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Author: Raluca Pößl
Publisher: GRIN Verlag
ISBN: 3346590364
Category : Literary Collections
Languages : en
Pages : 56
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Book Description
Bachelor Thesis from the year 2018 in the subject English Language and Literature Studies - Other, grade: 2,7, Humboldt-University of Berlin (Anglistik / Amerikanistik), language: English, abstract: This thesis has the purpose to attend to questions of the likes. Where are all the female musicians? Are there really so little of them or are they simply underrepresented? How are female musicians represented and portrayed if they are successful or trying to gain success? All of these questions above are heavily drenched with more or less visible sexism. The first part of the thesis focuses on explaining how the current status quo has developed and what is keeping it firmly in its place. The second part deals with the various existing forms of sexism, examining carefully the forms that are more difficult to recognize such as microaggressions and microinsults. The final part looks closely at the female body and how it is used, portrayed and exploited, arguing that the female body is a social construction, shaped and used for clear purposes. Possible ways out are examined as well as the difficulty in seeking a transformation of representation since oftentimes solutions stem from the same source that created the problems in the first place. The purpose of this thesis is neither to shame men nor condemn the industry altogether, although I will be critical and harsh of things that must be eyed critically. I attempt to shine a light on a new path that not only female artists have to take, but one that can and should be created hand in hand with record labels, managers and all people involved in the music business.
Author: Raluca Pößl
Publisher: GRIN Verlag
ISBN: 3346590364
Category : Literary Collections
Languages : en
Pages : 56
Get Book Here
Book Description
Bachelor Thesis from the year 2018 in the subject English Language and Literature Studies - Other, grade: 2,7, Humboldt-University of Berlin (Anglistik / Amerikanistik), language: English, abstract: This thesis has the purpose to attend to questions of the likes. Where are all the female musicians? Are there really so little of them or are they simply underrepresented? How are female musicians represented and portrayed if they are successful or trying to gain success? All of these questions above are heavily drenched with more or less visible sexism. The first part of the thesis focuses on explaining how the current status quo has developed and what is keeping it firmly in its place. The second part deals with the various existing forms of sexism, examining carefully the forms that are more difficult to recognize such as microaggressions and microinsults. The final part looks closely at the female body and how it is used, portrayed and exploited, arguing that the female body is a social construction, shaped and used for clear purposes. Possible ways out are examined as well as the difficulty in seeking a transformation of representation since oftentimes solutions stem from the same source that created the problems in the first place. The purpose of this thesis is neither to shame men nor condemn the industry altogether, although I will be critical and harsh of things that must be eyed critically. I attempt to shine a light on a new path that not only female artists have to take, but one that can and should be created hand in hand with record labels, managers and all people involved in the music business.
Author: Rhian Jones
Publisher: Watkins Media Limited
ISBN: 1910924687
Category : Music
Languages : en
Pages : 303
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Book Description
Women write about their experiences of loving music that doesn’t love them back – a feminist 'guilty pleasures'.e - a kind of feminist guilty pleasures. In the majority of mainstream writing and discussions on music, women appear purely in relation to men as muses, groupies or fangirls, with our own experiences, ideas and arguments dismissed or ignored. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music, even – and sometimes especially – when we feel we shouldn’t. Under My Thumb: Songs that Hate Women and the Women Who Love Them is a study of misogyny in music through the eyes of women. It brings together stories from journalists, critics, musicians and fans about artists or songs we love (or used to love) despite their questionable or troubling gender politics, and looks at how these issues interact with race, class and sexuality. As much celebration as critique, this collection explores the joys, tensions, contradictions and complexities of women loving music – however that music may feel about them. Featuring: murder ballads, country, metal, hip hop, emo, indie, Phil Spector, David Bowie, Guns N’ Roses, 2Pac, the Rolling Stones, Bob Dylan, AC/DC, Elvis Costello, Jarvis Cocker, Kanye West, Swans, Eminem, Jay-Z, Taylor Swift, Combichrist and many more.
