Author: Murray Cox
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021596
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.
Shakespeare as Prompter
Author: Murray Cox
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021596
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.
Publisher: Jessica Kingsley Publishers
ISBN: 9781853021596
Category : Literary Criticism
Languages : en
Pages : 482
Book Description
Prompting is the thematic thread that pervades the pages of this book. Its primary connotation is that of the prompter who is urgently called into action, at moments of anxiety, when narrative begins to fail. The central dynamic issue concerns the amending imagination as a prompting resource which, through creativity and the aesthetic imperative, can be invoked in this therapeutic space when the patient - through fear, resistance or distraction - is unable to continue with his story. Psychotherapy can be regarded as a process in which the patient is enabled to do for himself what he cannot do on his own. Shakespeare - as the spokesman for all other poets and dramatists - prompts the therapist in the incessant search for those resonant rhythms and mutative metaphors which augment empathy and make for deeper communication and which also facilitates transference interpretation and resolution. The cadence of the spoken word and the different laminations of silence always call for more finely tuned attentiveness than the therapist, unprompted, can offer. The authors show how Shakespeare can prompt therapeutic engagement with "inaccessible" patients who might otherwise be out of therapeutic reach. At the same time, they demonstrate that the clinical, off-stage world of therapy can also prompt the work of the actor in his on-stage search for representational precision.
Dictionary of Shakespeare
Author: Louise McConnell
Publisher: Taylor & Francis
ISBN: 9781579582159
Category :
Languages : en
Pages : 344
Book Description
William Shakespeare is acknowledged to be the greatest writer in the English language. This new dictionary includes more than 1,500 entries that cover: Shakespeare's theatre and stagecraft; Elizabethan history and society; all of Shakespeare's plays and poems; his main characters; and terms used in critical reviews.Each of the encyclopedic entries provides a clear explanation of the term, its origins, relevance and use. Dictionary of Shakespeare has been carefully written in a non-technical way to insure that all levels of student and researcher will find the entries clear and uncomplicated.The entries help explain the terms used in Shakespeare's texts and in their execution and so provides the historical context required to give the reader a full background of the term. This feature sets the dictionary apart from others on the same subject that concentrate either on single plays or on the biographies of his characters. No other title explains so great a range of theatrical, historical, and"Shakespearean" terms.
Publisher: Taylor & Francis
ISBN: 9781579582159
Category :
Languages : en
Pages : 344
Book Description
William Shakespeare is acknowledged to be the greatest writer in the English language. This new dictionary includes more than 1,500 entries that cover: Shakespeare's theatre and stagecraft; Elizabethan history and society; all of Shakespeare's plays and poems; his main characters; and terms used in critical reviews.Each of the encyclopedic entries provides a clear explanation of the term, its origins, relevance and use. Dictionary of Shakespeare has been carefully written in a non-technical way to insure that all levels of student and researcher will find the entries clear and uncomplicated.The entries help explain the terms used in Shakespeare's texts and in their execution and so provides the historical context required to give the reader a full background of the term. This feature sets the dictionary apart from others on the same subject that concentrate either on single plays or on the biographies of his characters. No other title explains so great a range of theatrical, historical, and"Shakespearean" terms.
Shakespeare, Memory and Performance
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 0521863805
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.
Publisher: Cambridge University Press
ISBN: 0521863805
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.
A New Variorum Edition of Shakespeare
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 756
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 756
Book Description
The Organization and Personnel of the Shakespearean Company
Author: Thomas Whitfield Baldwin
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 500
Book Description
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 500
Book Description
Shakespeare Without Tears
Author: Margaret Webster
Publisher: Courier Corporation
ISBN: 0486311325
Category : Performing Arts
Languages : en
Pages : 335
Book Description
Covers Elizabethan theater, later changes in theatrical practice, scholarly interpretations, staging problems, analysis of principal characters. "Not an obscure or otherwise dull page in the book." — N.Y. Times Book Review.
Publisher: Courier Corporation
ISBN: 0486311325
Category : Performing Arts
Languages : en
Pages : 335
Book Description
Covers Elizabethan theater, later changes in theatrical practice, scholarly interpretations, staging problems, analysis of principal characters. "Not an obscure or otherwise dull page in the book." — N.Y. Times Book Review.
From Playtext to Performance on the Early Modern Stage
Author: Leslie Thomson
Publisher: Taylor & Francis
ISBN: 1000615650
Category : Performing Arts
Languages : en
Pages : 248
Book Description
This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Publisher: Taylor & Francis
ISBN: 1000615650
Category : Performing Arts
Languages : en
Pages : 248
Book Description
This book reconsiders the evidence for what we know (or think we know) about early modern performance conditions. This study encourages a new recognition and treatment of certain aspects of the plays as evidence – and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.
Acting from Shakespeare's First Folio
Author: Don Weingust
Publisher: Routledge
ISBN: 1135864101
Category : Art
Languages : en
Pages : 241
Book Description
æOriginalÆ Shakespearean theatrical architecture, texts and performance methodologies have become subjects of great popular, professional and academic theatrical interest. Acting from Shakespeare's First Folio: Theory, Text & Performance examines a.
Publisher: Routledge
ISBN: 1135864101
Category : Art
Languages : en
Pages : 241
Book Description
æOriginalÆ Shakespearean theatrical architecture, texts and performance methodologies have become subjects of great popular, professional and academic theatrical interest. Acting from Shakespeare's First Folio: Theory, Text & Performance examines a.
Shakespeare's Use of Song
Author: Richmond Samuel Howe Noble
Publisher: London : Oxford University Press
ISBN:
Category : Music and literature
Languages : en
Pages : 172
Book Description
Publisher: London : Oxford University Press
ISBN:
Category : Music and literature
Languages : en
Pages : 172
Book Description
Shakespeare's First Folio
Author: Raymond Crompton Rhodes
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
Book Description