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Author: Marshall Howard Saville
Publisher:
ISBN:
Category : Guatemala
Languages : en
Pages : 180
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Book Description
Author: Marshall Howard Saville
Publisher:
ISBN:
Category : Guatemala
Languages : en
Pages : 180
Get Book Here
Book Description
Author: Marshall Howard Saville
Publisher:
ISBN:
Category : Guatemala
Languages : en
Pages : 12
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Book Description
Author: Marshall H. (Marshall Howard) Saville
Publisher: Wentworth Press
ISBN: 9781374101647
Category : History
Languages : en
Pages : 18
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Marshall Howard Saville
Publisher: Rarebooksclub.com
ISBN: 9781230184241
Category :
Languages : en
Pages : 36
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1919 edition. Excerpt: ...setting, as the imagination may suggest. No native interpretation of its symbolism even has been hitherto sought. And so its meaning rests solely upon what appears to be the idea of friendship, indicated by the two human outlines affectionately holding hands. As such this interesting and impressive memorial stands again as a document unaffixed to any known event. The circumstances making it necessary to state this about so famous and valuable a document may naturally seem regrettable. And even more so is the fact that other belts known by historical reference to have been placed in the hands of Colonial authorities by emissaries of the eastern tribes have neither been kept in the colony, nor is their whereabouts known. One may well wonder what has become of the thirty-two belts of wampum exhibited by the Delawares to the Governor of Pennsylvania about the middle of the eighteenth century, on the occasion of a call upon him on their way to Onondaga. No other belts were even known to be in existence from any source as early as that attributed to the Penn wampum belt until the opportunity arrived for Mr. Hendricks to acquire for the Museum of the American Indian, Heye Foundation, two more belts whose derivation is undoubtedly from the same source. These constitute the THE PENN WAMPUM BELTS subject matter of the study which we were invited to make. The outcome is forthwith presented in this paper--the feeble attempt at so late a date, when the associations have been forgotten, to bring them forth as memorials, in a double sense. The general tradition associated with these two later Penn belts seems to coincide with that of the first treaty belt previously mentioned. The three belts may accordingly be regarded as a group of documents in close...
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 610
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Book Description
Author: Museum of the American Indian, Heye Foundation
Publisher:
ISBN:
Category : Indians
Languages : en
Pages : 140
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Book Description
Author: Bryan R. Just
Publisher:
ISBN: 9780300174380
Category : Art
Languages : en
Pages : 0
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Book Description
Dancing into Dreams explores 8th-century Maya vase painting of the Ik' kingdom, located in the tropical lowlands of present day Guatemala. Ik' vases are acclaimed for their naturalistic color, veristic portraiture, and calligraphic line. Their painted surfaces depict historical subject matter and often include the names of the artists and patrons, as well as hieroglyphic explanations of the portrayed events and vessel production. Collectively, such self-consciously historical works offer a precision and nuance, unparalleled in the ancient Americas, to the study of the role of art in elite society. Authoritative and accessible, this handsomely illustrated volume presents a history of Ik' vase painting and describes the dramatic scenes represented on the vases with compelling and historically accurate vignettes.
Author: Megan E. O'Neil
Publisher: University of Oklahoma Press
ISBN: 0806188367
Category : Art
Languages : en
Pages : 273
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Book Description
Now shrouded in Guatemalan jungle, the ancient Maya city of Piedras Negras flourished between the sixth and ninth centuries, when its rulers erected monumental limestone sculptures carved with hieroglyphic texts and images of themselves and family members, advisers, and captives. In Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, Megan E. O’Neil offers new ways to understand these stelae, altars, and panels by exploring how ancient Maya people interacted with them. These monuments, considered sacred, were one of the community’s important forms of cultural and religious expression. Stelae may have held the essence of rulers they commemorated, and the objects remained loci for reverence of those rulers after they died. Using a variety of evidence,O’Neil examines how the forms, compositions, and contexts of the sculptures invited people to engage with them and the figures they embodied looks at these monuments not as inert bearers of images but as palpable presences that existed in real space at specific historical moments. Her analysis brings to the fore the material and affective force of these powerful objects that were seen, touched, and manipulated in the past. O’Neil investigates the monuments not only at the moment of their creation but also in later years and shows how they changed over time. She argues that the relationships among sculptures of different generations were performed in processions, through which ancient Maya people integrated historical dialogues and ancestral commemoration into the landscape. With the help of more than 160 illustrations, O’Neil reveals these sculptures’ continuing life histories, which in the past century have included their fragmentation and transformation into commodities sold on the international art market. Shedding light on modern-day transposition and display of these ancient monuments, O’Neil’s study contributes to ongoing discussions of cultural patrimony.
Author: George Kubler
Publisher: Yale University Press
ISBN: 9780300053258
Category : Art
Languages : en
Pages : 582
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Book Description
Offers a survey of the paintings and architecture of the Mexican, Mayan, and Andean peoples
Author: Claude F. Baudez
Publisher: University of Oklahoma Press
ISBN: 080615361X
Category : History
Languages : en
Pages : 313
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Book Description
Copán, one of the most important Classic Maya sites, is renowned for the artistry of its high-relief stelae and altars and for the wealth of detail on its freestanding and architectural sculpture. In Maya Sculpture of Copán: The Iconography, internationally known Mayanist Claude-François Baudez provides a masterful survey of these elaborate and intriguing carved images. In Part I, Baudez identifies and deciphers the specific motifs on each monument and shows how the elements were combined to produce meaningful iconographic messages. The architectural sculpture expresses the meaning and function of the buildings and complexes, many designed to represent the sky, earth, and underworld and to serve as stages for rituals. Photographs and drawings clarify the intricate forms. Part II relates the iconography to the religion and politics of the city-state. Baudez traces the evolution of the motifs in relation to the history of Copán and the multiple functions of the king—his cosmic role, the continuous reference to his ancestors, and the dynastic cycles. Sacrifice—bloodletting by the king and the sacrifice of captives—is of paramount importance. Growth and rebirth required constant offerings of blood to the earth and to the sun, to ensure its rebirth at dawn after its nocturnal journey through the underworld. The monuments give a coherent picture of Maya cosmology.
