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Author: Joycelyn Moody
Publisher: University of Georgia Press
ISBN: 0820325740
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Sentimental Confessions is a groundbreaking study of evangelicalism, sentimentalism, and nationalism in early African American holy women’s autobiography. At its core are analyses of the life writings of six women--Maria Stewart, Jarena Lee, Zilpha Elaw, Nancy Prince, Mattie J. Jackson, and Julia Foote--all of which appeared in the mid-nineteenth century. Joycelyn Moody shows how these authors appropriated white-sanctioned literary conventions to assert their voices and to protest the racism, patriarchy, and other forces that created and sustained their poverty and enslavement. In doing so, Moody also reveals the wealth of insights that could be gained from these kinds of writings if we were to acknowledge the spiritual convictions of their authors--if we read them because (not although) they are holy texts. The deeply held, passionately expressed beliefs of these women, says Moody, should not be brushed aside by scholars who may be tempted to view them as naïve or as indicative only of the racial, class, and gender oppressions these women suffered. In addition, Moody promotes new ways of looking at dictated narratives without relegating them to a status below self-authored texts. Helping to recover a neglected chapter of American literary history, Sentimental Confessions is filled with insights into the state of the nation in the nineteenth century.
Author: Joycelyn Moody
Publisher: University of Georgia Press
ISBN: 0820325740
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Sentimental Confessions is a groundbreaking study of evangelicalism, sentimentalism, and nationalism in early African American holy women’s autobiography. At its core are analyses of the life writings of six women--Maria Stewart, Jarena Lee, Zilpha Elaw, Nancy Prince, Mattie J. Jackson, and Julia Foote--all of which appeared in the mid-nineteenth century. Joycelyn Moody shows how these authors appropriated white-sanctioned literary conventions to assert their voices and to protest the racism, patriarchy, and other forces that created and sustained their poverty and enslavement. In doing so, Moody also reveals the wealth of insights that could be gained from these kinds of writings if we were to acknowledge the spiritual convictions of their authors--if we read them because (not although) they are holy texts. The deeply held, passionately expressed beliefs of these women, says Moody, should not be brushed aside by scholars who may be tempted to view them as naïve or as indicative only of the racial, class, and gender oppressions these women suffered. In addition, Moody promotes new ways of looking at dictated narratives without relegating them to a status below self-authored texts. Helping to recover a neglected chapter of American literary history, Sentimental Confessions is filled with insights into the state of the nation in the nineteenth century.
Author: Kevin Pelletier
Publisher: University of Georgia Press
ISBN: 0820339482
Category : History
Languages : en
Pages : 271
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Book Description
Focusing on a range of important antislavery figures, including David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse worked to redefine violence and vengeance as the ultimate expression (rather than denial) of love and sympathy.
Author:
Publisher: Schomburg Library of Nineteent
ISBN: 9780195052664
Category : Literary Collections
Languages : en
Pages : 508
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Book Description
These narratives by four famous black woman preachers and evangelists, published between 1835 and 1907, all share a theme that continues to dominate Afro-American literature even today: the power of Christianity to give strength and comfort in the struggle for liberation from caste and gender restrictions.
Author: Kevin Kopelson
Publisher: Counterpath
ISBN: 1933996307
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Literary Nonfiction. Memoir. In college, Kevin Kopelson passed off a paper by his older brother Robert as his own. In graduate school, he plagiarized nearly an entire article from a respected scholar, and then later, having met her and been asked if he would send something for her to read, sent that essay he had plagiarized from her work. This is not to mention the many instances in which he quoted others extensively, not passing their work off as his own, but substituting it for his own words when his words were what were called for. Until recently, such plagiarisms and thefts had been his most shameful secret, shared only with a trusted few. But then Kopelson—now an English professor and the author of a number of respected books, most recently 2007's Sedaris—wrote an essay entitled "My Cortez," which was published in the London Review of Books in 2008. It was a satirical literary confession, an exploration of Kopelson's personal and professional life via his various acts of plagiarism. From that jumping off point and exploring also his other vices, CONFESSIONS OF A PLAGIARIST is the compelling and clever retelling (not to mention renovation) of Kopelson's life, one transgression at a time.
