary and cultural hermeneutics, the volume includes philosophers such as Friedrich Ast, Daniel Friedrich Schleiermacher, and Wilhelm Dilthey, as well as Ludwig Wittgenstein, Martin Heidegger, Hans-Georg Gadamer, and more recently, Steven Connor. Part Two of this volume applies universal principles of philosophical hermeneutics to explicate the historical, philosophical, acquired, and applied literary interpretations through the critical practices of Shakespeare’s plays or their adaptations, including Henry V, The Merchant of Venice, Hamlet, and The Comedy of Errors. Aimed at scholars and students alike, this volume aims to contribute to contemporary understanding of Shakespeare and literature hermeneutics. Chapters 2, 5, and 6 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Funded by Guangdong University of Foreign Studies.
Author: William M. Hawley
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 248
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Book Description
This book provides new insights into the theatrical and philosophical foundations of Shakespeare's history plays through a dialogue with the theories of Jacques Derrida, Michel Foucault, and Paul Ricoeur. Widely regarded to be anti-historical and nihilistic, Derrida and Foucault are shown to hold as responsible an attitude toward politics, truth, and art as Ricoeur. In the author's close critique of the ten plays, the sometimes conflicting views of these theorists reveal Shakespeare's developing historical understanding. Rather than promulgating a single historical perspective, Shakespeare's «historiography» plays afford pluralistic views of myth, politics, gender, sexuality, intersubjectivity, and religion because of their profound theatricality. Shakespeare's «detour» into history and culture thus joins the skeptical dimension of critical hermeneutics.
Author: Kristin Gjesdal
Publisher: Cambridge University Press
ISBN: 1107112869
Category : History
Languages : en
Pages : 247
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Book Description
This book offers new perspectives on the historical origins and contemporary challenges of modern hermeneutics through a detailed exploration of Herder's Enlightenment philosophy.
Author: Charles LaPorte
Publisher: Cambridge University Press
ISBN: 1108496156
Category : Drama
Languages : en
Pages : 227
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Book Description
How and why did Victorian culture make Shakespeare into a literary deity and his work into a secular Bible?
Author: Lawrence Kennedy Schmidt
Publisher: Routledge
ISBN: 1134943768
Category : Philosophy
Languages : en
Pages : 193
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Book Description
This series provides short, accessible and lively introduction to the major schools, movements and traditions in philosophy and the history of ideas since the beginning of the Enlightenment. All books in the series are written for undergraduates meeting the subject for the first time. Hermeneutics concerns itself with the theory of understanding and the interpretation of language. The question of how to correctly interpret and understand others remains one of the most contested branches of philosophy. In Understanding Hermeneutics Lawrence Schmidt provides an introduction to modern hermeneutics through a systematic examination of the ideas of its key philosophical proponents. Chapter 1 examines the ideas, of the Protestant theologian, Friedrich Schleiermacher, who argues that misunderstanding is always possible so we must always employ interpretation if we are to understnad correctly. Chapter 2 discusses the ideas of Dilthey, who maintains that understanding in the humanities is fundamentally different from explanation in the natural sciences, and who presents a methodology to judge what another person means or feels by means of their language and also their gestures, facial expressions, and manners of acting. Chapter 3 explores the ideas of Heidegger who radicalizes the concept by shifting its focus from interpreting texts to an existential interpretation of human being. In Chapter 4 the recent ideas of Gadamer are examined, which extend to examining the structures of hermeneutic experience and to question the supremacy of the natural sciences as models for truth. The final chapters consider some of the criticisms and controversies surrounding hermeneutics, including the work of Habermas, Hirsch, Ricoeur and Derrida, and the prospects for the future of hermeneutics.
Author: Kevin J. Vanhoozer
Publisher: Indiana University Press
ISBN: 0253111986
Category : Philosophy
Languages : en
Pages : 264
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Book Description
In this multi-faceted volume, Christian and other religiously committed theorists find themselves at an uneasy point in history -- between premodernity, modernity, and postmodernity -- where disciplines and methods, cultural and linguistic traditions, and religious commitments tangle and cross. Here, leading theorists explore the state of the art of the contemporary hermeneutical terrain. As they address the work of Gadamer, Ricoeur, and Derrida, the essays collected in this wide-ranging work engage key themes in philosophical hermeneutics, hermeneutics and religion, hermeneutics and the other arts, hermeneutics and literature, and hermeneutics and ethics. Readers will find lively exchanges and reflections that meet the intellectual and philosophical challenges posed by hermeneutics at the crossroads. Contributors are Bruce Ellis Benson, Christina Bieber Lake, John D. Caputo, Eduardo J. Echeverria, Benne Faber, Norman Lillegard, Roger Lundin, Brian McCrea, James K. A. Smith, Michael VanderWeele, Kevin Vanhoozer, and Nicholas Wolterstorff.
Author: Brayton Polka
Publisher: Rutgers University Press
ISBN: 1644531194
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
Brayton Polka takes both a textual and theoretical approach to seven plays of Shakespeare: Macbeth, Othello, Twelfth Night, All’s Well That Ends Well, Julius Caesar, Troilus and Cressida, and Hamlet. He calls upon the Bible and the ideas of major European thinkers, above all, Kierkegaard and Spinoza, to argue that the concept of interpretation that underlies both Shakespeare’s plays and our own lives as moderns is the golden rule of the Bible: the command to love your neighbor as yourself. What you will (the alternative title of Twelfth Night ) thus captures the idea that interpretation is the very act by which we constitute our lives. For it is only in willing what others will—in loving relationships—that we enact a concept of interpretation that is adequate to our lives. Polka argues that it is the aim of Shakespeare, when representing the ancient world in plays like Julius Caesar and Troilus and Cressida, and also in his long narrative poem “The Rape of Lucrece,” to dramatize the fundamental differences between ancient (pagan) values and modern (biblical) values or between what he articulates as contradiction and paradox. The ancients are fatally destroyed by the contradictions of their lives of which they remain ignorant. In contrast, we moderns in the biblical tradition, like those who figure in Shakespeare’s other works, are responsible for addressing and overcoming the contradictions of our lives through living the interpretive paradox of “what you will,” of treating all human beings as our neighbor. Shakespeare’s comedies and tragedies, notwithstanding their dramatically different form, share this interpretive framework of paradox. As the author shows in his book, texts without interpretation are blind and interpretation without texts is empty. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Younglim Han
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638736
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
These two criticisms are based on the presumption that only a socially and intellectually elite reader is able to view the author's language in terms of its organic relationship with the text as a whole. The Romantics focused on the interpretive reproduction of Shakespeare through sympathetic identification with his characters."--BOOK JACKET.
Author: Thomas Chandler Fulton
Publisher: Cambridge University Press
ISBN: 1107194237
Category : Drama
Languages : en
Pages : 321
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Book Description
The first volume to consider how the context of early modern biblical interpretation shaped Shakespeare's plays.
Author: Adrian Poole
Publisher: Bloomsbury Publishing
ISBN: 1472578635
Category : Literary Criticism
Languages : en
Pages : 968
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Book Description
Great Shakespeareans presents a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. An essential resource for students and scholars in Shakespeare studies.
