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Author: Bridget Escolme
Publisher: Palgrave Macmillan
ISBN: 9783030571511
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
Author: Bridget Escolme
Publisher: Palgrave Macmillan
ISBN: 9783030571511
Category : Literary Criticism
Languages : en
Pages : 215
Get Book Here
Book Description
What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
Author: Patricia Lennox
Publisher: Bloomsbury Publishing
ISBN: 1472532503
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Inspired by new approaches in performance studies, theatre history, research in material culture and dress history, a rich discussion of the many aspects of costume in Shakespearean performance has begun. Shakespeare and Costume furthers this research, bringing together varied and stimulating essays by leading scholars that consider costume from literary, dramatic, design, performative and theatrical perspectives, as well as interviews with renowned theatre practitioners Jane Greenwood and Robert Morgan. The volume amply demonstrates how an analysis of the meaning of costume enriches our understanding of Shakespeare's plays. Beginning with an overview of the stage history of Shakespeare and costume, the volume looks at the historical context of clothing in the plays, considering topics such as royal self-fashioning, festive livery practices, and conceptions of race and gender exhibited in clothing choice, as well as costume in performance. Drawing on documentary evidence in designers' renderings, illustrations in periodicals, paintings, photographs, newspaper reviews and actors' memoirs, the volume also explores costume designs in specific Shakespeare productions from the re-opening of the London theatres in 1660 to the present day.
Author: Bridget Escolme
Publisher: Springer Nature
ISBN: 3030571491
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central not only to the creation of period setting and the actor’s work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare. The book explores questions about what the first Hamlet looked like in his mourning cloak; how costumes for a Shakespeare comedy can reflect or critique the collective nostalgias a culture has for its past; how costume and casting work together to ask new questions about Shakespeare and race. Using production case studies of Hamlet, Much Ado About Nothing, and The Tempest, the book demonstrates that costume design can be a site of experimentation, playfulness, and transgression in the theatre – and that it can provoke audiences to think again about what power, race, and gender look like on the Shakespearean stage.
Author: Ella Hawkins
Publisher: Bloomsbury Publishing
ISBN: 1350234435
Category : Drama
Languages : en
Pages : 289
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Book Description
The meanings originally communicated by Elizabethan and Jacobean dress have long been confined to history. Why, then, have doublets, hose, ruffs and farthingales featured in many Shakespeare productions staged since the turn of the 21st century? This book scrutinizes the popular practice of costuming Shakespeare's plays in Elizabethan and Jacobean dress. It considers why this approach to design appeals to contemporary directors, designers and audiences, and how it has shaped the meaning of Shakespeare's works in specific performance contexts. Informed by original interviews with several prominent theatre practitioners, including Emma Rice, Gregory Doran, Jenny Tiramani, Simon Godwin, Stephen Brimson Lewis and Tom Piper, Shakespeare in Elizabethan Costume explores how various 21st-century Shakespeare productions have drawn on myths and desires associated with early modern clothing. Its discussions range from the practicalities of historical reconstruction to the appeal of early modern sartorial culture as an embodiment of wonder, spectacle and the supernatural. Productions discussed include Shakespeare's Globe's production of Henry V (1997), the National Theatre's Twelfth Night (2017) and the Royal Shakespeare Company's The Tempest (2016). Ella Hawkins examines the minutiae of modern design -- how seams are sewn, whence fabrics are sourced -- as well as the widespread cultural movements that have produced our modern relationship with the period of Shakespeare's lifetime. This is the first book to explore fully the significance of Elizabethan-inspired design in contemporary Shakespearean performance. Shakespeare in Elizabethan Costume reframes so-called 'period' costuming as a dynamic collection of practices capable of refashioning textual meanings, reflecting present-day political and societal shifts and confronting contemporary injustices.
Author: Morgan Lloyd Malcolm
Publisher: Bloomsbury Publishing
ISBN: 1350200271
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD 'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.
Author: Sheila Jackson
Publisher: Bloomsbury Publishing
ISBN: 1408116901
Category : Performing Arts
Languages : en
Pages : 154
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Book Description
For anyone producing costumes on a small budget, whether for schools, colleges or amateur, semi-professional or professional groups, this basic introduction offers practical advice for every kind of play, together with drawings, diagrams and patterns from which to work. It includes sections onm Greek plays, medieval miracles and mysteries, Shakespeare, 17th-century, 18th-century, Victorian and Edwardian costume. each section covers the details of men's and women's clothes and accessories, as well as methods for adapting and simplifying the style of the period.
Author: Patricia Lennox
Publisher: Bloomsbury Publishing
ISBN: 1472532457
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Inspired by new approaches in performance studies, theatre history, research in material culture and dress history, a rich discussion of the many aspects of costume in Shakespearean performance has begun. Shakespeare and Costume furthers this research, bringing together varied and stimulating essays by leading scholars that consider costume from literary, dramatic, design, performative and theatrical perspectives, as well as interviews with renowned theatre practitioners Jane Greenwood and Robert Morgan. The volume amply demonstrates how an analysis of the meaning of costume enriches our understanding of Shakespeare's plays. Beginning with an overview of the stage history of Shakespeare and costume, the volume looks at the historical context of clothing in the plays, considering topics such as royal self-fashioning, festive livery practices, and conceptions of race and gender exhibited in clothing choice, as well as costume in performance. Drawing on documentary evidence in designers' renderings, illustrations in periodicals, paintings, photographs, newspaper reviews and actors' memoirs, the volume also explores costume designs in specific Shakespeare productions from the re-opening of the London theatres in 1660 to the present day.
Author: Jean MacIntyre
Publisher: University of Alberta
ISBN: 9780888642264
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
The scripts of the Admiral's Men (later Prince Henry's Men), the Chamberlain's Men (later the King's Men) boy actors and Worcester's/Queen Anne's Men are examined in detail to document the differing costume practices of these companies, especially the ways in which in their earlier days they reconciled visual splendor with the greatest possible economy.
Author: Tom Tierney
Publisher: Courier Corporation
ISBN: 9780486413303
Category : Juvenile Nonfiction
Languages : en
Pages : 58
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Book Description
Two dolls, 30 detailed period costumes from Romeo and Juliet, Hamlet, Othello, The Tempest, The Merchant of Venice, Macbeth, Henry V, Richard III, and 7 other great plays.
Author: David Ives
Publisher: Dramatists Play Service, Inc.
ISBN: 0822233975
Category : Drama
Languages : en
Pages : 97
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Book Description
THE STORY: Mistaken identity, misplaced ardor, and a fight for true love ensue in this adaptation of Piron’s classic 1738 French farce. Would-be poet Damis has fallen in love with the works of a mysterious Breton poetess, not knowing that she is really Francalou, a middle-aged gentleman. Meanwhile, Damis’s non-literary friend Dorante has fallen in love with Francalou’s daughter, Lucille, who mistakes her new suitor for her favorite poet—Damis! Add to the chaos some scheming servants, pseudonyms, and disguises, and there is much to untangle before love-plots are resolved and a happy ending found in this French farce. With his sparkling wit and brilliant sense of comedic timing, David Ives brings a new shine to this lost classic.
