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Author: Gordon Phillips
Publisher: Granta Editions
ISBN: 9781857570649
Category : Candle industry
Languages : en
Pages : 316
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Author: Gordon Phillips
Publisher: Granta Editions
ISBN: 9781857570649
Category : Candle industry
Languages : en
Pages : 316
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Book Description
Author: Simon Harvey
Publisher: Reaktion Books
ISBN: 178023595X
Category : History
Languages : en
Pages : 335
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"A cellar door creaking open in the middle of the night, or a hand slipping quickly into a trench coat – the most compelling transactions are surely those we never see. Smuggling can conjure images of adventure and rebellion in popular culture, but as this fascinating book shows, it has also had a profound effect on the geopolitics of the world. Shining a light onto seven centuries of dark history, it illuminates a world of intrigue and fortune, hinged on furtive desires and those who have been willing to fulfil them. World-changing contraband has ranged from silk, spices and silver in the Age of Exploration to gold, opium, tea and rubber in times of empire, as well as drugs, people and blood diamonds today. Guns and art have always been smuggled, as have the most dangerous of all contraband – ideas. Central to this story are the (not always) legitimate forces of the Dutch and British East India Companies, the luminaries of the Spanish Empire, Napoleon Bonaparte, the Nazis, Soviet trophy brigades and the CIA, all of whom, at one point or another, have made smuggling part of their business. In addition, Simon Harvey traces out the smaller-time smugglers, the micro-economies of everyday goods, precious objects and people, drawing these stories together into a map of a subterranean world criss-crossed by smugglers’ paths. All told, this is the story of an unrelenting drive of markets to subvert the law, and of the invisible seams that have sewn the globe together."--Book jacket flap.
Author: Varda Sussman
Publisher: Archaeopress Publishing Ltd
ISBN: 1784915718
Category : Social Science
Languages : en
Pages : 640
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Book Description
This volume illustrates lamps from the Byzantine period excavated in the Holy Land and demonstrates the extent of their development since the first enclosing/capturing of light (fire) within a portable man-made vessel.
Author: Edwin L. Wade
Publisher:
ISBN: 9780615639826
Category : Hopi art
Languages : en
Pages : 0
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Book Description
"The vessels in the pages that follow open to us a world flickering with the light of a people's collective character and shared philosophy. These vessels have bodies of clay, but they float before us in the zero gravity of wisdom and belief."-- Edwin L. Wade Canvas of Clay tells the story of Hopi ceramics from the 14th century to recent times, offering a particularly close look at the art and life of the master potter Nampeyo (1860-1942). It analyzes the specific dynamics of nearly 100 jars and bowls, all richly illustrated, weaving in many insights into Hopi history, aesthetics, and symbolism. Included are original schematic drawings that will help readers understand how pottery decoration is built from ingeniously combined design elements. This book is a glorious testament to a brilliant art form and its practitioners, presented with passion, knowledge, and respect.
Author: Xenia Charalambidou
Publisher: Archaeopress Publishing Ltd
ISBN: 1784915734
Category : Social Science
Languages : en
Pages : 470
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Book Description
This book has its origin in a conference held at the British School at Athens in 2011 which aimed to explore the range of new archaeological information now available for the seventh century in Greek lands.
