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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Books and reading
Languages : en
Pages : 224
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Book Description
Author: Francis O'Gorman
Publisher: Routledge
ISBN: 1351791338
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This title was first published in 2001. Ruskin said that 1860 marked the beginning of his 'proper work'. This study presents new, historicized readings of important texts and themes from that late period, 1860-1889, discussing in detail works including Unto this Last (1860), the Lectures on Art (1870), Fors Clavigera (1871-1884), and The Bible of Amiens (1880-85), and considering key themes such as Ruskin's politicized regard for Pre-Raphaelitism in the 1870s, and the complex topic of Ruskin and manliness. Claiming new and distinctive importance for this period of Ruskin's work, both in terms of Ruskin's development as a writer and his place in Victorian culture as it moved toward modernity, this book is the first solely devoted to the prolific later years, and draws on much unpublished material.
Author:
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 280
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Book Description
Author: Dover Public Library
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 266
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Author: Pa Erie Public Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 356
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Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 730
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: Fernando Domínguez Rubio
Publisher: University of Chicago Press
ISBN: 022671408X
Category : Art
Languages : en
Pages : 426
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Book Description
How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.
Author: Pittsburgh, Pa. Carnegie Free Library of Alleghany
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 992
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Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1004
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Book Description
