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Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520019355
Category : Music
Languages : en
Pages : 220
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Book Description
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520019355
Category : Music
Languages : en
Pages : 220
Get Book Here
Book Description
Author: George Perle
Publisher: Berkeley : University of California Press
ISBN:
Category : Atonality
Languages : en
Pages : 178
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Book Description
Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface—an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience.
Author: George Perle
Publisher:
ISBN: 9780520019355
Category :
Languages : en
Pages : 0
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Book Description
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520074309
Category : Biography & Autobiography
Languages : en
Pages : 180
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Book Description
Widely recognized as the definitive work in its field ever since its original publication in 1962, Serial Composition and Atonality remains an unsurpassed introduction to the technical features of what is probably the most revolutionary body of work since the beginnings of polyphony. In the analysis of specific compositions there is first and last of all a concern with the musical surface—an attempt to trace connections and distinctions there before offering any deeper-level constructions, and to offer none where their effects are not obvious on more immediate levels of musical experience. In this sixth edition of the book, George Perle employs the new and more consistent terminology for the identification of transpositional levels of twelve-tone sets that he first proposed in Twelve-Tone Tonality (1977).
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520201422
Category : Music
Languages : en
Pages : 288
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Book Description
The challenge, in twentieth-century music, to the normative status of triadic tonality is one of the most far-reaching and extreme revolutions that the history of music has known. In his classic work, Twelve-Tone Tonality, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. According to Perle, these elements collectively imply a new tonality as "natural" and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. The second edition of Twelve-Tone Tonality is enlarged by eleven new chapters. Some of these are "postscripts" to earlier chapters, clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment. Errors discovered in the original edition have been corrected. - Jacket flap.
Author: George Perle
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: George Perle
Publisher: Pendragon Press
ISBN: 9781576470855
Category : Juvenile Nonfiction
Languages : en
Pages : 130
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Book Description
"Perle's contribution in both domains, the analytical and the biographical, have their original and primary impetus in his studies of the Lyric Suite, a work that has preoccupied him since 1937. This Pendragon edition brings the wealth of his earlier writings on the Lyric Suite together for the first time and includes, in addition, new material on the quartet's history, new analytical observations, and a comparative study of the sketches and drafts that allows the reader to convert the currently published score into an authoritatively corrected edition."--BOOK JACKET.
Author: Allen Forte
Publisher: Yale University Press
ISBN: 9780300021202
Category : Music
Languages : en
Pages : 244
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Book Description
Describes and cites examples of pitch-class sets and relations in atonal music
Author: George Perle
Publisher: Univ of California Press
ISBN: 9780520917835
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music"—a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them. If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven. Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process. Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners.
Author: Jack Boss
Publisher: Cambridge University Press
ISBN: 1108419135
Category : Music
Languages : en
Pages : 407
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Book Description
Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.
