Selected Modern British & Continental Paintings, Watercolours and Drawings PDF Download
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Author: Bonhams (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: David Kemp
Publisher: Dundurn
ISBN: 1554883474
Category : Travel
Languages : en
Pages : 441
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Book Description
Is a famous queen of Britain really bured beneath platform 10 at King's Cross station in London? What is the telephone number of the National Theatre? what is the best place to eat in Worcester? Where is the National Bagpipe Museum? (Hint: not in Scotland) Was Pointius Pilate born in Pitlochry? The answers to these questions and literally thousands more are to be found in David Kemp's fascinating guidebook, The Pleasures and Treasures of Britain. Nowhere else will the discerning traveller find so much diverse and essential information about British culture gathered together in one volume. With the author as your witty and knowledgeable guide, take a tour through nearly fifty cities, from Penzance to Perth, from London to Cardiff and Belfast. Each city section begins with a concise, readable history and a guided walk around the town, planned to take in as many of the significant local sights as can comfortably be included. Next are exhaustive listings, including telephone numbers and addresses, of everything a culturally curious visitor might want to seek out: theatre, art galleries, museums, antique markets, antiquarian and other bookstores, restaurants, lcoal fairs and festivals and more. Finally, under the headings of Artistic Associations and Ephemera, each section concludes with an entertaining collection of local lore, gossip, legend and anecdote.
Author: Robert Hoozee
Publisher:
ISBN: 9789061537489
Category : Art, British
Languages : en
Pages : 423
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Book Description
From the landscapes of Constable to the imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a lavish survey of British art from 1750 to 1950. Spanning two hundred years, British Vision presents some of the most iconic works in British art history from major public and private collections in Europe and the USA.William Hogarth, Thomas Gainsborough, George Stubbs,William Blake, John Constable, Joseph Mallord William Turner, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Henry Fuseli, Richard Dadd, Francis Bacon and Lucian Freud are mong the many outstanding artists whose work appears on the books pages. Essays by a raft of distinguished art historians focus on the two defining characteristics of British art: observation and imagination. This lavishly illustrated catalogue is a sumptuous record of the most comprehensive exhibition of British art to be staged under one roof in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1518
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Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 462
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Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 522
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 466
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Book Description
Author: Kenneth Hudson
Publisher: Springer
ISBN: 1349070149
Category : Social Science
Languages : en
Pages : 1067
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Book Description
Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 730
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Author: Bonhams (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Anna Crighton
Publisher: Cambridge Scholars Publishing
ISBN: 1443871699
Category : Art
Languages : en
Pages : 420
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Book Description
How and why do works make their way into a public art collection? Who decides what will be hung on the walls, placed on plinths, displayed in cases? These important, but seldom discussed, questions lie at the heart of this ‘cultural biography’ of the 70 years during which the Robert McDougall Art Gallery was Christchurch’s civic art gallery. The book explains how the collection came together, how it developed, and how the public, and artists and critics, reacted to it. The book is presented in three parts, each of which has its own introduction. It provides an analytical framework in detail and in context by defining terms and explaining particular, recurrent concepts. These include, and indeed highlight, selection and presentation cultures derived from the core museological functions of collection and display. These, together with the framework’s other concepts, are related to mainstream methodology in the social sciences, particularly political science. The latter is especially relevant to the study of a public art gallery – owned and funded by the public and its elected representatives, and controlled by these representatives and their appointed agents. Furthermore, the framework explores the concept of post-colonial tensions between heritages – specifically indigenous, transplanted and autochthonous ones. The significance of this becomes more apparent when the concepts used in relevant previous studies of specific public art galleries in New Zealand are reviewed. There is also a strong emphasis on the development of a public Maori art collection. It is a story, too, of vivid and influential personalities – the directors and curators who fought for the gallery and the artists represented in it. But the book is more than just the story of a single gallery’s collection: it shines a light on concerns and patterns that will be familiar to galleries everywhere, and provides a unique perspective on New Zealand’s cultural development over much of the twentieth century.
