Author: Stefan Hammond
Publisher: Simon and Schuster
ISBN: 0684803410
Category : Performing Arts
Languages : en
Pages : 276
Book Description
Including reviews of 200 films, plus information about U.S. theaters, video stores, and mail-order sources that specialize in this white-hot, new genre, this is the first guide to an exploding popular culture phenomenon. Includes 75 photos.
Sex and Zen & A Bullet in the Head
Author: Stefan Hammond
Publisher: Simon and Schuster
ISBN: 0684803410
Category : Performing Arts
Languages : en
Pages : 276
Book Description
Including reviews of 200 films, plus information about U.S. theaters, video stores, and mail-order sources that specialize in this white-hot, new genre, this is the first guide to an exploding popular culture phenomenon. Includes 75 photos.
Publisher: Simon and Schuster
ISBN: 0684803410
Category : Performing Arts
Languages : en
Pages : 276
Book Description
Including reviews of 200 films, plus information about U.S. theaters, video stores, and mail-order sources that specialize in this white-hot, new genre, this is the first guide to an exploding popular culture phenomenon. Includes 75 photos.
More Sex, Better Zen, Faster Bullets
Author: Stefan Hammond
Publisher:
ISBN: 9781909394643
Category : Martial arts films
Languages : en
Pages : 0
Book Description
Hong Kong films tore up kung fu stereotypes in the 80s/90s. Here's the definitive tome on stunt hazards, pistol ballets, snarky gangsters and toothsome molls, hopping vampires, and Hong Kong noir. Start with John, Jacky and Michelle -- evolve to Johnnie To, Ringo Lam, the fantastic world of Tsui Hark, and the auteurdrome of Wong Kar-wai. How and why did films from Hong Kong--a British Crown Colony and map-speck--become so popular? It started in the 50s, when Chinese tycoons named Shaw decided to produce their own films as they felt quality was lacking. The Shaw Brothers owned cinemas in Southeast Asia, but creative freedom was lacking in those territories. The Shaws built their studios in Hong Kong and were soon cranking out high-quality features for distribution across much of Asia -- and Chinatowns worldwide. When the Shaws dropped almost all their film production to feed nouveau riche Hong Kongers via their TVB television channel, Hong Kong experienced a sudden wave of new filmmakers. Golden Harvest became the de facto number one studio with a cadre of filmmakers led by Sammo Hung. The most famous was Jackie Chan, who rocketed to stardom and created his own stunt team. In film after film, Jackie and Sammo co-starred in and/or competed for audience thrills with films that showcased their martial prowess and respective senses of humor. More Sex, Better Zen, Faster Bullets explicates, amplifies, and just plain rips across genres and filmmakers in one of the world's most storied film industries. Become an afflictionado. More Sex, Better Zen, Faster Bullets contains the best bits of Sex and Zen & A Bullet in the Head (1996) and Hollywood East (2000)--the two best known tomes on Hong Kong films of the twentieth century. Neither has ever been released in digital format, so author Stefan Hammond crashed together the two books and added more insight...and more film reviews. The result is the most comprehensive encyclopedia of Hong Kong film available anywhere.
Publisher:
ISBN: 9781909394643
Category : Martial arts films
Languages : en
Pages : 0
Book Description
Hong Kong films tore up kung fu stereotypes in the 80s/90s. Here's the definitive tome on stunt hazards, pistol ballets, snarky gangsters and toothsome molls, hopping vampires, and Hong Kong noir. Start with John, Jacky and Michelle -- evolve to Johnnie To, Ringo Lam, the fantastic world of Tsui Hark, and the auteurdrome of Wong Kar-wai. How and why did films from Hong Kong--a British Crown Colony and map-speck--become so popular? It started in the 50s, when Chinese tycoons named Shaw decided to produce their own films as they felt quality was lacking. The Shaw Brothers owned cinemas in Southeast Asia, but creative freedom was lacking in those territories. The Shaws built their studios in Hong Kong and were soon cranking out high-quality features for distribution across much of Asia -- and Chinatowns worldwide. When the Shaws dropped almost all their film production to feed nouveau riche Hong Kongers via their TVB television channel, Hong Kong experienced a sudden wave of new filmmakers. Golden Harvest became the de facto number one studio with a cadre of filmmakers led by Sammo Hung. The most famous was Jackie Chan, who rocketed to stardom and created his own stunt team. In film after film, Jackie and Sammo co-starred in and/or competed for audience thrills with films that showcased their martial prowess and respective senses of humor. More Sex, Better Zen, Faster Bullets explicates, amplifies, and just plain rips across genres and filmmakers in one of the world's most storied film industries. Become an afflictionado. More Sex, Better Zen, Faster Bullets contains the best bits of Sex and Zen & A Bullet in the Head (1996) and Hollywood East (2000)--the two best known tomes on Hong Kong films of the twentieth century. Neither has ever been released in digital format, so author Stefan Hammond crashed together the two books and added more insight...and more film reviews. The result is the most comprehensive encyclopedia of Hong Kong film available anywhere.
