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Author: Stan Lai
Publisher:
ISBN: 9780472175000
Category : Performing Arts
Languages : en
Pages :
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Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher:
ISBN: 9780472175000
Category : Performing Arts
Languages : en
Pages :
Get Book Here
Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 0472055070
Category : Drama
Languages : en
Pages : 521
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Book Description
Bringing the iconic plays of Stan Lai to an English-language readership
Author: Wah Guan Lim
Publisher: Cornell University Press
ISBN: 1501774409
Category : History
Languages : en
Pages : 269
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Book Description
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
Author: Stan Lai
Publisher: University of Michigan Press
ISBN: 9780472075096
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances. Volume Three contains: A Dream Like a Dream Ago
Author: Susan C. Haedicke
Publisher: University of Michigan Press
ISBN: 9780472067602
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
International perspectives on a form of activist, participatory theater with marginalized groups in cities around the world
Author: Peter Bing
Publisher: University of Michigan Press
ISBN: 0472116320
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Seminal essays from one of the most prominent scholars of Hellenistic poetry
Author: Liang Luo
Publisher: University of Michigan Press
ISBN: 0472038605
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Tracing the history and adaptation of one of China's foundational texts
Author: Mayumo Inoue
Publisher: Hong Kong University Press
ISBN: 9888455877
Category : Art
Languages : en
Pages : 307
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Book Description
Observing that the division between theory and empiricism remains inextricably linked to imperial modernity, manifest at the most basic level in the binary between “the West” and “Asia,” the authors of this volume re-examine art and aesthetics to challenge these oppositions in order to reconceptualize politics and knowledge production in East Asia. Current understandings of fundamental ideas like race, nation, colonizer and the colonized, and the concept of Asia in the region are seeped with imperial aesthetics that originated from competing imperialisms operating in the twentieth and twenty-first centuries. Such aesthetics has sustained both colonial and local modes of perception in the formation of nation-states and expanded the reach of regulatory powers in East Asia since 1945. The twelve thought-provoking essays in this collection tackle the problematics that arise at the nexus of aesthetics and politics in four areas: theoretical issues of aesthetics and politics in East Asia, aesthetics of affect and sexuality, the productive tension between critical aesthetics and political movements, and aesthetic critiques of sovereignty and neoliberalism in East Asia today. If the seemingly universal operation of capital and militarism in East Asia requires locally specific definitions of biopolitical concepts to function smoothly, this book critiques the circuit of power between the universalism of capital and particularism of nation and culture. Treating aesthetic experiences in art at large as the bases for going beyond imperial categories, the contributors present new modes of sensing, thinking, and living that have been unimaginable within the mainstream modality of Asian studies, a discipline that has reproduced the colonial regime of knowledge production. By doing so, Beyond Imperial Aesthetics illuminates the aesthetic underside of critical theory to uncover alternative forms of political life in East Asia. “This much needed volume takes readers on an erudite and challenging journey. Along the way, its theoretically-minded authors explore what a future liberated from the Cold War shackles of securitized institutions and capitalist exploitation as well as concomitant epistemologies of aestheticized domination might look like in East Asia.” —Todd Henry, UC San Diego “Beyond Imperial Aesthetics is an impressive intervention between art, politics, and theoretical reflection in contemporary East Asia. The project convincingly articulates various sites of resistance to the postwar US hegemon throughout East Asia. The editors are to be congratulated for putting together such a timely and compelling work.” —Richard Calichman, City College of New York
Author: Xiaomei Chen
Publisher: Columbia University Press
ISBN: 0231535546
Category : Performing Arts
Languages : en
Pages : 655
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Book Description
This condensed anthology reproduces close to a dozen plays from Xiaomei Chen's well-received original collection, The Columbia Anthology of Modern Chinese Drama, along with her critical introduction to the historical, cultural, and aesthetic evolution of twentieth-century Chinese spoken drama. Comprising representative works from the Republican era to postsocialist China, the book encapsulates the revolutionary rethinking of Chinese theater and performance that began in the late Qing dynasty and vividly portrays the uncertainty and anxiety brought on by modernism, socialism, political conflict, and war. Chosen works from 1919 to 1990 also highlight the formation of national and gender identities during a period of tremendous social, cultural, and political change in China and the genesis of contemporary attitudes toward the West. PRC theater tracks the rise of communism, juxtaposing ideals of Chinese socialism against the sacrifices made for a new society. Post-Mao drama addresses the nation's socialist legacy, its attempt to reexamine its cultural roots, and postsocialist reflections on critical issues such as nation, class, gender, and collective memories. An essential, portable guide for easy reference and classroom use, this abridgment provides a concise yet well-rounded survey of China's theatricality and representation of political life. The original work not only established a canon of modern Chinese drama in the West but also made it available for the first time in English in a single volume.
Author: John Ashbery
Publisher: University of Michigan Press
ISBN: 9780472031399
Category : Literary Collections
Languages : en
Pages : 340
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Book Description
Fifty years of writing on literature, film, and art by one of the most influential poets and critics of our time
