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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 624
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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 624
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Book Description
Author: Catherine Waters
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655787
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
From 1850 to 1859, Charles Dickens 'conducted' Household Words, a weekly miscellany intended to instruct and entertain predominantly middle-class readers. He filled the journal with articles about various commodities, many of which raise questions about how far society should go in permitting people to buy and sell goods and services.Although studies of Victorian commodity culture have tended to focus on the novel, scholarly interest in Victorian periodicals and material culture has been prompted by recognition of the major role the press played in disseminating knowledge and information about the proliferating world of goods. At the same time, periodicals like Household Words were themselves commodities that relied on their marketability for survival. This book provides a cultural study of the journal's representation of commodities that records the changing relationship between people and things exposed in the contributors' attempts to come to terms with the development of urban commodity culture at mid-century.
Author: LOHRLI
Publisher:
ISBN: 9781487577056
Category :
Languages : en
Pages :
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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
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Book Description
Author: Charles Dickens
Publisher:
ISBN: 9781022415430
Category : History
Languages : en
Pages : 0
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Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1254
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Book Description
Author: Mary L. Shannon
Publisher: Routledge
ISBN: 1317151143
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
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Book Description
Author: Charles Dickens
Publisher: Penguin UK
ISBN: 0141921897
Category : Literary Collections
Languages : en
Pages : 882
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Book Description
Throughout his writing career Charles Dickens was a hugely prolific journalist. This volume of his later work is selected from pieces that he wrote after he founded the journal Household Words in 1850 up until his death in 1870. Here subjects as varied as his nocturnal walks around London slums, prisons, theatres and Inns of Court, journeys to the continent and his childhood in Kent and London are captured in remarkable pieces such as 'Night Walks', 'On Strike', 'New Year's Day' and 'Lying Awake'. Aiming to catch the imagination of a public besieged by hack journalism, these writings are an extraordinary blend of public and private, news and recollection, reality and fantastic description.
