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Author: Max Beckmann
Publisher: University of Chicago Press
ISBN: 9780226041353
Category : Art
Languages : en
Pages : 478
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Book Description
One of the most important German artists of the twentieth century, Max Beckmann was labeled a "degenerate artist" by the Nazis and chose exile. His artistic production encompassed the realism and figural themes of his early works to the provocatively blunt portraiture, critical urban views, and richly layered symbolic works for which he is now universally recognized. Although he was a prolific writer, his written work has never before been collected and translated into English. Beckmann is known for the depth, pungency, and tremendous sensuous force of his works; only in the last twenty years have we come to learn more about his personal life. Self-Portrait in Words maps out Beckmann's life and draws attention to the occasions on or for which he produced his writings, to the importance writing had for him as a form of expression, and to both the contemporary and personal references of his ideas and images.
Author: Max Beckmann
Publisher: University of Chicago Press
ISBN: 9780226041353
Category : Art
Languages : en
Pages : 478
Get Book Here
Book Description
One of the most important German artists of the twentieth century, Max Beckmann was labeled a "degenerate artist" by the Nazis and chose exile. His artistic production encompassed the realism and figural themes of his early works to the provocatively blunt portraiture, critical urban views, and richly layered symbolic works for which he is now universally recognized. Although he was a prolific writer, his written work has never before been collected and translated into English. Beckmann is known for the depth, pungency, and tremendous sensuous force of his works; only in the last twenty years have we come to learn more about his personal life. Self-Portrait in Words maps out Beckmann's life and draws attention to the occasions on or for which he produced his writings, to the importance writing had for him as a form of expression, and to both the contemporary and personal references of his ideas and images.
Author: Michael Peppiatt
Publisher: Thames & Hudson
ISBN: 0500778671
Category : Art
Languages : en
Pages : 610
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Book Description
A new selection of letters, statements, and interviews reveals the preoccupations, thoughts, and ideas of Francis Bacon, one of the twentieth century’s most influential and important artists. The documents selected for Francis Bacon: A Self-Portrait in Words illustrate Bacon’s sharp wit and ability to express complex ideas in highly personal, memorable language. Included here are not only letters to friends, patrons, and fellow artists, but also intriguing notes and lists of paintings. They often come with a sketch as an aide-mémoire or an injunction to himself as he worked in the studio, and many have only come to light since his death. Bacon's letters mirror and reveal his dominant preoccupations at different points throughout his long career. Most of Bacon's letters have never been published and include several that he wrote to author Michael Peppiatt. Particularly intriguing is the record of a dream that he jotted down, outlining impossibly beautiful paintings he had conjured up in his sleep. Together with photographs, archive material, and works by the artist are numerous reproductions of Bacon's characteristic handwriting, from the briefest jottings and notes to more extensive letters and statements. Bacon frequently came up with memorable epithets and definitions. He delighted in doing with words what he set out to do in painting: "I like phrases that cut me." Peppiatt explores the personal legacy of one of the twentieth century's most important painters and presents a compelling verbal self-portrait that reveals both man and artist.
Author: Barbara Rucci
Publisher: Quarry Books
ISBN: 1631593250
Category : Juvenile Nonfiction
Languages : en
Pages : 176
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Book Description
Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.
Author: Patrick Grant
Publisher: Athabasca University Press
ISBN: 1771990457
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Art historians, biographers, and other researchers have long drawn on Van Gogh’s voluminous correspondence—more than eight hundred letters—for insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, “By what criteria do we judge Van Gogh's letters to be, specifically, literary?” Drawing, especially, on Mikhail Bakhtin’s conceptualization of self-awareness as an ongoing dialogue between “self” and “other,” Grant examines the ways in which Van Gogh’s letters raise, from within themselves, questions and issues to which they also respond. Their literary quality, he argues, derives in part from this “double-voiced discourse”—from the power of the letters to thematize, through their own internal dialogues, the very structure of self-fashioning itself. Far from merely reproducing the narrative of the artist’s personal progress, “the letters enable readers to recognize how necessary yet open-ended, constrained yet liberating, confined yet unpredictable, are the means by which people seek to shape a place for themselves in the world.” This volume builds on Grant’s earlier analysis of Van Gogh’s correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more fully into the domain of modern literary studies. In his deft and keenly perceptive reading, Grant deconstructs the binaries that surface in both Van Gogh’s writing and painting, discusses the narrative dimensions of the letter-sketches and the recurring themes of fantasy, belief, and self-surrender, and draws attention to Van Gogh’s own understanding of the permeable boundary between words and visual art. Viewing the letters as an integrated body of discourse, “My Own Portrait in Writing” offers a theoretically informed interpretation of Van Gogh’s literary achievement that is, quite literally, without precedent.
