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Author: William Shakespeare
Publisher: Associated University Presse
ISBN: 9780838641637
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
"This book is intended for all readers interested in The Sonnets, and will appeal to all those who desire nothing more than to enjoy Shakespeare's greatest poetry."--BOOK JACKET.
Author: William Shakespeare
Publisher: Associated University Presse
ISBN: 9780838641637
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
"This book is intended for all readers interested in The Sonnets, and will appeal to all those who desire nothing more than to enjoy Shakespeare's greatest poetry."--BOOK JACKET.
Author: Jonathan Bate
Publisher: Princeton University Press
ISBN: 0691210144
Category : Drama
Languages : en
Pages : 378
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Book Description
"This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix.
Author: George Puttenham
Publisher: Cornell University Press
ISBN: 1501707418
Category : Literary Criticism
Languages : en
Pages : 513
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Book Description
George Puttenham's Art of English Poesy is a foundational work of English Renaissance criticism and literary theory. Rich in detail about the nature, purpose, and functions of poetry as well as the poet's character and goals, it is also a valuable historical document, offering generous insight into Elizabethan court culture, implicitly on display in the attitudes and values of the writer. His illustrative anecdotes enable us to watch European courtiers negotiating their social and political relationships with one another as well as with rulers and social inferiors. This new critical edition of The Art of English Poesy contains the first modernized and fully annotated edition of Puttenham's 1589 text; a substantial introductory essay by Frank Whigham and Wayne A. Rebhorn; a comprehensive bibliography; several glossaries and appendixes; and an index. The editors' masterly essay introduces Puttenham to modern readers and situates The Art of English Poesy in the context of the rhetorical theory, poetics, and courtly conduct of its time. The introduction also includes a concise biography of Puttenham based on a variety of new and unfamiliar data: he married an older and much richer woman whom he badly mistreated; indulged habitually in a life of sexual predation; was repeatedly sued, arrested, and imprisoned; survived several supposed attempts on his life; and died, nearly indigent, in 1591. For scholars and students of the English Renaissance, the Cornell edition of The Art of English Poesy should prove the definitive edition of Puttenham's major work.
Author: William Lowes Rushton
Publisher: Forgotten Books
ISBN: 9780260774859
Category :
Languages : en
Pages : 180
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Book Description
Excerpt from Shakespeare and the Arte of English Poesie Chorus. Linger your patience on; and well digest Th' abuse of distance, while we force a play. The sum is paid; the traitors are agreed; The king is set from London; and the scene IS now transported, gentles, to Southampton. King Henry V., Act ii. Prologue. The Chorus, after wresting the word digest from his own right signification, uses the words abuse and transported. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Richard Puttenham
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 330
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Book Description
Author: Graham Bradshaw
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754665724
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
This eighth volume of The Shakespearean International Yearbook presents a special section on European Shakespeares, which highlights how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. Contributors to this issue come from Europe, North America, South Africa, and India. In addition to the section on European Shakespeares, essays in this volume consider issues of character and the genre of romance, and other topics.
Author: Keith Harrison
Publisher: Springer
ISBN: 3319597434
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
This book explores how Bakhtin’s ideas can illuminate the compelling but uneasy fusion of Shakespeare and cinema. With a wide variety of tones, languages, cultural orientations, and thematic concerns, film directors have updated, translated, transposed, fragmented, parodied, and geographically re-situated Shakespeare. Keith Harrison illustrates how Bakhtin’s interlinked writings in various fields can fruitfully be applied to an understanding of how the ongoing responsiveness of filmmakers to Shakespeare’s historically remote words can shape self-expressive acts of co-authoring in another medium. Through the use of such Bakhtinian concepts as the chronotope, heteroglossia, the carnivalesque, and polyphony, Harrison details how filmmakers—faithful to their specific cultures, genders, geographies, and historical moments—dialogically locate their particularity through Shakespeare’s presence.
Author: Jonathan P. Lamb
Publisher: Cambridge University Press
ISBN: 1108148433
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Making innovative use of digital and library archives, this book explores how Shakespeare used language to interact with the verbal marketplace of early modern England. By also combining word history with book history, Jonathan P. Lamb demonstrates Shakespeare's response to the world of words around him, in and through the formal features of his works. In chapters that focus on particular rhetorical features in Richard II, The Merchant of Venice, As You Like It, Hamlet, and Troilus and Cressida, Lamb argues that we can best understand Shakespeare's writing practice by scrutinizing how the formal features of his works circulated in an economy of imaginative writing. Shakespeare's interactions with this verbal market preceded and made possible his reputation as a playwright and dramatist. He was, in his time, a great buyer and seller of words.
Author: Tiffany J. Werth
Publisher: JHU Press
ISBN: 1421403013
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Romances were among the most popular books in the sixteenth and seventeenth centuries among both Protestant and Catholic readers. Modeled after Catholic narratives, particularly the lives of saints, these works emphasized the supernatural and the marvelous, themes commonly associated with Catholicism. In this book, Tiffany Jo Werth investigates how post-Reformation English authors sought to discipline romance, appropriating its popularity while distilling its alleged Catholic taint. Charged with bewitching readers, especially women, into lust and heresy, romances sold briskly even as preachers and educators denounced them as papist. Protestant reformers, as part of their broader indictment of Catholicism, sought to redirect certain elements of the Christian tradition, including this notorious literary genre. Werth argues that through the writing and circulation of romances, Protestants repurposed their supernatural and otherworldly motifs in order to “fashion,” as Edmund Spenser wrote, godly "vertuous" readers. Through careful examinations of the period’s most renowned romances—Sir Philip Sidney’s The Countess of Pembrokes Arcadia, Spenser’s The Faerie Queen, William Shakespeare’s Pericles, and Lady Mary Wroth’s Urania—Werth illustrates how post-Reformation writers struggled to transform the literary genre. As a result, the romance, long regarded as an archetypal form closely allied with generalized Christian motifs, emerged as a central tenet of the religious controversies that divided Renaissance England.
Author: C. DiPietro
Publisher: Springer
ISBN: 1137017317
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
These essays address the intersections between Shakespeare, history and the present using a variety of new and established methodological approaches, from phenomenology and ecocriticism to the new economics and aesthetics.
