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Author: Sui Sin Far
Publisher: Library of Alexandria
ISBN: 1465608222
Category : Fiction
Languages : en
Pages : 53
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Book Description
CHOW MING, the husband of Ah Sue was an Americanized Chinese, so when Christmas day came, he gave a big dinner, to which he invited both his American and Chinese friends, and also one friend who was both Chinese and American. The large room in which he gave the dinner presented quite a striking appearance on the festive evening, being decorated with Chinese flags and banners, algebraic scrolls, incense burners and tropical plants; and the company sat down to a real feast. Chow Ming’s cook had a reputation. Ah Ming and Ah Oi, Chow Ming’s little son and daughter, flitted around like young humming birds in their bright garments. Their arms and necks were hung with charms and amulets given to them by their father’s friends and they kept up an incessant twittering between themselves. They were not allowed, however, to sit down with their elders and ate in an ante room of rice and broiled preserved chicken — a sweet dish, the morsels of chicken being prepared so as to resemble raisins. Chinese do not indulge in conversation during meal time; but when dinner was over and a couple of Chinese violinists had made their debut, the host brought forward several of his compatriots whom he introduced as men whose imaginations and experiences enabled them to relate the achievements of heroes, the despair of lovers, the blessings which fall to the lot of the filial and the terrible fate of the undutiful. Themes were varied; but those which were most appreciated were stories which treated of magic and enchantment.
Author: Sui Sin Far
Publisher: Library of Alexandria
ISBN: 1465608222
Category : Fiction
Languages : en
Pages : 53
Get Book Here
Book Description
CHOW MING, the husband of Ah Sue was an Americanized Chinese, so when Christmas day came, he gave a big dinner, to which he invited both his American and Chinese friends, and also one friend who was both Chinese and American. The large room in which he gave the dinner presented quite a striking appearance on the festive evening, being decorated with Chinese flags and banners, algebraic scrolls, incense burners and tropical plants; and the company sat down to a real feast. Chow Ming’s cook had a reputation. Ah Ming and Ah Oi, Chow Ming’s little son and daughter, flitted around like young humming birds in their bright garments. Their arms and necks were hung with charms and amulets given to them by their father’s friends and they kept up an incessant twittering between themselves. They were not allowed, however, to sit down with their elders and ate in an ante room of rice and broiled preserved chicken — a sweet dish, the morsels of chicken being prepared so as to resemble raisins. Chinese do not indulge in conversation during meal time; but when dinner was over and a couple of Chinese violinists had made their debut, the host brought forward several of his compatriots whom he introduced as men whose imaginations and experiences enabled them to relate the achievements of heroes, the despair of lovers, the blessings which fall to the lot of the filial and the terrible fate of the undutiful. Themes were varied; but those which were most appreciated were stories which treated of magic and enchantment.
Author: Sui Sin Far
Publisher: Graphic Arts Books
ISBN: 1513276867
Category : Fiction
Languages : en
Pages : 175
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Book Description
Mrs. Spring Fragrance (1912) is a collection of short stories by Sui Sin Far. Inspired by her experience living among Chinese Americans in San Francisco and Seattle, Mrs. Spring Fragrance is considered one of the earliest works of fiction published in the United States by a woman of Chinese heritage. In “The Inferior Woman,” Mrs. Spring Fragrance encounters her neighbors, the Carmans, as they try to find someone to marry their son. While Mrs. Carman wants him to marry into a family of higher social standing, her son is in love with a local girl who works as a legal secretary. Known by Mrs. Carman as the “Inferior Woman,” she has risen through hard work and perseverance to achieve her position at the law firm. Sympathetic toward her neighbor’s son, Mrs. Spring Fragrance advocates on his behalf. “In the Land of the Free” is the story of a Chinese immigrant who is separated from her young son upon arrival due to insufficient paperwork. Exploring the struggles of this woman to reclaim her son, Sui Sin Far exposes the discrimination and hardships faced by Chinese Americans due to the Chinese Exclusion Act, illuminating the byzantine and restrictive immigration policies which sadly continue under a different guise in modern America. With a beautifully designed cover and professionally typeset manuscript, this edition of Sui Sin Far’s Mrs. Spring Fragrance is a classic of Chinese American literature reimagined for modern readers.
