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Author: Annabel M. Patterson
Publisher: Princeton University Press
ISBN: 1400870666
Category : Architecture
Languages : en
Pages : 257
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Book Description
Annabel M. Patterson offers here a reassessment of the place of Hermogenes, a Greek rhetorician of the second century A.D., in literary history. She shows that the literary men of the European Renaissance-scholars, critics, and poets-found Hermogenes' Concerning Ideas both important and extremely useful, and she finds that they vigorously applied his concepts to create "a lovely conformitie." The author first gives the history of this treatise on style and a detailed critical analysis of the Seven Ideas or categories of style. The book then demonstrates genre by genre how knowledge of the Seven Ideas can improve one's understanding of poetic development, especially in England, and reveals how the Ideas operate in the works of Tasso, Donne, Sidney, Shakespeare, Marvell, Jonson, Spenser, Milton , and many other poets and critics. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Annabel M. Patterson
Publisher: Princeton University Press
ISBN: 1400870666
Category : Architecture
Languages : en
Pages : 257
Get Book Here
Book Description
Annabel M. Patterson offers here a reassessment of the place of Hermogenes, a Greek rhetorician of the second century A.D., in literary history. She shows that the literary men of the European Renaissance-scholars, critics, and poets-found Hermogenes' Concerning Ideas both important and extremely useful, and she finds that they vigorously applied his concepts to create "a lovely conformitie." The author first gives the history of this treatise on style and a detailed critical analysis of the Seven Ideas or categories of style. The book then demonstrates genre by genre how knowledge of the Seven Ideas can improve one's understanding of poetic development, especially in England, and reveals how the Ideas operate in the works of Tasso, Donne, Sidney, Shakespeare, Marvell, Jonson, Spenser, Milton , and many other poets and critics. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author:
Publisher: princeton alumni weekly
ISBN:
Category :
Languages : en
Pages : 670
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Book Description
Author: Daniel Tobin
Publisher: University of Michigan Press
ISBN: 0472069977
Category : Poetry
Languages : en
Pages : 314
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Book Description
An indispensable resource for anyone interested in the art and craft of contemporary poetry
Author: W.M. Spackman
Publisher: Fantagraphics Books
ISBN: 168396022X
Category : Education
Languages : en
Pages : 321
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Book Description
Best known for the sleek, sophisticated novels he wrote in the 1970s and ’80s, W. M. Spackman was also a literary critic of formidable power and slashing wit. Gathered here are all the essays and reviews he published, including those that appeared in his 1967 book of essays On the Decay of Humanism, which one critic praised as “a critical book of astonishing arrogance, brio, and erudition.” Spackman brought wide learning and cosmopolitan savoir-faire to his concerns for how literature is taught and evaluated, processes that he felt desperately needed to be overhauled. Ranging from ancient Greek and Latin literature to the latest poetry and novels, these brilliant essays argue that a work of literature should be evaluated on its artistry and craftsmanship, not on its content or ideas. Spackman quotes with approval Nabokov’s belief that “Style and structure are the essence of a book; great ideas are a lot of hogwash,” and insists “aesthetic assessments… must come before everything else.” On those grounds, he finds such celebrated masters as Leo Tolstoy and Henry James inferior to lesser-known artists like Henry Green and Ivy Compton-Burnett. His iconoclastic views are supported with close technical analyses, but in a relaxed style that delights as it instructs. Spackman provides both a fresh look at the Western literary canon and a model for writing about it. Spackman’s Complete Essays is a necessary and important book for anyone who cares deeply about literary culture.
Author: Eleanor Wilner
Publisher: Princeton University Press
ISBN: 0691193339
Category : Literary Collections
Languages : en
Pages : 228
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Book Description
"Before our eyes gather more than thirty new poems by Eleanor Wilner, along with representative selections from her seven previous works"--Back cover.
Author: Maurice Maeterlinck
Publisher: Princeton University Press
ISBN: 0691222428
Category : Poetry
Languages : en
Pages : 124
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Book Description
On May 31, 1889, a young Belgian lawyer from a wealthy bourgeois family in Ghent published a book of 33 poems in 155 copies. Maurice Maeterlinck's legal career was floundering but his road to literary greatness had begun. Long overshadowed by the plays that later won him the Nobel Prize, Serres chaudes (Hothouses) nonetheless came to be widely regarded as one of the cornerstones of literary Modernism after Baudelaire. While Max Nordau soon seized upon Maeterlinck's--tumult of images--as symptomatic of a pervasive social malaise, decades later Antonin Artaud pronounced, "Maeterlinck was the first to introduce the multiple riches of the subconscious into literature." Richard Howard's translation of this quietly radical work is the first to be published in nearly a century, and the first to accurately convey Maeterlinck's elusive visionary force. The poems, some of them in free verse (new to Belgium at the time), combine the decadent symbolism and the language of dislocation that Maeterlinck later perfected in his dramas. Hothouses reflects the influence not only of French poets including Verlaine and Rimbaud, but also of Whitman. As for the title, the author said it was "a natural choice, Ghent . . . abounding in greenhouses." The poems, whose English translations appear opposite the French originals, are accompanied by reproductions of seven woodcuts by Georges Minne that appeared in the original volume, and by an early prose text by Maeterlinck imaginatively describing a painting by the sixteenth-century Flemish artist Pieter Brueghel. A feat of daring power extraordinarily immediate and inventive, Hothouses will appeal to all lovers of poetry, and in particular to those interested in Modernism. Maeterlinck's enormous fame may have faded, but twentieth-century writers such as Beckett are still our masters who testify to its undying influence.
Author: Robert Alfred Wilson
Publisher: Skyhorse Publishing Inc.
ISBN: 1602399859
Category : Reference
Languages : en
Pages : 322
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Book Description
A new edition of the classic guide to book collecting includes a new section on Internet resources.
Author: Al Filreis
Publisher: Columbia University Press
ISBN: 023155429X
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide. Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history. 1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s.
Author: Colm Tóibín
Publisher: Princeton University Press
ISBN: 0691271046
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
A compelling portrait of a beloved poet from one of today's most acclaimed novelists In this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín. For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere. Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.
Author: Casey Clabough
Publisher: University Press of Florida
ISBN: 0813043700
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
The idea of place--any place--remains one of our most basic yet slippery concepts. It is a space with boundaries whose limits may be definite or indefinite; it can be a real location or an abstract mental, spiritual, or imaginary construction. Casey Clabough’s thorough examination of the importance of place in southern literature examines the works of a wide range of authors, including Fred Chappell, George Garrett, William Hoffman, Julien Green, Kelly Cherry, David Huddle, and James Dickey. Clabough expands the definition of "here" beyond mere geography, offering nuanced readings that examine tradition and nostalgia and explore the existential nature of "place." Deeply concerned with literature as a form of emotional, intellectual, and aesthetic engagement with the local and the regional, Clabough considers the idea of place in a variety of ways: as both a physical and metaphorical location; as an important factor in shaping an individual, informing one of the ways the person perceives the world; and as a temporal as well as geographic construction. This fresh and useful contribution to the scholarship on southern literature explains how a text can open up new worlds for readers if they pay close enough attention to place.
