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Author: David Monod
Publisher: Univ of North Carolina Press
ISBN: 0807876445
Category : History
Languages : en
Pages : 342
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Book Description
Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.
Author: David Monod
Publisher: Univ of North Carolina Press
ISBN: 0807876445
Category : History
Languages : en
Pages : 342
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Book Description
Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.
Author: Kathryn Kalinak
Publisher: Univ of Wisconsin Press
ISBN: 029913363X
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
Author: Martin Edwards
Publisher: Sourcebooks, Inc.
ISBN: 1464212856
Category : Fiction
Languages : en
Pages : 247
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Book Description
Mystery crime fiction written in the Golden Age of Murder "The detective story is a game between two players, the author...and the reader."—Ronald Knox From the squash court to the golf links, the football pitch to the swimming pool and the race course to the cricket square, no court, grounds, stadium or stand is safe from skullduggery. Entering the arena where sport clashes with crime, this spirited medley of short stories showcases the greatest deadly plays and criminal gambits of the mystery genre. With introductions by Editor Martin Edwards and stories by some of the finest writers in the field—including Celia Fremlin, Michael Gilbert, Gladys Mitchell, and Leo Bruce—this new anthology offers a ringside view of the darker side of sports and proves that crime, naturally, is a game for all seasons.
Author: Robert E. Goodin
Publisher: Princeton University Press
ISBN: 0691148457
Category : Law
Languages : en
Pages : 126
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Book Description
The hidden value of settling In a culture that worships ceaseless striving, "settling" seems like giving up. But is it? On Settling defends the positive value of settling, explaining why this disdained practice is not only more realistic but more useful than an excessive ideal of striving. In fact, the book makes the case that we'd all be lost without settling--and that even to strive, one must first settle. We may admire strivers and love the ideal of striving, but who of us could get through a day without settling? Real people, confronted with a complex problem, simply make do, settling for some resolution that, while almost certainly not the best that one could find by devoting limitless time and attention to the problem, is nonetheless good enough. Robert Goodin explores the dynamics of this process. These involve taking as fixed, for now, things that we reserve the right to reopen later (nothing is fixed for good, although events might always overtake us). We settle on some things in order to concentrate better on others. At the same time we realize we may need to come back later and reconsider those decisions. From settling on and settling for, to settling down and settling in, On Settling explains why settling is useful for planning, creating trust, and strengthening the social fabric--and why settling is different from compromise and resignation. So, the next time you're faced with a thorny problem, just settle. It's no failure.
Author: Amy Cobb
Publisher: ABDO
ISBN: 1624022359
Category : Juvenile Fiction
Languages : en
Pages : 115
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Book Description
From the percussion section at the back of room 217, Carmen Trochez keeps the Benton Bluff Junior High band steady. But when a student teacher enters the scene, the band's loyalties are divided. Carmen is usually the glue. Can she keep everything from falling apart? Aligned to Common Core standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.
Author: Daniel Koretz
Publisher: University of Chicago Press
ISBN: 9780226644882
Category : Education
Languages : en
Pages : 0
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Book Description
For decades we’ve been studying, experimenting with, and wrangling over different approaches to improving public education, and there’s still little consensus on what works, and what to do. The one thing people seem to agree on, however, is that schools need to be held accountable—we need to know whether what they’re doing is actually working. But what does that mean in practice? High-stakes tests. Lots of them. And that has become a major problem. Daniel Koretz, one of the nation’s foremost experts on educational testing, argues in The Testing Charade that the whole idea of test-based accountability has failed—it has increasingly become an end in itself, harming students and corrupting the very ideals of teaching. In this powerful polemic, built on unimpeachable evidence and rooted in decades of experience with educational testing, Koretz calls out high-stakes testing as a sham, a false idol that is ripe for manipulation and shows little evidence of leading to educational improvement. Rather than setting up incentives to divert instructional time to pointless test prep, he argues, we need to measure what matters, and measure it in multiple ways—not just via standardized tests. Right now, we’re lying to ourselves about whether our children are learning. And the longer we accept that lie, the more damage we do. It’s time to end our blind reliance on high-stakes tests. With The Testing Charade, Daniel Koretz insists that we face the facts and change course, and he gives us a blueprint for doing better.
Author: Joseph Salem
Publisher: Oxford University Press
ISBN: 0197652352
Category : Education
Languages : en
Pages : 393
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Book Description
"Pierre Boulez was born a middle child to Léon and Marcelle Boulez on March 26, 1925 in Montbrison, a community not far from Saint-Étienne in the Loire valley of France. By today's faster standards, this put him a little over an hour from Lyon, about three hour's drive from Geneva, about five hours from Paris, and about seven from Baden-Baden-all future residences of Boulez during his formative period. Montbrison was predominately Catholic and relatively small: it probably had a population of about 7,000 during Boulez's childhood in the 1930s, while census statistics from 1968 begin at 11,213. By comparison, nearby Saint-Étienne had a census population of 223,223 in the same year, and Lyon stood at 527,800. While Montbrison was primarily agricultural, Boulez's father was an engineer. By the time Boulez turned five, the family owned a private home and a radio that occasionally broadcast orchestral music. The radio came from a business trip abroad to the United States, but the family also traveled frequently within France. Thus, while he was born into a smaller community some distance from cultural centers in France, Boulez's childhood foreshadowed the slow, growing circumference of his worldly presence"--
Author: Darin Hoskisson
Publisher: Routledge
ISBN: 1317672674
Category : Music
Languages : en
Pages : 286
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Book Description
Anton Webern: A Research and Information Guide offers carefully selected and annotated sources regarding Webern from 1975 to present day, including sources on Webern’s life, his music, and the interpretation and reception of his music. Along with this comprehensive annotated listing of print and online sources, the book discusses the history of research on Webern and includes a brief chronology of his life. It is a major reference tool for those interested in Webern and his music and valuable for researchers of 20th century music and the Second Viennese School.
