Author: John Fletcher
Publisher: University of Arkansas Press
ISBN: 0938626671
Category : Poetry
Languages : en
Pages : 355
Book Description
A Pulitzer Prize winner best known as an imagist, John Gould Fletcher experimented with every facet of Modernist poetry and influenced poets in both England and the United States. this is the first collection to span his entire career, and brings again to the public eye work that has been unavailable for thirty-five years. Fletcher is responsible for introducing Ezra Pound to French symbolism, and Amy Lowell to “polyphonic prose,” and his connection with the Southern Fugitive Agrarian movement adds to his significance as the first modern Southern poet. The editors have chosen representative works for his many stages of development and discuss in the introduction Fletcher’s influence on the better-known modernists. Selected Poems of John Gould Fletcher is the first n a series of books by or about Fletcher to fill an important space in home and public libraries with American literature collections.
Selected Poems of John Gould Fletcher
Author: John Fletcher
Publisher: University of Arkansas Press
ISBN: 0938626671
Category : Poetry
Languages : en
Pages : 355
Book Description
A Pulitzer Prize winner best known as an imagist, John Gould Fletcher experimented with every facet of Modernist poetry and influenced poets in both England and the United States. this is the first collection to span his entire career, and brings again to the public eye work that has been unavailable for thirty-five years. Fletcher is responsible for introducing Ezra Pound to French symbolism, and Amy Lowell to “polyphonic prose,” and his connection with the Southern Fugitive Agrarian movement adds to his significance as the first modern Southern poet. The editors have chosen representative works for his many stages of development and discuss in the introduction Fletcher’s influence on the better-known modernists. Selected Poems of John Gould Fletcher is the first n a series of books by or about Fletcher to fill an important space in home and public libraries with American literature collections.
Publisher: University of Arkansas Press
ISBN: 0938626671
Category : Poetry
Languages : en
Pages : 355
Book Description
A Pulitzer Prize winner best known as an imagist, John Gould Fletcher experimented with every facet of Modernist poetry and influenced poets in both England and the United States. this is the first collection to span his entire career, and brings again to the public eye work that has been unavailable for thirty-five years. Fletcher is responsible for introducing Ezra Pound to French symbolism, and Amy Lowell to “polyphonic prose,” and his connection with the Southern Fugitive Agrarian movement adds to his significance as the first modern Southern poet. The editors have chosen representative works for his many stages of development and discuss in the introduction Fletcher’s influence on the better-known modernists. Selected Poems of John Gould Fletcher is the first n a series of books by or about Fletcher to fill an important space in home and public libraries with American literature collections.
Selected Poems of John Gould Fletcher
Author: John Gould Fletcher
Publisher: University of Arkansas Press
ISBN: 9781610753739
Category : Poetry, Modern
Languages : en
Pages : 378
Book Description
Publisher: University of Arkansas Press
ISBN: 9781610753739
Category : Poetry, Modern
Languages : en
Pages : 378
Book Description
Goblins and Pagodas
Author: John Gould Fletcher
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 144
Book Description
Imagist Poetry
Author: Peter Jones
Publisher: Penguin UK
ISBN: 0141913142
Category : Poetry
Languages : en
Pages : 191
Book Description
Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as ‘a doughy mess of third-hand Keats, Wordsworth ... half-melted, lumpy’. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something ... it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.
Publisher: Penguin UK
ISBN: 0141913142
Category : Poetry
Languages : en
Pages : 191
Book Description
Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as ‘a doughy mess of third-hand Keats, Wordsworth ... half-melted, lumpy’. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something ... it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.
