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Author: Emilyn Claid
Publisher: Routledge
ISBN: 1134195486
Category : Art
Languages : en
Pages : 257
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Book Description
Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Author: Emilyn Claid
Publisher: Routledge
ISBN: 1134195486
Category : Art
Languages : en
Pages : 257
Get Book Here
Book Description
Covering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Author: Claudia Morgan
Publisher: Richards Education
ISBN:
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
Prepare to be captivated by the sultry allure and undeniable chemistry that have set cinema screens ablaze in "Seduction on Screen: The 100 Sexiest Movies of All Time." This steamy guide takes you on a journey through the most provocative and unforgettable moments in film history, showcasing the movies that have redefined sensuality, passion, and desire. Each chapter offers a tantalizing exploration of a different film, delving into the erotic artistry, mesmerizing performances, and sizzling storylines that have left audiences entranced. From the raw intensity of Basic Instinct to the romantic heat of Atonement and the bold sensuality of Call Me by Your Name, this book covers a wide range of genres and styles, all united by their electrifying appeal. Whether you're a film buff or simply in the mood for something a little more daring, "Seduction on Screen" is your ultimate companion to the world of cinematic seduction. This collection celebrates the films that have pushed boundaries, sparked conversations, and kindled the flames of passion, making them timeless classics in the realm of sensual storytelling. Dive into the 100 sexiest movies ever made, and let the magic of cinema sweep you off your feet.
Author: Robert L. Perkins
Publisher: Mercer University Press
ISBN: 9780865540811
Category : Philosophy
Languages : en
Pages : 304
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Book Description
For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.
Author: Paul Culmsee
Publisher: eBook Partnership
ISBN: 0994631405
Category : Business & Economics
Languages : en
Pages : 209
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Book Description
Management techniques such as strategic planning, project management or operational budgeting, aim to reduce ambiguity and provide clarity. So it is one of the great ironies of modern corporate life that these techniques often end up doing the opposite: increasing ambiguity rather than reducing it.It is easy enough to understand why: organizations are complex entities and it is unreasonable to expect management models, such as those that fit neatly into a 2*2 matrix or a predetermined checklist, to work in the real world. Indeed, expecting them to work as advertised is akin to colouring a paint-by-numbers Mona Lisa with the expectation of recreating Da Vinci's masterpiece. Ambiguity has not been tamed: reality will still impose itself no matter how alluring the model is.Unfortunately, most of us have a deep aversion to situations that involve even a hint of ambiguity. Recent research in neuroscience has revealed the reason for this: ambiguity is processed in the parts of the brain which regulate our emotional responses. As a result, many people associate ambiguity with feelings of anxiety. When kids feel anxious, they turn to transitional objects such as teddy bears or security blankets, providing them with a sense of stability when situations or events seem overwhelming. We contend that as grown-ups, we don't actually stop using teddy bears - they take a different form. Backed by research, we illustrate that management models, fads and frameworks are akin to teddy bears . They provide the same sense of comfort and certainty to corporate managers and minions as real teddies do to distressed kids. This is not a problem in many cases. Children usually outgrow their need for a teddy, unless if development is disrupted or arrested in some way. If this happens, the transitional object can become a fetish - an object that is held on to with a pathological intensity, simply for the comfort that it offers in the face of ambiguity. The corporate reliance on simplistic solutions for the complex challenges faced is akin to little Johnny believing that everything will be OK provided he clings on to Teddy.Ambiguity is a primal force that drives much of our behaviour. It is typically viewed negatively - something to be avoided or to be controlled. The truth however, is that it is a force that can be used in positive ways too. The Force that gave the Dark Side their power in the Star Wars movies was harnessed by the Jedi in positive ways. Similarly, this new management book shows how ambiguous situations, so common in the corporate world, are processed by the brain, and the behaviours that often arise as a consequence. More importantly, though, it shows you how to harness that ambiguity to achieve outstanding results.
Author: Sylvia Walsh
Publisher: Cambridge University Press
ISBN: 1316853144
Category : Religion
Languages : en
Pages : 262
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Book Description
No thinker has reflected more deeply on the role of religion in human life than Søren Kierkegaard, who produced in little more than a decade an astonishing number of works devoted to an analysis of the kind of personality, character, and spiritual qualities needed to become an authentic human being or self. Understanding religion to consist essentially as an inward, passionate, personal relation to God or the eternal, Kierkegaard depicts the art of living religiously as a self through the creation of a kaleidoscope of poetic figures who exemplify the constituents of selfhood or the lack thereof. The present study seeks to bring Kierkegaard into conversation with contemporary empirical psychology and virtue ethics, highlighting spiritual dimensions of human existence in his thought that are inaccessible to empirical measurement, as well as challenging on religious grounds the claim that he is a virtue ethicist in continuity with the classical and medieval virtue tradition.