Author: Caroline Potter
Publisher: Boydell & Brewer
ISBN: 1837650853
Category : Music
Languages : en
Pages : 209
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Book Description
Exploring the emotional and cultural influences on Pierre Boulez's early works as well as the role surrealism and French culture of the 1930s and 40s played in shaping his radical new musical concepts.Pierre Boulez's (1925-2016) creative output has mostly been studied from an analytical perspective in the context of serialism. While Boulez tends to be pigeonholed as a cerebral composer, his interest in structure coexisted with extreme visceral energy. This book redresses the balance and stresses the febrile cultural environment of Paris in the 1940s and the emotional side of his early works. Surrealism, in particular, had an impact on Boulez's formative years that has until now been underexplored. There are intriguing links between French music and surrealism in the 1930s and 40s, arising within a cultural context where surrealism, ethnography and the emerging discipline of ethnomusicology were closely related. Potter situates the young Boulez within this environment. As an emerging musician, he explored radical new musical concepts alongside peers including Yvette Grimaud, Serge Nigg and Yvonne Loriod, performing and exchanging ideas with them. This book argues that authors associated with surrealism, especially René Char but also Antonin Artaud and André Breton, were crucial to Boulez's musical development. It enhances our understanding of his work by connecting it with significant trends in contemporary French culture, refocusing Boulez studies away from detailed musical analysis and towards a broader and more visceral, emotional response to his work.cal new musical concepts alongside peers including Yvette Grimaud, Serge Nigg and Yvonne Loriod, performing and exchanging ideas with them. This book argues that authors associated with surrealism, especially René Char but also Antonin Artaud and André Breton, were crucial to Boulez's musical development. It enhances our understanding of his work by connecting it with significant trends in contemporary French culture, refocusing Boulez studies away from detailed musical analysis and towards a broader and more visceral, emotional response to his work.cal new musical concepts alongside peers including Yvette Grimaud, Serge Nigg and Yvonne Loriod, performing and exchanging ideas with them. This book argues that authors associated with surrealism, especially René Char but also Antonin Artaud and André Breton, were crucial to Boulez's musical development. It enhances our understanding of his work by connecting it with significant trends in contemporary French culture, refocusing Boulez studies away from detailed musical analysis and towards a broader and more visceral, emotional response to his work.cal new musical concepts alongside peers including Yvette Grimaud, Serge Nigg and Yvonne Loriod, performing and exchanging ideas with them. This book argues that authors associated with surrealism, especially René Char but also Antonin Artaud and André Breton, were crucial to Boulez's musical development. It enhances our understanding of his work by connecting it with significant trends in contemporary French culture, refocusing Boulez studies away from detailed musical analysis and towards a broader and more visceral, emotional response to his work.ed musical analysis and towards a broader and more visceral, emotional response to his work.
Author: Judith Kuhn
Publisher: Routledge
ISBN: 1351548670
Category : Music
Languages : en
Pages : 393
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Book Description
A thorough examination of Shostakovich's string quartets is long overdue. Although they can justifiably lay claim to being the most significant and frequently performed twentieth-century oeuvre for that ensemble, there has been no systematic English-language study of the entire cycle. Judith Kuhn's book begins such a study, undertaken with the belief that, despite a growing awareness of the universality of Shostakovich's music, much remains to be learned from the historical context and an examination of the music's language. Much of the controversy about Shostakovich's music has been related to questions of meaning. The conflicting interpretations put forth by scholars during the musicological 'Shostakovich wars' have shown the impossibility of fixing a single meaning in the composer's music. Commentators have often heard the quartets as political in nature, although there have been contradictory views as to whether Shostakovich was a loyal communist or a dissident. The works are also often described as vivid narratives, perhaps a confessional autobiography or a chronicle of the composer's times. The cycle has also been heard to examine major philosophical issues posed by the composer's life and times, including war, death, love, the conflict of good and evil, the nature of subjectivity, the power of creativity and the place of the individual - and particularly the artist - in society. Soviet commentaries on the quartets typically describe the works through the lens of Socialist-Realist mythological master narratives. Recent Western commentaries see Shostakovich's quartets as expressions of broader twentieth-century subjectivity, filled with ruptures and uncertainty. What musical features enable these diverse interpretations? Kuhn examines each quartet in turn, looking first at its historical and biographical context, with special attention to the cultural questions being discussed at the time of its writing. She then surveys the work's reception history, and
