Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
Book Description
Music in Print Master Composer Index
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 934
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 934
Book Description
Dictionary Catalog of the Rodgers and Hammerstein Archives of Recorded Sound
Author: Rodgers and Hammerstein Archives of Recorded Sound
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 872
Book Description
Baroque Music Today
Author: Nikolaus Harnoncourt
Publisher: Timber Press (OR)
ISBN: 9780931340918
Category : Music
Languages : en
Pages : 210
Book Description
Publisher: Timber Press (OR)
ISBN: 9780931340918
Category : Music
Languages : en
Pages : 210
Book Description
Cyclopedia of Music & Musicians
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
The Complete Classical Music Guide
Author: DK
Publisher: Penguin
ISBN: 0744033470
Category : Music
Languages : en
Pages : 354
Book Description
What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it.
Publisher: Penguin
ISBN: 0744033470
Category : Music
Languages : en
Pages : 354
Book Description
What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it.
The Illio
Author:
Publisher:
ISBN:
Category : College yearbooks
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : College yearbooks
Languages : en
Pages : 536
Book Description
Programme Music in the Last Four Centuries
Author: Frederick Niecks
Publisher: Ardent Media
ISBN:
Category : Music
Languages : en
Pages : 562
Book Description
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...
Publisher: Ardent Media
ISBN:
Category : Music
Languages : en
Pages : 562
Book Description
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you remove from the living German composers Wagner and Brahms? And then there were ever so many people who, while heartily admitting the greatness of one of the two, were not so sure of the other--not to mention those who were all for the one and would have none whatever of the other. Now, ' this exclusive way of looking at men and things is not only unfair, it is absolutely foolish. The men of genius leave room for the men of talent; and the masters en grand for the masters en miniature. To be sure for some time past Germany has not been abounding in musical genius of the first or even second order. But if there has been a dearth of powerful original creativeness and of strikingly outstanding individuality, there has been also a goodly provision of artistic ability well deserving our respect and gratitude, ability displaying itself not merely in technical skill, but often also in imaginativeness, sensibility, and poetic charm. The great bulk of crudities, futilities, and vacuities need not trouble us: they are not peculiar to any one period. One could classify composers into (1) such as write only absolute music, and are uninfluenced by and even averse to the programmatic tendency; (2) such as write programme music, but only in the classical manner and forms; (3) such as go only ...
Serenade no. 12 in c, K. 388, for 2 oboes, 2 clarinets, 2 horns and 2 bassoons
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Suites (Bassoons (2), clarinets (2), horns (2), oboes (2))
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Suites (Bassoons (2), clarinets (2), horns (2), oboes (2))
Languages : en
Pages : 32
Book Description
The Sesqui-centennial International Exposition
Author: Erastus Long Austin
Publisher:
ISBN:
Category : Sesqui-Centennial International Exposition
Languages : en
Pages : 686
Book Description
Publisher:
ISBN:
Category : Sesqui-Centennial International Exposition
Languages : en
Pages : 686
Book Description