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Author: Tyler Sprague
Publisher: University of Washington Press
ISBN: 0295745622
Category : Architecture
Languages : en
Pages : 306
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Book Description
The Kingdome, John (“Jack”) Christiansen’s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle’s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927–2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center’s 1962 World’s Fair buildings, and the Museum of Flight’s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region’s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete—the Kingdome being the most prominent example—to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen’s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region’s built environment. A Michael J. Repass Book
Author: Tyler Sprague
Publisher: University of Washington Press
ISBN: 0295745622
Category : Architecture
Languages : en
Pages : 306
Get Book Here
Book Description
The Kingdome, John (“Jack”) Christiansen’s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle’s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927–2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center’s 1962 World’s Fair buildings, and the Museum of Flight’s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region’s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete—the Kingdome being the most prominent example—to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen’s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region’s built environment. A Michael J. Repass Book
Author: Joel Rosenkranz
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 28
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Book Description
Author: Tyler S. Sprague
Publisher: University of Washington Press
ISBN: 9780295745619
Category : Architecture
Languages : en
Pages : 0
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Book Description
The Kingdome, John (?Jack?) Christiansen?s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle?s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927?2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center?s 1962 World?s Fair buildings, and the Museum of Flight?s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region?s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete?the Kingdome being the most prominent example?to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen?s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region?s built environment. A Michael J. Repass Book
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Joel Rosenkranz
Publisher:
ISBN:
Category : Sculpture, American
Languages : en
Pages : 28
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Book Description
Author:
Publisher:
ISBN:
Category : Outdoor sculpture
Languages : en
Pages : 48
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Book Description
Author: Charles Ginnever
Publisher:
ISBN:
Category : Steel sculpture
Languages : en
Pages : 62
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Book Description
Author: Louise Nevelson
Publisher: Under Auspices of Jewish Theological Seminary of America
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
"Louise Nevelson (1900-1988) was a towering figure in postwar American art, exerting great influence with her monumental installations, innovative sculptures made of found objects, and celebrated public artworks. The Sculpture of Louise Nevelson focuses on all phases of the artist's remarkable ascent to the top of the art world, from her groundbreaking works of the 1940s to complex pieces completed in the late 1980s. The most extensive study of Nevelson to be published in over 20 years, this illustrated book also demonstrates how Nevelson's flamboyant style and carefully cultivated persona enhanced her reputation as an artist of the first rank." "Essays examine a wide variety of important issues and themes throughout Nevelson's career, including the role of monochromatic color in her painted wooden sculpture; the art-historical context of her work; her acclaimed large-scale commissioned artworks, which established her as a central figure in the public art revival of the late 1960s; and her "self-fashioning" as a celebrated artist, particularly her origins as a Ukrainian-born Jewish immigrant to the United States. An illustrated chronology and exhibition history accompany the text."--BOOK JACKET.
Author: Ernest Arthur Gardner
Publisher: Forgotten Books
ISBN: 9780282600495
Category : Art
Languages : en
Pages : 48
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Book Description
Excerpt from A Handbook of Greek Sculpture Dedications was the colossal Apollo at Delos. At the rival shrine of Delphi they also set up one of the most conspicuous of all the monuments, and this has happily been recovered in an almost complete state by the French excavators. It consists of a colossal sphinx, mounted on an Ionic column of peculiar early form; this was placed just above the rock of the Sibyl, in front of the platform on which the temple stood. The sphinx, to which we are accustomed as a symbol over a tomb, is doubt less meant here as an allusion to the oracle. The statue itself offers another example of an attempt we have seen already in various works of archaic art - the attempt to reproduce in marble on a large scale a motive taken from minute decorative art. And here, because the scale is colossal, the process is more difficult and its defects are more conspicuous. We see, as in a small bronze, the back-curved wings, the indication of plumage on them and on the breast, and other conventional features of the smaller treatment. But the large scale of the face has evidently been too much for the sculptor. Here, as in the Hera of Olympia, we see the thin waves of hair over the forehead, the flat eye-balls with merely incised lids, the straight mouth with thin lips, and the blankness of expression which contrasts strongly with the exaggerated grimace of many archaic faces. It is the same timid, indecisive style that we have seen elsewhere in works associated with Samos and with Boeotia; it is instructive to find another example belonging to Naxos, for it shows us that the early Attic series of female statues, which are by many associated with influence from the islands, and especially from Chios, by no means represents a style that is characteristic of the Aegean islands. But, apart from its defects of detail, the boldness of design of this sphinx on its lofty column shows us the vigour of the Naxian sculptors, who did not shrink from the great difficulties of execution and transport which a work on such a scale must imply. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sidney Geist
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 210
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Book Description
...The universality of Brancusi, his paradoxical simplicity and inclusiveness, have never been more strikingly demonstrated than in Sidney Geist's study of the artist. The interpenetration of the sculptor's life and his art, and the beautifully logical course of his artistic evolution are brilliantly revealed by Mr. Geist, who is a reowned authority on Brancusi, a professor of art at Vassar, and a sculptor himself. Every facet of the work, including the graphics, is handsomely displayed in the numerous, large-scale illustrations. In addition, this definitive new volume on Brancusi includes a chronology of the artist's life, a bibliography, a fully documented catalogue of Brancusi's complete oeuvre, and a unique concordance which collates the sculptures catalogued in all the major books on Brancusi currently in print. -- from front flap.
