Author: K.M. Knittel
Publisher: Routledge
ISBN: 1317057791
Category : Social Science
Languages : en
Pages : 218
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Book Description
No-one doubts that Gustav Mahler's tenure at the Vienna Court Opera from 1897-1907 was made extremely unpleasant by the antisemitic press. The great biographer, Henry-Louis de La Grange, acknowledges that 'it must be said that antisemitism was a permanent feature of Viennese life'. Unfortunately, the focus on blatant references to Jewishness has obscured the extent to which 'ordinary' attitudes about Jewish difference were prevalent and pervasive, yet subtle and covert. The context has been lost wherein such coded references to Jewishness would have been immediately recognized and understood. By painstakingly reconstructing 'the language of antisemitism', Knittel recreates what Mahler's audiences expected, saw, and heard, given the biases and beliefs of turn-of-the-century Vienna. Using newspaper reviews, cartoons and memoirs, Knittel eschews focusing on hostile discussions and overt attacks in themselves, rather revealing how and to what extent authors call attention to Mahler's Jewishness with more subtle language. She specifically examines the reviews of Mahler's Viennese symphonic premieres for their resonance with that language as codified by Richard Wagner, though not invented by him. An entire chapter is also devoted to the Viennese premieres of Richard Strauss's tone poems, as a proof text against which the reviews of Mahler can also be read and understood. Accepting how deeply embedded this way of thinking was, not just for critics but for the general population, certainly does not imply that one can find antisemitism under every stone. What Knittel suggests, ultimately, is that much of early criticism was unease rather than 'objective' reactions to Mahler's music - a new perspective that allows for a re-evaluation of what makes his music unique, thought-provoking and valuable.
Author: Knud Martner
Publisher: Duckworth Publishing
ISBN: 9780715639764
Category :
Languages : en
Pages : 424
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Book Description
Today regarded as one of the most important composers, during his lifetime Gustav Mahler was best known as one of the world's most acclaimed conductors. This book provides a complete history of Mahler on the podium with detailed information including works performed, soloists and concert halls for each of the more than 300 concerts he conducted.
Author: Anna Stoll Knecht
Publisher:
ISBN: 0190491116
Category : Music
Languages : en
Pages : 401
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Book Description
Anna Stoll Knecht's Mahler's Seventh Symphony offers a new interpretation of Gustav Mahler's most controversial work, based on a confrontation between genetic and analytic approaches. Exposing new facets of Mahler's musical humor, this book freshly reconsiders the composer's cultural identity, revealing the Seventh's pivotal role within his output.
Author: Kay M. Knittel
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754663720
Category : Social Science
Languages : en
Pages : 232
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Book Description
No-one doubts that Gustav Mahler's tenure at the Vienna Court Opera from 1897-1907 was made extremely unpleasant by the antisemitic press. Unfortunately, the focus on blatant references to Jewishness has obscured the extent to which 'ordinary' attitudes a
Author: Thomas Peattie
Publisher: Cambridge University Press
ISBN: 1316298442
Category : Music
Languages : en
Pages : 233
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Book Description
In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.
Author: Péter Fülöp
Publisher: Penguin Press HC
ISBN:
Category : Music
Languages : nl
Pages : 486
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Book Description
Discografie van alle uitgegeven langspeelplaten met werken van de Oostenrijkse componist en dirigent (1860-1911)
Author: Alma Mahler-Werfel
Publisher: Cornell University Press
ISBN: 9780801486647
Category : Biography & Autobiography
Languages : en
Pages : 530
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Book Description
The manuscript of Alma Mahler's Diaries, a pile of old exercise books, lay unread and seemingly illegible in the library of an American university. In search of the truth about Alma and Alexander Zemlinsky, Antony Beaumont read them and found what he was looking for. But he found far more: the authentic saga of one of the century's most charismatic personalities. The Diaries depict in intimate detail the four years during which Alma grew from adolescence into womanhood. Opening with her first, heady affair with Gustav Klimt, they break off shortly before her marriage to Gustav Mahler. "To me," writes Beaumont, "reading The Diaries is like raising a curtain, behind which stands the Vienna of 1900 in all its majesty, and so close that one can almost reach out and touch it. The vitality of everyday life, eye-witness accounts of significant artistic events, unique insights into the behavioral patterns and linguistic conventions of homo austriacus all these serve to make the book unique."Having come to grips with Alma's handwriting, Beaumont and his coeditor for the German edition, Susanne Rode-Breymann, added meticulously researched commentaries and annotations. The German edition was published in the autumn of 1997."
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Stephen Johnson
Publisher: University of Chicago Press
ISBN: 022674096X
Category : Music
Languages : en
Pages : 321
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Book Description
This “thrilling study of Gustav Mahler’s Symphony No 8 . . . makes a strong case for its quality . . . we shall never listen to it in the same way again” (Guardian, UK). On September 12, 1910, Gustav Mahler’s Eighth Symphony had its world premiere at Munich’s new Musik Festhalle. It was the artistic breakthrough for which the composer had yearned all his life. An array of royals and stars from the musical and literary world were in attendance, including Thomas Mann and the young Arnold Schoenberg. Also present were Alma Mahler, the composer’s wife, and Alma’s longtime lover, the architect Walter Gropius. In The Eighth, Stephen Johnson provides a masterful account of the symphony’s far-reaching consequences and its effect on composers, conductors, and writers of the time. The Eighth looks behind the scenes at the demanding one-week rehearsal period leading up to the premiere—something unheard of at the time—and provides fascinating insight into Mahler’s compositional habits, his busy life as a conductor, his philosophical and literary interests, and his personal and professional relationships. Johnson expertly contextualizes Mahler’s work among the prevailing attitudes and political climate of his age, considering the art, science, technology, and mass entertainment that informed the world in 1910. The Eighth is an absorbing history of a musical masterpiece and the troubled man who created it.
Author: Norman Lebrecht
Publisher: Anchor
ISBN: 140009657X
Category : Music
Languages : en
Pages : 338
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Book Description
Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Following Mahler’s every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. Why Mahler? is a book that shows how music can change our lives.