Author: Ian Bryan
Publisher: Routledge
ISBN: 0429809603
Category : Social Science
Languages : en
Pages : 314
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Book Description
First published in 1997, Interrogation and Confession has two important concerns. The first is with the structures and strategies that have evolved within the criminal justice system not only to entrench the confession as key item of prosecution evidence but also to legitimate the custodial interrogation of suspects by law enforcement personnel. The second major concern is with kinds of police-suspect encounter that appear in official accounts of custodial interrogation. Based upon a systematic analysis of prosecution papers associated with over 650 Crown Court cases, the author provides vivid and challenging insights into the nature of police-suspect relations and closely examines: the extent to which evidence is constructed (rather than elicited); how far formal rules impact upon the character and form of police-suspect relations during interrogation; the circumstances in which suspects elect or decline to cooperate with the police; and the extent to which records of custodial interrogation can be said to be complete, accurate and reliable.
Author: Rebecca Bedell
Publisher: Princeton University Press
ISBN: 0691153205
Category : Art
Languages : en
Pages : 232
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Book Description
In this volume, Bedell examines received ideas about sentimental art. Countering its association with trite and saccharine Victorian kitsch, she argues that major American artists--from John Trumbull and Charles Willson Peale in the eighteenth century and Asher Durand and Winslow Homer in the nineteenth to Henry Ossawa Tanner and Frank Lloyd Wright in the early twentieth--produced what was understood in their time as sentimental art: art intended to develop empathetic bonds and to express or elicit social affections, including sympathy, compassion, nostalgia, and patriotism.
Author: Shelly Peiken
Publisher: Rowman & Littlefield
ISBN: 1495063623
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
Confessions of a Serial Songwriter is an amusing and poignant memoir about songwriter Shelly Peiken's journey from young girl falling under the spell of magical songs to working professional songwriter writing hits of her own. It's about growing up, the creative process – the highs and the lows, the conflicts that arise between motherhood and career success, the divas and schemers, but also the talented and remarkable people she's found along the way. It's filled with stories and step-by-step advice about the songwriting process, especially collaboration. And it's about the challenge of staying relevant in a rapidly changing and youth-driven world. As Shelly so eloquently states in Confessions of a Serial Songwriter: “If I had to come up with one X factor that I could cite as a characteristic most hit songs have in common (and this excludes hit songs that are put forth by an already well-oiled machine...that is, a recording artist who has so much notoriety and momentum that just about anything he or she releases, as long as it's 'pretty good ' will have a decent shot at succeeding), I would say it would be: A universal sentiment in a unique frame.” Peiken has tapped the universal sentiment again and again; her songs have been recorded by such artists as Christina Aguilera, Natalie Cole, Selena Gomez, Celine Dion, the Pretenders, and others. In Confessions of a Serial Songwriter, she pulls the curtain back on the music business from the perspective of a behind-the-scenes hit creator and shares invaluable insight into the craft of songwriting.