Life is My Song
Author: John Gould Fletcher
Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages : 424
Book Description
The Fourth Imagist
Author: Frank Stuart Flint
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641583
Category : Poetry
Languages : en
Pages : 178
Book Description
This is the first time that a substantial and representative selection of Flint's poetry has been collected. The Introduction supplies important biographical information, and traces how Flint became involved, along with Ezra Pound, Richard Aldington, and H.D., in the Imagist project. There are sixty-three poems drawn from Flint's three published collections of poetry--In the Net of the Stars (1909), Cadences (1915), and Otherworld (1920), and a further twenty-two uncollected or previously unpublished poems, making eighty-five poems in all. The Introduction also offers a sustained and illuminating discussion of the evolution of Flint's art through three volumes. In addition, there are five appendices, among them Flint's important essays, "Imagisme" and "The History of Imagism." The book seeks to establish Flint as a significant contributor to early Modernist poetry, i.e., Imagism, and to reassess the qualities and achievement of an undeservedly overlooked poet.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641583
Category : Poetry
Languages : en
Pages : 178
Book Description
This is the first time that a substantial and representative selection of Flint's poetry has been collected. The Introduction supplies important biographical information, and traces how Flint became involved, along with Ezra Pound, Richard Aldington, and H.D., in the Imagist project. There are sixty-three poems drawn from Flint's three published collections of poetry--In the Net of the Stars (1909), Cadences (1915), and Otherworld (1920), and a further twenty-two uncollected or previously unpublished poems, making eighty-five poems in all. The Introduction also offers a sustained and illuminating discussion of the evolution of Flint's art through three volumes. In addition, there are five appendices, among them Flint's important essays, "Imagisme" and "The History of Imagism." The book seeks to establish Flint as a significant contributor to early Modernist poetry, i.e., Imagism, and to reassess the qualities and achievement of an undeservedly overlooked poet.
Selected Letters of Fletcher (c)
Author:
Publisher: University of Arkansas Press
ISBN: 9781610753715
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
John Gould Fletcher, the Pulitzer Prize-winning poet and essayist, was a prolific correspondent who, during the course of his life, wrote hundreds of letters to such literary luminaries as Harriet Monroe, T. S. Eliot, Amy Lowell, Conrad Aiken, H. D., John Crowe Ransom, Allen Tate, and Donald Davidson. Because he was prominent in both the Imagist and Fugitive-Agrarian groups, Fletcher's letters offer a unique insight into the many crosscurrents and personalities that characterize the Modernist movement. Included here are also letters that shed light on the composition of Fletcher's own works, on his influential theories of poetry and poetics, and on the many conflicts and conjunctions that arose between Fletcher and his contemporaries in the course of a writing career that spanned nearly four decades. Leighton Rudolph's introduction to this astutely selected correspondence presents a valuable overview of Fletcher's life. With this volume, the entire John Gould Fletcher Series from the University of Arkansas Press is completed.
Publisher: University of Arkansas Press
ISBN: 9781610753715
Category : Biography & Autobiography
Languages : en
Pages : 342
Book Description
John Gould Fletcher, the Pulitzer Prize-winning poet and essayist, was a prolific correspondent who, during the course of his life, wrote hundreds of letters to such literary luminaries as Harriet Monroe, T. S. Eliot, Amy Lowell, Conrad Aiken, H. D., John Crowe Ransom, Allen Tate, and Donald Davidson. Because he was prominent in both the Imagist and Fugitive-Agrarian groups, Fletcher's letters offer a unique insight into the many crosscurrents and personalities that characterize the Modernist movement. Included here are also letters that shed light on the composition of Fletcher's own works, on his influential theories of poetry and poetics, and on the many conflicts and conjunctions that arose between Fletcher and his contemporaries in the course of a writing career that spanned nearly four decades. Leighton Rudolph's introduction to this astutely selected correspondence presents a valuable overview of Fletcher's life. With this volume, the entire John Gould Fletcher Series from the University of Arkansas Press is completed.
American Haiku
Author: Toru Kiuchi
Publisher: Lexington Books
ISBN: 1498527183
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
Publisher: Lexington Books
ISBN: 1498527183
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
Spectra
Author: Arthur Davison Ficke
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 94
Book Description
Fire and Wine
Author: John Gould Fletcher
Publisher:
ISBN:
Category : Private presses
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Private presses
Languages : en
Pages : 88
Book Description