Author: Graham Oppy
Publisher: Cambridge University Press
ISBN: 1107123631
Category : Philosophy
Languages : en
Pages : 295
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Book Description
An accessible and comprehensive examination of ontological arguments, their history and their importance.
Author: Trevor Dann
Publisher: Da Capo Press
ISBN: 0786735430
Category : Music
Languages : en
Pages : 306
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Book Description
When Nick Drake (1948-1974) died of a drug overdose at twenty-six, he left behind three modest-selling albums, including the stark Pink Moon and the lush Bryter Layter. Three decades later, he is recognized as one of the true geniuses of English acoustic music. Yet Nick Drake--whose music was as gentle and melancholy as the man himself-- has always maintained a spectral presence in popular music. This groundbreaking biography reconstructs a vanished life while perfectly capturing the bohemian scenes surrounding the music business in London in the late '60s and early '70s. Using many newly discovered documents and all-new interviews, Trevor Dann reveals more detail on Nick Drake than ever, from his upbringing in a quintessentially English village, through his hash-fueled school days at Cambridge University, to the missed opportunities and mismanagement that defined his career. Friends and colleagues describe the difficulties that he faced as each new album was released, only to fail, and the insidious despair that consumed him. Complete with discography and rare photos, Darker Than the Deepest Sea is essential reading for anyone who has been moved by Nick Drake's unforgettable blend of beauty and sadness.
Author: Clare Croft
Publisher: Oxford University Press
ISBN: 0190646772
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
If we imagine multiple ways of being together, how might that shift choreographic practices and help us imagine ways groups assemble in more varied ways than just pairing another man with another woman? How might dancing queerly ask us to imagine futures through something other than heterosexuality and reproduction? How does challenging gender binaries always mean thinking about race, thinking about the postcolonial, about ableism? What are the arbitrary rules structuring dance in all its arenas, whether concert and social or commercial and competition, and how do we see those invisible structures and work to disrupt them? Queer Dance brings together artists and scholars in a multi-platformed project-book, accompanying website, and live performance series to ask, "How does dancing queerly progressively challenge us?" The artists and scholars whose writing appears in the book and whose performances and filmed interviews appear online stage a range of genders and sexualities that challenge and destabilize social norms. Engaging with dance making, dance scholarship, queer studies, and other fields, Queer Dance asks how identities, communities, and artmaking and scholarly practices might consider what queer work the body does and can do. There is great power in claiming queerness in the press of bodies touching or in the exceeding of the body best measured in sweat and exhaustion. How does queerness exist in the realm of affect and touch, and what then might we explore about queerness through these pleasurable and complex bodily ways of knowing?
Author: Phyllis K. Herman
Publisher: Cambridge Scholars Publishing
ISBN: 1443807028
Category : Religion
Languages : en
Pages : 320
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Book Description
The Constant and Changing Faces of the Goddess: Goddess Traditions of Asia contains essays written by established scholars in the field that trace the multiplicity of Asian goddesses: their continuities, discontinuities, and importance as symbols of wisdom, power, transformation, compassion, destruction, and creation. The essays demonstrate that while treatments of the goddess may vary regionally, culturally, and historically, it is possible to note some consistencies in the overall picture of the goddess in Asia. The book provides a comprehensive treatment of the goddess, culminating in the selections that draw from research on Indian, Nepali, Chinese, Japanese, and Vietnamese traditions, seldom found in other works of similar subject. The volume will be useful for students in religious studies, gender studies, Asian studies, and women's studies. With the intent of making the volume truly broad in scope, an effort has been made to include works written by art historians, sociologists, anthropologists, and religious studies scholars. Culture cannot be separated from religion; they are intertwined as an organic whole, and variations manifest themselves in the rituals and daily lives of the people. In this sense, all the essays are interconnected: the goddess manifests in many forms and appeals to differing aspects of a particular culture as a paradigm of the divine feminine.
Author: William Logan
Publisher: Columbia University Press
ISBN: 0231509928
Category : Literary Criticism
Languages : en
Pages : 531
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Book Description
William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold. The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more. Praise for Logan's previous works: Desperate Measures (2002)"When it comes to separating the serious from the fraudulent, the ambitious from the complacent, Logan has consistently shown us what is wheat and what is chaff.... The criticism we remember is neither savage nor mandarin.... There is no one in his generation more likely to write it than William Logan."—Adam Kirsch, Oxford American Reputations of the Tongue (1999)"Is there today a more stringent, caring reader of American poetry than William Logan? Reputations of the Tongue may, at moments, read harshly. But this edge is one of deeply considered and concerned authority. A poet-critic engages closely with his masters, with his peers, with those whom he regards as falling short. This collection is an adventure of sensibility."—George Steiner "William Logan's critical bedevilments-as well as his celebrations-are indispensable."—Bill Marx, Boston Globe All the Rage (1998)"William Logan's reviews are malpractice suits."—Dennis O'Driscoll, Verse "William Logan is the best practical critic around."—Christian Wiman, Poetry