Author: Mary G. De Jong
Publisher: Fairleigh Dickinson
ISBN: 1611476062
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Sentimentalism emerged in eighteenth-century Europe as a moral philosophy founded on the belief that individuals are able to form relationships and communities because they can, by an effort of the imagination, understand one another’s feelings. American authors of both sexes who accepted these views cultivated readers’ sympathy with others in order to promote self-improvement, motivate action to relieve suffering, reinforce social unity, and build national identity. Entwined with domesticity and imperialism and finding expression in literature and in public and private rituals, sentimentalism became America’s dominant ideology by the early nineteenth century. Sentimental writings and practices had political uses, some reformist and some repressive. They played major roles in the formation of bourgeois consciousness. The first new collection of scholarly essays on American sentimentalism since 1999, this volume brings together ten recent studies, eight published here for the first time. The Introduction assesses the current state of sentimentalism studies; the Afterword reflects on sentimentalism as a liberal discourse central to contemporary political thought as well as literary studies. Other contributors, exploring topics characteristic of the field today, examine nineteenth-century authors’ treatments of education, grief, social inequalities, intimate relationships, and community. This volume has several distinctive features. It illustrates sentimentalism’s appropriation of an array of literary forms (advice literature, personal narrative, and essays on education and urban poverty as well as poetry and the novel) objects (memorial volumes), and cultural practices (communal singing, benevolence). It includes four essays on poetry, less frequently studied than fiction. It identifies internal contradictions that eventually fractured sentimentalism’s viability as a belief system—yet suggests that the protean sentimental mode accommodated itself to revisionary and ironized literary uses, thus persisting long after twentieth-century critics pronounced it a casualty of the Civil War. This collection also offers fresh perspectives on three esteemed authors not usually classified as sentimentalists—Sarah Piatt, Walt Whitman, and Henry James—thus demonstrating that sentimental topics and techniques informed “realism” and “modernism” as they emerged Offering close readings of nineteenth-century American texts and practices, this book demonstrates both the limits of sentimentalism and its wide and lasting influence.
Author: Frank Warren
Publisher: Harper Collins
ISBN: 0060899190
Category : Self-Help
Languages : en
Pages : 290
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Book Description
The project that captured a nation's imagination. The instructions were simple, but the results were extraordinary. "You are invited to anonymously contribute a secret to a group art project. Your secret can be a regret, fear, betrayal, desire, confession, or childhood humiliation. Reveal anything -- as long as it is true and you have never shared it with anyone before. Be brief. Be legible. Be creative." It all began with an idea Frank Warren had for a community art project. He began handing out postcards to strangers and leaving them in public places -- asking people to write down a secret they had never told anyone and mail it to him, anonymously. The response was overwhelming. The secrets were both provocative and profound, and the cards themselves were works of art -- carefully and creatively constructed by hand. Addictively compelling, the cards reveal our deepest fears, desires, regrets, and obsessions. Frank calls them "graphic haiku," beautiful, elegant, and small in structure but powerfully emotional. As Frank began posting the cards on his website, PostSecret took on a life of its own, becoming much more than a simple art project. It has grown into a global phenomenon, exposing our individual aspirations, fantasies, and frailties -- our common humanity. Every day dozens of postcards still make their way to Frank, with postmarks from around the world, touching on every aspect of human experience. This extraordinary collection brings together the most powerful, personal, and beautifully intimate secrets Frank Warren has received -- and brilliantly illuminates that human emotions can be unique and universal at the same time.
Author: Maria A. Windell
Publisher: Oxford University Press
ISBN: 0192606859
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Sentimentalism is usually studied through US-British relations after the American Revolution or in connection to national reforms like the abolitionist movement. Transamerican Sentimentalism and Nineteenth-Century US Literary History instead argues that African American, Native American, Latinx, and Anglo American women writers also used sentimentalism to construct narratives that reframed or countered the violence dominating the nineteenth-century Americas, including the Haitian Revolution, Indian Removal, the US-Mexican War, and Cuba's independence wars. By tracking the transformation of sentimentalism as the US reacted to, enacted, and intervened in conflict Transamerican Sentimentalism and Nineteenth-Century US Literary History demonstrates how marginalized writers negotiated hemispheric encounters amidst the gendered, racialized, and cultural violence of the nineteenth-century Americas. It remaps sentiment's familiar transatlantic and national scholarly frameworks through authors such as Leonora Sansay and Mary Peabody Mann, and considers how authors including John Rollin Ridge, John S. and Harriet Jacobs, María Amparo Ruiz de Burton, Victor Séjour, and Martin R. Delany adapted the mode. Transamerican sentimentalism cannot unseat the violence of the nineteenth-century Americas, but it does produce other potential outcomes-including new paradigms for understanding the coquette, a locally successful informal diplomacy, and motivations for violent slave revolt. Such transformations mark not sentiment's failures or distortions, but its adaptive attempts to survive and thrive.