Author: Mary Chapman
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599126
Category : Literary Collections
Languages : en
Pages : 351
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Book Description
When her 1912 story collection, Mrs. Spring Fragrance, was rescued from obscurity in the 1990s, scholars were quick to celebrate Sui Sin Far as a pioneering chronicler of Asian American Chinatowns. Newly discovered works, however, reveal that Edith Eaton (1865–1914) published on a wide variety of subjects – and under numerous pseudonyms – in Canada and Jamaica for a decade before she began writing Chinatown fiction signed “Sui Sin Far” for US magazines. Born in England to a Chinese mother and a British father, and raised in Montreal, Edith Eaton is a complex transnational writer whose expanded oeuvre demands reconsideration. Becoming Sui Sin Far collects and contextualizes seventy of Eaton’s early works, most of which have not been republished since they first appeared in turn-of-the-century periodicals. These works of fiction and journalism, in diverse styles and from a variety of perspectives, document Eaton’s early career as a short story writer, “stunt-girl” journalist, ethnographer, political commentator, and travel writer. Showcasing her playful humour, savage wit, and deep sympathy, the texts included in this volume assert a significant place for Eaton in North American literary history. Mary Chapman’s introduction provides an insightful and readable overview of Eaton’s transnational career. The volume also includes an expanded bibliography that lists over two hundred and sixty works attributed to Eaton, a detailed biographical timeline, and a newly discovered interview with Eaton from the year in which she first adopted the orientalist pseudonym for which she is best known. Becoming Sui Sin Far significantly expands our understanding of the themes and topics that defined Eaton’s oeuvre and will interest scholars and students of Canadian, American, Asian North American, and ethnic literatures and history.
Author: Sui Sin Far
Publisher: Graphic Arts Books
ISBN: 1513210610
Category : Biography & Autobiography
Languages : en
Pages : 221
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Book Description
Inspired by the author’s experience living among Chinese Americans in the United States, The Collected Writings of Sui Sin Far highlights stories of prejudice, perseverance, and the soul of a proud and vibrant community. Characterized by her wisdom and cross-cultural knowledge, Mrs. Spring Fragrance is one of Sui Sin Far’s most beloved characters and can be found throughout the collection of stories. “In the Land of the Free” is a powerful story inside this collection on a Chinese immigrant who is separated from her young son due to insufficient paperwork. Exploring the struggles of this woman to reclaim her son, discrimination and hardships faced by Chinese Americans due to the Chinese Exclusion Act are exposed, illuminating the restrictive immigration policies which continue in modern America. With a beautifully designed cover and professionally typeset manuscript, this Mint Editions version of The Collected Writings of Sui Sin Far is a classic of Chinese American literature reimagined for modern readers.
Author: Ellen Burton Harrington
Publisher: Peter Lang
ISBN: 9781433100772
Category : Foreign Language Study
Languages : en
Pages : 220
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Book Description
«America is now wholly given over to a d - d mob of scribbling women, and I should have no chance of success while the public taste is occupied with their trash...» Taking Hawthorne's famous 1855 complaint about women writers as a starting point for consideration, Scribbling Women and the Short Story Form is a collection of fourteen critical essays about the short fiction of British and American women writers. This anthology takes a feminist approach, examining the liberating possibilities for women writers of the form of the short story, a genre often associated with alienation or subversion (the writer Frank O'Connor describes the form as marginal or «outlaw»). Covering the work of selected women writers from the 1850s through the late twentieth century, this collection includes essays on well-known authors such as Rebecca Harding Davis, Louisa May Alcott, Kate Chopin, Katherine Anne Porter, Flannery O'Connor, Cynthia Ozick, and Ursula K. Le Guin, alongside essays on Harriett Prescott Spofford, Ruth Stewart, L. T. Meade, Alice Dunbar-Nelson, Zitkala-Sa, Sui Sin Far, and Lydia Davis, less-known authors whose stories offer rich ground for consideration.
