Author: Peter D Matthews
Publisher: Bassano Publishing House
ISBN: 0987365266
Category : Drama
Languages : en
Pages : 317
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Book Description
William Shakespeare is viewed today as the quintessential English writer who has continued to influence art, poetry, philosophy and even science for over four centuries. His graphic imagery of Venice, Padua and Verona carefully braided with poignant tragic wreckages of real life circumstances, shrewdly infused with the ancient Kabbalah and transcendent Platonism was nothing short of genius. That is, if he ever put pen to paper! These chronicles reveal documentary evidence to confirm who really penned the Shakespearean canon. For centuries these works have been accoladed as the very basis of English literature, yet the author might not have been English at all! Amidst the mischief, mayhem and murder, these chronicles answer all the questions, including one of the greatest discoveries of all time - who owned the finest collection of Venetian, Italian and Byzantinian jewellery in the world - The Cheapside Hoard.
Author: Paul Menzer
Publisher: Bloomsbury Publishing
ISBN: 1350156779
Category : Drama
Languages : en
Pages : 281
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Book Description
This engaging and fresh biography begins by examining how Shakespeare's life turns into myth so comfortably as to seduce even the most sceptical scholar. The early departure, the late return. Public success, private loss. A twilight of plays about family reunions, a death at home in the biggest house in town, the one he walked by as a schoolboy and eyed with envy, or at least ambition. Shakespeare led an orbital life, everything returned to where it began. He even had the dramatic good sense to die on his birthday. One of the appealing dynamics of the Shakespeare myth is the contrast of his humble beginnings and his lofty achievements, persuading us that genius might blossom anywhere. William Shakespeare: A Brief Life honours these myths, but also explores some of the mysteries: why Shakespeare left Stratford, who he ran with in London, why he put down his pen and at last came home again. Ultimately, the book explores the compelling contrast between the mere fifty two years Shakespeare lived, with the prolonged after lives of his work and his story, which show no sign of ending.
Author: Peter D Matthews
Publisher: Bassano Publishing House
ISBN: 0992461618
Category : Literary Criticism
Languages : en
Pages : 463
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Book Description
This book is the result of fourteen years research scrutinizing thousands of historical documents. Dr Matthews reveals never before seen facts regarding the earliest quartos and the first folio – even new research into the leather cover of the Bodleian first folio and how that particular copy came into the possession of the Turbutt family. Dr Matthews has forensically dated the majority of the Shakespearean plays twenty years before earlier scholars, such as Rowe, Malone and Chambers – some plays dated as early as 1561, 1559 and 1558 – up to six years before William Shakespeare was born. Dr Matthews’ exemplary philosophical dissertation of the Shakespearean works and its critics, reveals much about the identity of the real authors. A unique reference work essential to Shakespearean scholars and students alike – this crucial work redates the Shakespearean works, scrutinizes each candidate, and definitively answers the authorship debate.
Author: S. Ryle
Publisher: Springer
ISBN: 1137332069
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Shakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender.
Author: Nicola J. Watson
Publisher: Oxford University Press, USA
ISBN: 0198847572
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
A fascinating account of the emergence of the writer's house museum over the course of the nineteenth century in Britain, Europe, and North America. It considers the museum as a cultural form and asks why it appeared and how it has constructed authorial afterlife for readers individually and collectively.
Author: Nicholas de Somogyi
Publisher: Routledge
ISBN: 1351900706
Category : Literary Criticism
Languages : en
Pages : 474
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Book Description
The period between 1585 (when Elizabeth formally committed her military support to the Dutch wars against Spain) and 1604 (when James at last brought it to an end) was one in which English life was preoccupied by the menace and actuality of war. The same period spans English drama’s coming of age, from Tamburlaine to Hamlet. In this thought-provoking book, Nick de Somogyi draws on a wide range of contemporary military literature (news-letters and war-treatises, maps and manuals), to demonstrate how deeply wartime experience influenced the production and reception of Elizabethan theatre. In a series of vivid parallels, the roles of soldier and actor, the setting of battlefield and stage, and the context of playhouse and muster are shown to have been rooted in the common experience of war. The local armoury served as a props department; the stage as a military lecture-hall. News from the front line has always been shrouded in the fog of war. Shakespeare’s Rumour is here seen as kindred to such equally dubious messengers as his Armado, Falstaff or Pistol; soldiers have always told tall tales, military ghost-stories that are here shown to have seeped into such narratives as The Spanish Tragedy and Henry V. This book concludes with a sustained account of Hamlet, a play which both dramatises the Elizabethan context of war-fever, and embodies in its three variant texts the war and peace that shaped its production. By affording scrutiny to each of its title’s components, Shakespeare’s Theatre of War provides a compelling argument for reassessing the drama of Shakespeare and his contemporaries within the enduring context of the military culture and wartime experience of his age.
Author: Michael Saenger
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228016509
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer.
Author: David Ellis
Publisher: Edinburgh University Press
ISBN: 0748653880
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
A polemical attack on the ways recent Shakespeare biographers have disguised their lack of information
Author: Lesley Coote
Publisher: Routledge
ISBN: 0429810059
Category : History
Languages : en
Pages : 238
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Book Description
This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.
Author: Germaine Greer
Publisher: McClelland & Stewart
ISBN: 1551992159
Category : Biography & Autobiography
Languages : en
Pages : 598
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Book Description
A New York Times Book Review Notable Book of the Year A polemical, ground-breaking study of Elizabethan England that reclaims Ann Hathaway’s rightful place in history. Little is known about the wife of the world’s most famous playwright; a great deal, none of it complimentary, has been assumed. The omission of her name from Shakespeare’s will has been interpreted as evidence that she was nothing more than an unfortunate mistake from which Shakespeare did well to distance himself. Yet Shakespeare is above all the poet of marriage. Before him, there were few comedies or tragedies about wooing or wedding. And yet he explored the sacrament in all its aspects, spiritual, psychological, sexual, sociological, and was the creator of some of the most tenacious and intelligent heroines in English literature. Is it possible, therefore, that Ann, who has been mocked and vilified by scholars for centuries, was the inspiration? Until now, there has been no serious critical scholarship devoted to the life and career of the farmer’s daughter who married England’s greatest poet. Part biography, part history, Shakespeare’s Wife is a fascinating reconstruction of Ann’s life, and an illuminating look at the daily lives of Elizabethan women, from their working routines to the rituals of courtship and the minutiae of married life. In this thoroughly researched and controversial book, Greer steps off the well-trodden paths of orthodoxy, asks new questions, and begins to right the wrongs done to Ann Shakespeare.
