Author: Winthrop Mackworth Praed
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Selected Poems of Winthrop Mackworth Praed
Author: Winthrop Mackworth Praed
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Selected Poems of Thomas Hood, Winthrop Mackworth Praed, and Thomas Lovell Beddoes
Author: Susan J. Wolfson
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 428
Book Description
This anthology brings together three powerfully original figures who vividly capture the spirit and anxieties of their age. Thomas Hood and Winthrop Mackworth Praed write with a self-conscious playfulness about literary history and traditions as well as an active and often satirical engagement with contemporary social and political culture. Thomas Lovell Beddoes has always held the interest of the "dark" Victorianists for his lushly lurid imagination and of the modernists for his ironic, frequently caustic verses. Most of all, these are three amazingly interesting poets--full of verbal wit, evocative imagery, compelling imaginations. Although he started by writing in the style of Keats, Thomas Hood (1799-1845) declared, "I have to be a lively Hood for a livelihood," and devoted most of his career to comic verse. But his sheer verbal ingenuity and endlessly inventive punning do not conceal his phobias and fears, nor overshadow the emerging social protest that was to shape the impressive poems in his later years. Winthrop Mackworth Praed (1802-1839) observed the social scene of his day--the flirtations, political intrigues, elegant chit-chat, and parliamentary procedures--with sparkling, self-deprecating wit. Having read law, Praed was called to the Bar in 1829 and entered Parliament as a Conservative in 1830. Even so, he wrote to his school friend and future editor, "Having been favoured by Nature with a long face, a short purse, and two elder Brothers, I find no way of making myself popular in the circle in which she has placed me, except versifying." Thomas Lovell Beddoes (1803-1849), who committed suicide, was, in the editors' words "brilliant, solitary, eccentric, erratic, homosexual, politically radical, a poet of powerful, haunting imagination, and, like the other morbidly witty poets in this volume, is most characteristic for his defiance of easy characterization." He has been called the last Elizabethan, a Jacobean scion, an original interpreter of gothic terror, the first modernist, and, with his comic grotesqueries, a precursor of the twentieth-century theater of the absurd. The editors' introductions to each poet are lively and accessible to the non-specialist, while their editorial work, both in establishing the texts and in their annotation and apparatus, makes this an ideal text for specialist study as well.
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 428
Book Description
This anthology brings together three powerfully original figures who vividly capture the spirit and anxieties of their age. Thomas Hood and Winthrop Mackworth Praed write with a self-conscious playfulness about literary history and traditions as well as an active and often satirical engagement with contemporary social and political culture. Thomas Lovell Beddoes has always held the interest of the "dark" Victorianists for his lushly lurid imagination and of the modernists for his ironic, frequently caustic verses. Most of all, these are three amazingly interesting poets--full of verbal wit, evocative imagery, compelling imaginations. Although he started by writing in the style of Keats, Thomas Hood (1799-1845) declared, "I have to be a lively Hood for a livelihood," and devoted most of his career to comic verse. But his sheer verbal ingenuity and endlessly inventive punning do not conceal his phobias and fears, nor overshadow the emerging social protest that was to shape the impressive poems in his later years. Winthrop Mackworth Praed (1802-1839) observed the social scene of his day--the flirtations, political intrigues, elegant chit-chat, and parliamentary procedures--with sparkling, self-deprecating wit. Having read law, Praed was called to the Bar in 1829 and entered Parliament as a Conservative in 1830. Even so, he wrote to his school friend and future editor, "Having been favoured by Nature with a long face, a short purse, and two elder Brothers, I find no way of making myself popular in the circle in which she has placed me, except versifying." Thomas Lovell Beddoes (1803-1849), who committed suicide, was, in the editors' words "brilliant, solitary, eccentric, erratic, homosexual, politically radical, a poet of powerful, haunting imagination, and, like the other morbidly witty poets in this volume, is most characteristic for his defiance of easy characterization." He has been called the last Elizabethan, a Jacobean scion, an original interpreter of gothic terror, the first modernist, and, with his comic grotesqueries, a precursor of the twentieth-century theater of the absurd. The editors' introductions to each poet are lively and accessible to the non-specialist, while their editorial work, both in establishing the texts and in their annotation and apparatus, makes this an ideal text for specialist study as well.
The Political and Occasional Poems of Winthrop Mackworth Praed
Author: Winthrop Mackworth Praed
Publisher: London : Ward, Lock
ISBN:
Category : Political poetry, English
Languages : en
Pages : 370
Book Description
Publisher: London : Ward, Lock
ISBN:
Category : Political poetry, English
Languages : en
Pages : 370
Book Description
The Poems of Winthrop Mackworth Praed
Author: Winthrop Mackworth Praed
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
The poems of Winthrop Mackworth Praed, with a memoir by D. Coleridge
Author: Winthrop Mackworth Praed
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 466
Book Description
The poetical works of Winthrop Mackworth Praed, now first collected, by R.W. Griswold
Author: Winthrop Mackworth Praed
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
The Form of Poetry in the 1820s and 1830s
Author: David Stewart
Publisher: Springer
ISBN: 3319705121
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
Publisher: Springer
ISBN: 3319705121
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
The Poems of Winthrop Mackworth Praed
Author: Winthrop Mackworth Praed
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
Book Description
An Uncommon Poet for the Common Man
Author: Lolette Kuby
Publisher: Walter de Gruyter
ISBN: 3110899299
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Publisher: Walter de Gruyter
ISBN: 3110899299
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
Belonging and Estrangement in the Poetry of Philip Larkin, R.S. Thomas and Charles Causley
Author: Rory Waterman
Publisher: Routledge
ISBN: 1317175239
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.
Publisher: Routledge
ISBN: 1317175239
Category : Literary Criticism
Languages : en
Pages : 361
Book Description
Focusing on the significance of place, connection and relationship in three poets who are seldom considered in conjunction, Rory Waterman argues that Philip Larkin, R.S. Thomas and Charles Causley epitomize many of the emotional and societal shifts and mores of their age. Waterman looks at the foundations underpinning their poetry; the attempts of all three to forge a sense of belonging with or separateness from their readers; the poets’ varying responses to their geographical and cultural origins; the belonging and estrangement that inheres in relationships, including marriage; the forced estrangements of war; the antagonism between social belonging and a need for isolation; and, finally, the charged issues of faith and mortality in an increasingly secularized country.