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Author: W Richard Benash
Publisher:
ISBN:
Category :
Languages : en
Pages : 760
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Book Description
Scum Cinema is a social and cultural journey through the 100-year history of America's most critically derided, culturally reviled, and often misunderstood style of filmmaking - exploitation. From the very first feature-length exploitation film, 1913's Traffic in Souls, to Reefer Madness, Mom and Dad, The Immoral Mr. Teas, Blood Feast, It's Alive, Ilsa: She-Wolf of the SS, The Toxic Avenger, The Human Centipede, and many other films in between, exploitation films have been alternately called crude, disgusting, trashy, and occasionally brilliant. Their makers were often figures on society's social, cultural, and political margins. Some were hucksters looking to make a quick buck and others were passionate artists attempting to make a deeply-felt personal statement despite having few resources at their disposal. Exploitation films are far from a cultural oddity; they have existed for as long as film itself. Despite their reputation as a form of low culture, they were hardly garbage for the sake of being so; in their crudity and audacity they revealed unique observations about the society that produced them.Scum Cinema is the story of exploitation films and those who made them. Its research was conducted with academic rigor, but it is written in a style that will appeal to both the film student and the casual fan. Scum Cinema is one of the most detailed examinations of an often ignored style of American film, and is an essential addition to any serious library of film literature.
Author: W Richard Benash
Publisher:
ISBN:
Category :
Languages : en
Pages : 760
Get Book Here
Book Description
Scum Cinema is a social and cultural journey through the 100-year history of America's most critically derided, culturally reviled, and often misunderstood style of filmmaking - exploitation. From the very first feature-length exploitation film, 1913's Traffic in Souls, to Reefer Madness, Mom and Dad, The Immoral Mr. Teas, Blood Feast, It's Alive, Ilsa: She-Wolf of the SS, The Toxic Avenger, The Human Centipede, and many other films in between, exploitation films have been alternately called crude, disgusting, trashy, and occasionally brilliant. Their makers were often figures on society's social, cultural, and political margins. Some were hucksters looking to make a quick buck and others were passionate artists attempting to make a deeply-felt personal statement despite having few resources at their disposal. Exploitation films are far from a cultural oddity; they have existed for as long as film itself. Despite their reputation as a form of low culture, they were hardly garbage for the sake of being so; in their crudity and audacity they revealed unique observations about the society that produced them.Scum Cinema is the story of exploitation films and those who made them. Its research was conducted with academic rigor, but it is written in a style that will appeal to both the film student and the casual fan. Scum Cinema is one of the most detailed examinations of an often ignored style of American film, and is an essential addition to any serious library of film literature.
Author: Mariah Larsson
Publisher: University of Wisconsin Press
ISBN: 0299322300
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
Author: Valerie Solanas
Publisher: Verso Books
ISBN: 1784784419
Category : Social Science
Languages : en
Pages : 92
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Book Description
Classic radical feminist statement from the woman who shot Andy Warhol “Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.” Outrageous and violent, SCUM Manifesto was widely lambasted when it first appeared in 1968. Valerie Solanas, the woman who shot Andy Warhol, self-published the book just before she became a notorious household name and was confined to a mental institution. But for all its vitriol, it is impossible to dismiss as the mere rantings of a lesbian lunatic. In fact, the work has proved prescient, not only as a radical feminist analysis light years ahead of its time—predicting artificial insemination, ATMs, a feminist uprising against underrepresentation in the arts—but also as a stunning testament to the rage of an abused and destitute woman. In this edition, philosopher Avital Ronell’s introduction reconsiders the evocative exuberance of this infamous text.
Author: Jack Sargeant
Publisher: Catapult
ISBN: 1933368950
Category : Performing Arts
Languages : en
Pages : 287
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Book Description
This exhaustive study focuses on the New York filmmakers that coalesced around the radical manifesto espoused by downtown filmmaker Nick Zedd: “none shall emerge unscathed.” Placing their work within the wider alternative film and downtown post-punk scenes, Deathtripping offers detailed analyses of the movement’s films alongside interviews with the filmmakers and their collaborators, including Richard Kern, Nick Zedd, Tommy Turner, Beth B, Joe Coleman, and Lydia Lunch. Also discussed are seminal influences such as the Kuchar brothers, Jack Smith, and Andy Warhol as well as the history of underground and trash cinema.
Author: Richard T. Kelly
Publisher: Faber & Faber
ISBN: 0571278868
Category : Biography & Autobiography
Languages : en
Pages : 217
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Book Description
An unusually brilliant generation of film-makers emerged from British television drama in the 1960-70s - none more formidable than Alan Clarke. Yet Clarke enjoyed only a vague renown among the public, even though some of his most incendiary productions - Scum, The Firm, Made in Britain - attracted great controversy. But he was greatly admired by his fellow professionals: 'He became the best of all of us', Stephen Frears observed after Clarke's untimely death in 1990. In his work Clarke explored working-class lives and left-wing themes with unflinching directness and humour. He forged alliances with gifted writers and producers, and his facility for encouraging stunning performaces (from Gary Oldman, Tim Roth, Ray Winstone) made him a hero amongst actors. As a man, Clarke's wit, vigour and generosity were legendary. Yet he retained a privacy which made him enigmatic and imbued his work with much of its austere radiance. This volume is a tribute to Clarke, made out of the thoughts and memories of those who worked with him and knew him best, and includes a celebatory essay by eminent critic, David Thomson.
Author: Kylo-Patrick R. Hart
Publisher: Emerald Group Publishing
ISBN: 1839829206
Category : Social Science
Languages : en
Pages : 164
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Book Description
Contributing to revised notions of inclusivity and acceptance, this interdisciplinary work deftly identifies both historical and current approaches to understanding and analyzing kink, and pinpoints avenues for future research.
Author: Den of Geek
Publisher: Cassell
ISBN: 1844039366
Category : Performing Arts
Languages : en
Pages : 582
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Book Description
A comprehensive compendium of cult website Den of Geek's most popular articles combined with new material to create the ultimate alternative encyclopedia of film.
Author: Dave Rolinson
Publisher: Manchester University Press
ISBN: 1847796028
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
The British television director Alan Clarke is primarily associated with the visceral social realism of such works as his banned borstal play Scum, and his study of football hooliganism, The Firm. This book uncovers the full range of his work from the mythic fantasy of Penda’s Fen, to the radical short film on terrorism, Elephant. Dave Rolinson uses original research to examine the development of Clarke’s career from the theatre and the ‘studio system’ of provocative television play strands of the 1960s and 1970s, to the increasingly personal work of the 1980s, which established him as one of Britain’s greatest directors. 'Alan Clarke' examines techniques of television direction, and proposes new methodologies as it questions the critical neglect of directors in what is traditionally seen as a writer’s medium. It raises crucial issues in television studies, including aesthetics, authorship, censorship, the convergence of film and television, drama-documentary form, narrative and realism.
Author: Cassandra O'Sullivan Sachar
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 237
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Book Description
'No More Haunted Dolls: Horror Fiction that Transcends the Tropes' is a multi-author work united by the common theme of critical analysis of the use of horror tropes in literature, film, and even video games. Tackling issues dealing with gender, race, sexuality, social class, religion, politics, disability, and more in horror, the authors are horror scholars hailing from varied backgrounds and areas of specialty. This book may be used as a resource for classes that study horror or simply as entertainment for horror fans; readers will consider diverse perspectives on the tropes themselves as well as their representation in specific works.
Author: Nicholas Rombes
Publisher: Columbia University Press
ISBN: 0231851189
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