Author: Rachel Lyon
Publisher: Simon and Schuster
ISBN: 139853336X
Category : Fiction
Languages : en
Pages : 396
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Book Description
Rachel Lyon's first novel – soon to be made into a major motion picture starring Zoë Kravitz and Thomasin McKenzie Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. Until, by pure chance, Lu discovers she’s captured a tragedy in the background of a self portrait; a boy falling to his death. The photograph turns out to be the best work of art she’s ever made. It’s an image that could change her life – if she lets it. Set in early 90s Brooklyn on the brink of gentrification, Self-Portrait with Boy is a provocative commentary about the emotional dues that must be paid on the road to success. ‘Beautifully imagined and flawlessly executed’ Joyce Carol Oates ‘A sparkling debut’ New York Times Book Review
Author: Celia Paul
Publisher: New York Review of Books
ISBN: 1681374838
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
Author: Joanna Woods-Marsden
Publisher: Yale University Press
ISBN: 0300075960
Category : Art
Languages : en
Pages : 310
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Book Description
An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.
Author: Richard Edwards
Publisher:
ISBN: 9780718826499
Category : Children's poetry, English
Languages : en
Pages : 64
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Book Description
'Loving words clutch crimson roses, Rude words sniff and pick their noses, Sly words come dressed up as foxes, Short words stand on cardboard boxes, Common words tell jokes and gabble, Complicated words play Scrabble ...' Read aloud, these poems will have an immediate impact and will bring enjoyment to both children and adults. The line drawings by John Lawrence, one of our finest illustrators, are also a delight.
Author: Debbie Millman
Publisher: Print
ISBN: 1440334617
Category : Design
Languages : en
Pages : 114
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Book Description
Debbie Millman's illustrated essays and visual poems are part philosophy, part art, part deeply personal memoir exposing the universal triumphs and tribulations of being human. Her hand-lettered typography - sometimes tender, sometimes gritty, always breathtaking in its visceral candor - makes Self Portrait as Your Traitor a moving masterpiece of a singular art form that speaks to our deepest longings for beauty, honesty, and the ineffable magic of what it means to live.
Author: Samuel S Bak
Publisher: Indiana University Press
ISBN: 0253010136
Category : Art
Languages : en
Pages : 498
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Book Description
At my first sight of a painting by Samuel Bak, I had the keen sense that he was telling me stories with his brush. Now that at long last he has written this book, I find it no wonder that he has painted with his pen.... Among the tens and hundreds of books I have read about the pre-Shoah and post-Shoah period... Bak’s book is unique. Despite being suffused with a sense of loss, horror, degradation, and death, it is ultimately a sanguine, funny book, full of the love of life, rocking with an almost cathartic joy. At times I found myself bursting out laughing... a marvelous ode, a colorful hymn to the forces of life, love, creation, and the joys of the senses. —From the Foreword by Amos Oz In Painted in Words internationally renowned artist Samuel Bak sets aside his brushes to narrate the stories of his life—as a child in Nazi-occupied Vilna, as a youth in European refugee camps, and as a maturing artist in Israel, France, Italy, Switzerland, and the United States. With gentle humor, the child prodigy of the faraway past and the accomplished artist of today engage in a spirited dialogue from which emerges a self-portrait of "The Artist as a Young—and middle-aged and aging—Survivor." The brilliance, vision, and virtuosity that Bak brings to his painting are equally in evidence in his writing. This deeply touching work is an important contribution to Holocaust literature and art history.