Author: Mrs. Maria Margaret La Primaudaye Pollen
Publisher:
ISBN:
Category : Lace and lace making
Languages : en
Pages : 204
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Author: Clara Erskine Clement Waters
Publisher: Library of Alexandria
ISBN: 1465583327
Category : Art
Languages : en
Pages : 498
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In studying the subject of this book I have found the names of more than a thousand women whose attainments in the Fine Arts—in various countries and at different periods of time before the middle of the nineteenth century—entitle them to honorable mention as artists, and I doubt not that an exhaustive search would largely increase this number. The stories of many of these women have been written with more or less detail, while of others we know little more than their names and the titles of a few of their works; but even our scanty knowledge of them is of value. Of the army of women artists of the last century it is not yet possible to speak with judgment and justice, although many have executed works of which all women may be proud. We have some knowledge of women artists in ancient days. Few stories of that time are so authentic as that of Kora, who made the design for the first bas-relief, in the city of Sicyonia, in the seventh century B. C. We have the names of other Greek women artists of the centuries immediately preceding and following the Christian era, but we know little of their lives and works. Calypso was famous for the excellence of her character pictures, a remarkable one being a portrait of Theodorus, the Juggler. A picture found at Pompeii, now at Naples, is attributed to this artist; but its authorship is so uncertain that little importance can be attached to it. Pliny praised Eirene, among whose pictures was one of "An Aged Man" and a portrait of "Alcisthenes, the Dancer." In the annals of Roman Art we find few names of women. For this reason Laya, who lived about a century before the Christian era, is important. She is honored as the original painter of miniatures, and her works on ivory were greatly esteemed. Pliny says she did not marry, but pursued her art with absolute devotion; and he considered her pictures worthy of great praise. A large picture in Naples is said to be the work of Laya, but, as in the case of Calypso, we have no assurance that it is genuine. It is also said that Laya's portraits commanded larger prices than those of Sopolis and Dyonisius, the most celebrated portrait painters of their time. Our scanty knowledge of individual women artists of antiquity—mingled with fable as it doubtless is—serves the important purpose of proving that women, from very ancient times, were educated as artists and creditably followed their profession beside men of the same periods. This knowledge also awakens imagination, and we wonder in what other ancient countries there were women artists. We know that in Egypt inheritances descended in the female line, as in the case of the Princess Karamat; and since we know of the great architectural works of Queen Hashop and her journey to the land of Punt, we may reasonably assume that the women of ancient Egypt had their share in all the interests of life. Were there not artists among them who decorated temples and tombs with their imperishable colors? Did not women paint those pictures of Isis—goddess of Sothis—that are like precursors of the pictures of the Immaculate Conception? Surely we may hope that a papyrus will be brought to light that will reveal to us the part that women had in the decoration of the monuments of ancient Egypt. At present we have no reliable records of the lives and works of women artists before the time of the Renaissance in Italy.
Author: John Higgins
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501515608
Category : History
Languages : en
Pages : 247
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Book Description
As part of the historicizing corpus of seventh-century Irish writing, the Lives framed the narrative of the early saints as an effective weapon in contemporary political and ecclesiastical conflicts. Cogitosus’s Life of Brigit, Muirchú’s and Tírechán’s accounts of Saint Patrick, and Adomnán’s Life of Columba created the understanding of the history of early Ireland that has endured to this day. How did the writers accomplish this through their literary choices? The authors of Irish saints’ Lives used the literary form of hagiography (Christian biography), miracle stories, and an elaborate rhetorical style to present the words and actions of their subjects. These Lives created a narrative of early Irish history that supported the political/ecclesiastical elites by showing that their power derived from the actions of their patron saints.
Author: Andrew Ollett
Publisher: Univ of California Press
ISBN: 0520968816
Category : History
Languages : en
Pages : 324
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Language of the Snakes traces the history of the Prakrit language as a literary phenomenon, starting from its cultivation in courts of the Deccan in the first centuries of the common era. Although little studied today, Prakrit was an important vector of the kavya movement and once joined Sanskrit at the apex of classical Indian literary culture. The opposition between Prakrit and Sanskrit was at the center of an enduring “language order” in India, a set of ways of thinking about, naming, classifying, representing, and ultimately using languages. As a language of classical literature that nevertheless retained its associations with more demotic language practices, Prakrit both embodies major cultural tensions—between high and low, transregional and regional, cosmopolitan and vernacular—and provides a unique perspective onto the history of literature and culture in South Asia.
Author: Peter J. Heather
Publisher: Boydell & Brewer
ISBN: 9780851157627
Category : History
Languages : en
Pages : 586
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Book Description
Between 376 and 476 the Roman Empire in western Europe was dismantled by aggressive outsiders, "barbarians" as the Romans labelled them. Chief among these were the Visigoths, a new force of previously separate Gothic and other groups from south-west France, initially settled by the Romans but subsequently, from the middle of the fifth century, achieving total independence from the failing Roman Empire, and extending their power from the Loire to the Straits of Gibraltar. These studies draw on literary and archaeological evidence to address important questions thrown up by the history of the Visigoths and of the kingdom they generated: the historical processes which led to their initial creation; the emergence of the Visigothic kingdom in the fifth century; and the government, society, culture and economy of the "mature" kingdom of the sixth and seventh centuries. A valuable feature of the collection, reflecting the switch of the centre of the Visigothic kingdom from France to Spain from the beginning of the sixth century, is the inclusion, in English, of current Spanish scholarship. Dr PETER HEATHER teaches in the Department of History at University College London. Contributors: Dennis H. Green, Peter Heather, Ana Jimenez Garnica, Giorgio Ausenda, Ian Nicholas Wood, Isabel Velazquez, Felix Retamero, Pablo C. Diaz, Mayke de Jong, Gisela Ripoll Lopez, Andreas Schwarcz