Author: Ann Werner
Publisher: Bloomsbury Publishing USA
ISBN: 1501368516
Category : Music
Languages : en
Pages : 177
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Book Description
What does it mean, in a polarized political climate, that feminism was popular in mainstream popular music of the 2010s? Engaging with feminist theory and previous research about gender and music, this book investigates the meaning of current trends relating to gender, feminism and woman-identified artists in mediated popular music. The examples discussed throughout the book include Netflix documentaries by Beyoncé, Lady Gaga and Taylor Swift, the Swedish music industry #MeToo petition #närmusikentystnar, music streaming services' gender equality work and the project Keychange striving to bring underrepresented genders to the stage. The volume discusses the media specificity of the different examples, introduces and explains feminist theories and concepts and analyzes the position of women, gender politics and feminisms in popular music.
Author: Ann Werner
Publisher: Bloomsbury Publishing USA
ISBN: 1501368516
Category : Music
Languages : en
Pages : 177
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Book Description
What does it mean, in a polarized political climate, that feminism was popular in mainstream popular music of the 2010s? Engaging with feminist theory and previous research about gender and music, this book investigates the meaning of current trends relating to gender, feminism and woman-identified artists in mediated popular music. The examples discussed throughout the book include Netflix documentaries by Beyoncé, Lady Gaga and Taylor Swift, the Swedish music industry #MeToo petition #närmusikentystnar, music streaming services' gender equality work and the project Keychange striving to bring underrepresented genders to the stage. The volume discusses the media specificity of the different examples, introduces and explains feminist theories and concepts and analyzes the position of women, gender politics and feminisms in popular music.
Author: LJ Müller
Publisher: transcript Verlag
ISBN: 383945851X
Category : Music
Languages : en
Pages : 209
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Book Description
If pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? LJ Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds - singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture.
Author: Rosemary Lucy Hill
Publisher: Springer
ISBN: 113755441X
Category : Social Science
Languages : en
Pages : 190
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Book Description
This book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a music fan is an experience shaped by gender. Through a lively discussion of the idealised imaginary community created in the media and interviews with women fans in the UK, Rosemary Lucy Hill grapples with the controversial topics of groupies, sexism and male dominance in metal. She challenges the claim that the genre is inherently masculine, arguing that musical pleasure is much more sophisticated than simplistic enjoyments of aggression, violence and virtuosity. Listening to women’s experiences, she maintains, enables new thinking about hard rock and metal music, and about what it is like to be a women fan in a sexist environment.
Author: Glenn Fosbraey
Publisher: Springer Nature
ISBN: 3030651894
Category : Social Science
Languages : en
Pages : 296
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Book Description
This book presents chapters that have been brought together to consider the multitude of ways that post-2000 popular music impacts on our cultures and experiences. The focus is on misogyny, toxic masculinity, and heteronormativity. The authors of the chapters consider these three concepts in a wide range of popular music styles and genres; they analyse and evaluate how the concepts are maintained and normalized, challenged, and rejected. The interconnected nature of these concepts is also woven throughout the book. The book also seeks to expand the idea of popular music as understood by many in the West to include popular music genres from outside western Europe and North America that are often ignored (for example, Bollywood and Italian hip hop), and to bring in music genres that are inarguably popular, but also sit under other labels such as rap, metal, and punk.
Author: Marion Leonard
Publisher: Routledge
ISBN: 1351218247
Category : Music
Languages : en
Pages : 258
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Book Description
Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.
Author: Lori Burns
Publisher: Routledge
ISBN: 1135698813
Category : Music
Languages : en
Pages : 300
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Book Description
Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegéocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.
Author: Pirkko Moisala
Publisher: University of Illinois Press
ISBN: 9780252068652
Category : Music
Languages : en
Pages : 396
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Book Description
International scholars engage in a conversation about music and gender in various cross-culture case studies in an effort to determine how music can help individuals, groups, and nations bridge difficult times of changing values.