Ultraviolent Movies
Author: Laurent Bouzereau
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Incredibly Strange Films
Author: V. Vale
Publisher: Re/Search
ISBN: 9781889307114
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Incredibly Strange Films is a functional guide to important territory neglected by the film-criticism establishment, spotlighting unhailed directors -- Hershell Gordon Lewis, Russ Meyer, Larry Cohen, Ray Dennis Steckler, Ted V. Mikels and others -- who have been critically consigned to the ghettos of gore and sexploitation films. In-depth interviews focus on philosophy while anecdotes entertain as well as illuminate theory. The guide includes biographies, genre overviews, filmographies, bibliography, quotations, an A-Z of film personalities, lists of recommended films, sources, index, as well as 172 photos.
Publisher: Re/Search
ISBN: 9781889307114
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Incredibly Strange Films is a functional guide to important territory neglected by the film-criticism establishment, spotlighting unhailed directors -- Hershell Gordon Lewis, Russ Meyer, Larry Cohen, Ray Dennis Steckler, Ted V. Mikels and others -- who have been critically consigned to the ghettos of gore and sexploitation films. In-depth interviews focus on philosophy while anecdotes entertain as well as illuminate theory. The guide includes biographies, genre overviews, filmographies, bibliography, quotations, an A-Z of film personalities, lists of recommended films, sources, index, as well as 172 photos.
At Full Speed
Author: Ching-Mei Esther Yau
Publisher: U of Minnesota Press
ISBN: 9780816632350
Category : Performing Arts
Languages : en
Pages : 360
Book Description
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law. In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
Publisher: U of Minnesota Press
ISBN: 9780816632350
Category : Performing Arts
Languages : en
Pages : 360
Book Description
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law. In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
John Woo's The Killer
Author: Kenneth E. HALL
Publisher: Hong Kong University Press
ISBN: 9622099564
Category : Social Science
Languages : en
Pages : 141
Book Description
Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which together make the New Hong Kong cinema.
Publisher: Hong Kong University Press
ISBN: 9622099564
Category : Social Science
Languages : en
Pages : 141
Book Description
Has the creative period of the New Hong Kong Cinema now come to an end? However we answer this question, there is a need to evaluate the achievements of Hong Kong cinema. This series distinguishes itself from the other books on the subject by focusing in-depth on individual Hong Kong films, which together make the New Hong Kong cinema.
East Asian Cinemas
Author: Leon Hunt
Publisher: Bloomsbury Publishing
ISBN: 0857736361
Category : Performing Arts
Languages : en
Pages : 243
Book Description
Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'.
Publisher: Bloomsbury Publishing
ISBN: 0857736361
Category : Performing Arts
Languages : en
Pages : 243
Book Description
Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'.
Exploiting East Asian Cinemas
Author: Ken Provencher
Publisher: Bloomsbury Publishing USA
ISBN: 1501319671
Category : Performing Arts
Languages : en
Pages : 246
Book Description
From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”
Publisher: Bloomsbury Publishing USA
ISBN: 1501319671
Category : Performing Arts
Languages : en
Pages : 246
Book Description
From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”
Draculas, Vampires, and Other Undead Forms
Author: John Edgar Browning
Publisher: Scarecrow Press
ISBN: 0810869233
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Draculas, Vampires and Other Undead Forms assembles provocative essays that examine Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework.
Publisher: Scarecrow Press
ISBN: 0810869233
Category : Literary Criticism
Languages : en
Pages : 339
Book Description
Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Draculas, Vampires and Other Undead Forms assembles provocative essays that examine Dracula films and their movement across borders of nationality, sexuality, ethnicity, gender, and genre since the 1920s. The essays analyze the complexity Dracula embodies outside the conventional landscape of films with which the vampire is typically associated. Focusing on Dracula and Dracula-type characters in film, anime, and literature from predominantly non-Anglo markets, this anthology offers unique perspectives that seek to ground depictions and experiences of Dracula within a larger political, historical, and cultural framework.
The Origin of Consciousness in the Breakdown of the Bicameral Mind
Author: Julian Jaynes
Publisher: Houghton Mifflin Harcourt
ISBN: 0547527543
Category : Psychology
Languages : en
Pages : 580
Book Description
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
Publisher: Houghton Mifflin Harcourt
ISBN: 0547527543
Category : Psychology
Languages : en
Pages : 580
Book Description
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry