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Author: Jules Breton
Publisher: Wipf and Stock Publishers
ISBN:
Category : Poetry
Languages : en
Pages : 82
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Book Description
Vincent van Gogh loved both art and poetry. He especially loved the nineteenth-century Realist art and French poetry of Jules Adolphe Aime Louis Breton (1827-1906). Both Breton's art and poetry focused on the French countryside, peasant themes and, at times, his Christian faith. Van Gogh copied a number of Breton's poems and sent them in letters to his brother, Theo, and to Anthon van Rappard, an artist friend. He also promised to send Breton's complete book of poems, Les Champs et la mer /The Fields and the Sea ) to Theo. This book includes Breton's original poems Van Gogh copied with translations and commentary on each poem by the translator. Most of Breton's poems were dedicated to fellow artists or poets. These metrical translations reflect the rhyme and meter of the original French poems. Breton became well known in America for his 1884 oil on canvas, Le chant de l'alouette/The Song of the Lark (Henry Field Memorial Collection, The Art Institute of Chicago). It was exhibited at the Chicago World's Fair in 1934 where First Lady Eleanor Roosevelt stated it was her own favorite painting. This book's aim is to introduce Breton's poetry to the English-speaking world.
Author: Jules Breton
Publisher: Wipf and Stock Publishers
ISBN:
Category : Poetry
Languages : en
Pages : 82
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Book Description
Vincent van Gogh loved both art and poetry. He especially loved the nineteenth-century Realist art and French poetry of Jules Adolphe Aime Louis Breton (1827-1906). Both Breton's art and poetry focused on the French countryside, peasant themes and, at times, his Christian faith. Van Gogh copied a number of Breton's poems and sent them in letters to his brother, Theo, and to Anthon van Rappard, an artist friend. He also promised to send Breton's complete book of poems, Les Champs et la mer /The Fields and the Sea ) to Theo. This book includes Breton's original poems Van Gogh copied with translations and commentary on each poem by the translator. Most of Breton's poems were dedicated to fellow artists or poets. These metrical translations reflect the rhyme and meter of the original French poems. Breton became well known in America for his 1884 oil on canvas, Le chant de l'alouette/The Song of the Lark (Henry Field Memorial Collection, The Art Institute of Chicago). It was exhibited at the Chicago World's Fair in 1934 where First Lady Eleanor Roosevelt stated it was her own favorite painting. This book's aim is to introduce Breton's poetry to the English-speaking world.
Author: Jules Breton
Publisher: Resource Publications (CA)
ISBN:
Category : Poetry
Languages : en
Pages : 0
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Book Description
Vincent van Gogh loved both art and poetry. He especially loved the nineteenth-century Realist art and French poetry of Jules Adolphe Aime Louis Breton (1827-1906). Both Breton's art and poetry focused on the French countryside, peasant themes and, at times, his Christian faith. Van Gogh copied a number of Breton's poems and sent them in letters to his brother, Theo, and to Anthon van Rappard, an artist friend. He also promised to send Breton's complete book of poems, Les Champs et la mer /The Fields and the Sea ) to Theo. This book includes Breton's original poems Van Gogh copied with translations and commentary on each poem by the translator. Most of Breton's poems were dedicated to fellow artists or poets. These metrical translations reflect the rhyme and meter of the original French poems. Breton became well known in America for his 1884 oil on canvas, Le chant de l'alouette/The Song of the Lark (Henry Field Memorial Collection, The Art Institute of Chicago). It was exhibited at the Chicago World's Fair in 1934 where First Lady Eleanor Roosevelt stated it was her own favorite painting. This book's aim is to introduce Breton's poetry to the English-speaking world.
Author: Annette Bourrut Lacouture
Publisher: Yale University Press
ISBN: 0300095759
Category : Art
Languages : en
Pages : 278
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Book Description
Jules Breton (1827-1906), known as one of the first 'peasant painters', created beautiful scenes of rural French life and was a highly popular figure among the Salon artists of his era. Taking his inspiration from his native Artois and from the landscapes of Brittany, where he stayed for long periods, he painted peasant women and men performing their daily activities, meticulously observing their world and making it a place of peace and harmony. During the second half of the nineteenth century, rewards and official decorations were heaped upon him, and his paintings were purchased not only by the emperor but also by collectors in America, Britain and Ireland. However, Breton's work became eclipsed by the avant-garde movements of the twentieth century, and he was eventually forgotten. This book now pays Breton the tribute that he deserves. It traces the development of his career and the forces that influenced him from his childhood through his early training in Belgium and Paris to his years in Brittany. The book presents and discusses a number of important paintings by Breton, some of which have been almost unknown until now, and it shows how they reflect the artist's social and humanitarian concerns as well as his painterly abilities.
Author: D.M.R. Bentley
Publisher: University of Toronto Press
ISBN: 1442617683
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
As one of the formative periods in Canadian history, the late nineteenth century witnessed the birth of a nation, a people, and a literature. In this study of Canada's first 'school' of poets, D.M.R. Bentley combines archival work, including extensive research in periodicals and newspapers, with close readings of the work of Charles G.D. Roberts, Archibald Lampman, Bliss Carman, William Wilfred Campbell, Duncan Campbell Scott, and Frederick George Scott. Bentley chronicles the formation, reception, national and international successes, and eventual disintegration (after the 1895 'War Among the Poets') of the Confederation Group, whose poetry forever changed the perception and direction of Canadian literature. With the aid of biographical, political, and sociological analyses, Bentley's literary history delineates the group's political, aesthetic, and thematic dispositions and characteristics, and contextualizes them not only within Canadian history and politics, but also within contemporary intellectual and literary currents, including Romantic nationalism, 'Canadianism', and poetic formalism. Bentley casts new light on the poets' commonalities - such as their debt to Young Ireland, their commitment to careful workmanship, and their participation in the American mind-cure movement - as well as on their most accomplished and anthologized poems from 1880 to 1897. In the process, he presents a compelling case for the literary and historical importance of these six men and their poems in light of Canada's cultural and political past, and defends their right to be known as Canada's first poetic fraternity at a time when Canada was striving to achieve literary and national distinction. The Confederation Group of Canadian Poets, 1880-1897 is an erudite and innovative work of literary history and critical interpretation that belongs on the bookshelf of every serious scholar of literary studies.
Author: Graham Zanker
Publisher: Taylor & Francis
ISBN: 1040146589
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
The poetry of Alexandria under the first three Ptolemies represents a second golden age of Greek literature. The eminence grise of poetic circles was Callimachus, whose poetic manifesto in favour of small scale, meticulously detailed and mannered works was to be of great influence on Augustan poetry in Rome. The stylistic aims of the Alexandrian poets have been much discussed, as has their reliance on literary tradition. First published in 1987, Realism in Alexandrian Poetry covers less familiar ground. Taking the whole canon of Alexandrian poetry as his starting point, Dr Zanker surveys the use of the realistic mode in works like The Idylls of Theocritus (were these real shepherds?), including such matters as the humorous elements of Callimachus Hymns, the love-story in Apollonius’ ‘Argonautica’, and the low-life sketches of epyllia like Hecale as well as the Mimes of Herodas. The striving for realism and minute detail is set in the context of the admiration of pictorialism in the plastic arts, the new valuation of science as a measure of human experience, and the deliberate mingling of high and low genres. All this is in turn placed in the cultural context of early Alexandria. Few books take the whole of Alexandrian poetry as their canvas. This one which does will be as valuable a study of the Alexandrian poets as it will be a forceful contribution to literary criticism.
Author: Barbara K. Fisher
Publisher: Routledge
ISBN: 1135490473
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
This interdisciplinary study participates in the ongoing critical conversation about postwar American poetry and visual culture, while advancing that field into the arena of the museum. Turning to contemporary poems about the visual arts that foreground and interrogate a museum setting, the book demonstrates the particular importance of the museum as a cultural site that is both inspiration and provocation for poets. The study uniquely bridges the dual canon in contemporary poetry (and calls the lyric/avant-garde distinction into question) by analyzing museum-sponsored anthologies as well as poems by John Ashbery, Richard Howard, Kenneth Koch, Kathleen Fraser, Cole Swensen, Anne Carson, and others. Through these case studies of poets with diverse affiliations, the author shows that the boom in ekphrasis in the past 20 years is not only an aesthetic but a critical phenomenon, a way that poets have come to terms with the critical dilemmas of our moment. Highlighting the importance of poets' peripheral vision-awareness of the institutional conditions that frame encounters with art-the author contend that a museum visit becomes a forum for questioning oppositions that have preoccupied literary criticism for the past 50 years: homage and innovation, modernism and postmodernism, subjectivity and collectivity. The study shows that ekphrasis becomes a strategy for negotiating these impasses-a mode of political inquiry, a meditation on canonization, a venue for comic appraisal of institutionalization, and a means of site-specific feminist revision-in a vital synthesis of critique, perspicacity, and pleasure.
Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 614
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Book Description
Author: Vincent van Gogh
Publisher: Metropolitan Museum of Art
ISBN: 1588391655
Category : Art
Languages : en
Pages : 394
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Book Description
Presents a collection of the drawings of Vincent Van Gogh, providing images of his works in charcoal, chalk, ink, graphite, and watercolor, and including essays the place each drawing in its historical context, explaining its significance.
Author: Filippo Tommaso Marinetti
Publisher: Yale University Press
ISBN: 0300041039
Category : Poetry
Languages : en
Pages : 272
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Book Description
In which Marinetti used the language of machines and explosions to express his view of poetry as reportage from the front: "Words in Freedom," in which he declared war on poetry by destroying syntax and spelling and by experimenting with typography; and finally love poems to his wife, Benedetta, in which he returned in part to subjects and forms that he had previously rejected.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 650
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Book Description
