Select British Poets, Or, New Elegant Extracts from Chaucer to the Present Time, with Critical Remarks PDF Download
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Author: William Hazlitt
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1062
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Book Description
Author: William Hazlitt
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1062
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Book Description
Author: Caroline Frances Eleanor Spurgeon
Publisher:
ISBN:
Category :
Languages : en
Pages : 830
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Book Description
Author: Caroline Frances Eleanor Spurgeon
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
Author: William Hazlitt
Publisher:
ISBN:
Category : Malthusianism
Languages : en
Pages : 434
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Book Description
Author: Caroline Frances Eleanor Spurgeon
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 478
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Book Description
Author: William Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
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Book Description
Author: J. Robinson
Publisher: Springer
ISBN: 140398283X
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
Author: John Boynton Priestley
Publisher: Northcote House Pub Limited
ISBN: 0746307454
Category : Literary Criticism
Languages : en
Pages : 76
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Book Description
William Hazlitt was a brilliant and perceptive essayist and critic in the early 19th Century whose critical impressions of his contemporaries and their work gave a sense of an age and the leading figures who populated it in a particularly vivid way.
Author: David M. Main
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 488
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Book Description
Author: Robert J. Griffin
Publisher: Cambridge University Press
ISBN: 9780521481717
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Recent studies of the concepts and ideologies of Romanticism have neglected to explore the ways in which Romanticism defined itself by reconfiguring its literary past. In Wordsworth's Pope Robert J. Griffin shows that many of the basic tenets of Romanticism derive from mid-eighteenth-century writers' attempts to free themselves from the literary dominance of Alexander Pope. As a result, a narrative of literary history in which Pope figured as an alien poet of reason and imitation became the basis for nineteenth-century literary history, and still affects our thinking on Pope and Romanticism. Griffin traces the genesis and transmission of "romantic literary history", from the Wartons to M. H. Abrams; in so doing, he calls into question some of our most basic assumptions about the chronological and conceptual boundaries of Romanticism.