Author: Judith Fetterley
Publisher: University of Illinois Press
ISBN: 9780252027673
Category : American literature
Languages : en
Pages : 440
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Book Description
"In a series of sketches, regionalist writers such as Alice Cary, Mary E. Wilkins Freeman, Sarah Orne Jewett, Grace King, Alice Dunbar-Nelson, Sui Sin Far, and Mary Austin critique the approach to regional subjects characteristic of local color and present narrators who serve as cultural interpreters for persons often considered "out of place" by urban readers. In their approach to these writers, Fetterley and Pryse offer contemporary readers an alternative vantage point from which to consider questions of regions and regionalism in the global economy of our own time."--Jacket.
Author: Elaine H. Kim
Publisher: Philadelphia : Temple University Press
ISBN: 9780877222606
Category : American literature
Languages : en
Pages : 363
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Book Description
Author: Annette White Parks
Publisher: University of Illinois Press
ISBN: 9780252021138
Category : Authors, Canadian
Languages : en
Pages : 296
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Book Description
This first full-length biography of the first published Asian North American fiction writer portrays both the woman and her times. The eldest daughter of a Chinese mother and British father, Edith Maude Eaton was born in England in 1865. Her family moved to Quebec, where she was removed from school at age ten to help support her parents and twelve siblings. In the 1880s and 1890s she worked as a stenographer, journalist, and fiction writer in Montreal, often writing under the name Sui Sin Far (Water Lily). She lived briefly in Jamaica and then, from 1898 to 1912, in the United States. Her one book, Mrs. Spring Fragrance, has been out of print since 1914. Today Sui Sin Far is being rediscovered as part of American literature and history. She presented portraits of turn-of-the-century Chinatowns, not in the mode of the "yellow peril" literature in vogue at the time but with an insider's sympathy. She gave voice to Chinese American women and children, and she responded to the social divisions and discrimination that confronted her by experimenting with trickster characters and tools of irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization to which their race, class, or gender consigned them in that era. "Superbly researched, thoughtfully reasoned, and beautifully written. . . . Will be the foundation for all future work on Sui Sin Far." -- Elizabeth Ammons, author of Conflicting Stories: American Women Writers at the Turn into the Twentieth Century
Author: Sui Sin Far
Publisher:
ISBN: 9780977386796
Category :
Languages : en
Pages :
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Book Description
Author: Audrey Wu Clark
Publisher: Temple University Press
ISBN: 1439912270
Category : Art
Languages : en
Pages : 248
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Book Description
The Asian American Avant-Garde is the first book-length study that conceptualizes a long-neglected canon of early Asian American literature and art. Audrey Wu Clark traces a genealogy of counter-universalism in short fiction, poetry, novels, and art produced by writers and artists of Asian descent who were responding to their contemporary period of Asian exclusion in the United States, between the years 1882 and 1945. Believing in the promise of an inclusive America, these avant-gardists critiqued racism as well as institutionalized art. Clark examines racial outsiders including Isamu Noguchi, Dong Kingman and Yun Gee to show how they engaged with modernist ideas, particularly cubism. She draws comparisons between writers such as Sui Sin Far and Carlos Bulosan with modernist luminaries like Stein, Eliot, Pound, and Proust. Acknowledging the anachronism of the term “Asian American” with respect to these avant-gardists, Clark attempts to reconstruct it. The Asian American Avant-Garde explores the ways in which these artists and writers responded to their racialization and the Orientalism that took place in modernist writing.
