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Author: Kineton Parkes
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 444
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Book Description
Author: Kineton Parkes
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 444
Get Book Here
Book Description
Author: Judith Collins
Publisher: Phaidon Press
ISBN: 9780714857633
Category : Art
Languages : en
Pages : 464
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Book Description
A comprehensive and beautifully illustrated overview of contemporary sculpture.
Author:
Publisher: Chronicle Books
ISBN: 1452129460
Category : Art
Languages : en
Pages : 177
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Book Description
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 9780892369188
Category : Architecture
Languages : en
Pages : 204
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Book Description
There has been a persistent tradition of enlivening sculptures with color. This book presents five essays on polychromy in classical Greek through contemporary sculpture, along with discussions of over 40 extraordinary polychrome sculptures.
Author: Sarah Thornton
Publisher: W. W. Norton & Company
ISBN: 0393071057
Category : Art
Languages : en
Pages : 304
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Book Description
A fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art. The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.
Author: Mattia Reiche
Publisher: Giunti Editore
ISBN: 9788809017719
Category : Art
Languages : it
Pages : 430
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Book Description
Italian art, starting with its origins in the Middle Ages, has developed by the multiplicity of its artists and in the autonomy of its styles that for centuries now have been a constant point of reference for the whole Western World. This magnificent volume, illustrated with nearly 500 works of art, presents a portfolio of the artists who best represent the genesis and development of art in Italy from the twelfth to the nineteenth centuries. With clear and concise narrative, each historical period is brought to life in a way which will both enlighten and entertain the reader. Biographies of the artists featured add an extra dimension to the book.
Author: Roxana Marcoci
Publisher: The Museum of Modern Art
ISBN: 0870707574
Category : Art
Languages : en
Pages : 263
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Book Description
"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.
Author: Alex Johnson
Publisher: Thames & Hudson
ISBN: 0500777063
Category : Art
Languages : en
Pages : 403
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Book Description
A daily almanac that presents a selection of art historical events for every day of the year, from momentous and headline-grabbing to intimate, amusing, and illuminating. Taking a novel approach to the history of art, Art Day by Day aims to change the pace at which the story is told. Presenting snapshots of the most exciting, unusual, and noteworthy art events from around the world and throughout history through direct testimonies, eyewitness accounts, and contemporary chroniclers, this volume is a unique look at the past. Drawing on articles, diaries, interviews, letters, speeches, transcripts, and more, Art Day by Day offers an important event that happened on that day in the history of art. Here are the stories of famous paintings, ancient sculptures, comic strips, photographs, murals, manifestos, and marriages, from terracotta soldiers to a self-shredding Banksy. Each day has its own section, starting with an extended quote giving artists, critics, and commentators their voice to speak directly to us, followed by a brief explanatory text, and ending with other important events in art on that day such as births, deaths, and exhibition openings. Not every entry is momentous, but each one is significant. Yes, there are thefts, murders, artistic mishaps, and eureka moments, but there are also episodes such as President Theodore Roosevelt’s doodles, Michelangelo writing to his nephew about his kidney stones, and Monet getting the green light for his water garden. Every day has a story to tell. An informative overview of culture throughout the ages, Art Day by Day is as enlightening as it is entertaining: the perfect armchair companion and reference for art lovers everywhere.
Author: David Cross
Publisher:
ISBN: 9783866783331
Category : Art, New Zealand
Languages : en
Pages : 0
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Book Description
In One Day Sculpture, prominent critics, curators and scholars explore new considerations of public sculpture, temporality, performance, and curating art in the public realm. Conceived as both a document and critical expansion of the year-long One Day Sculpture temporary public art series in New Zealand (August 2008 ndash; March 2009), the book opens with an anthology of newly commissioned texts which expand conventional notions of encounter, performativity, publicness, photography, materiality, space and place in relation to contemporary public art. Set within this critical context, are in-depth considerations of each of the twenty projects, forming a new dimension to recent discussions on situation-specific art practices and commissioning public art. English text.
Author: Patricia Phillips Marshall
Publisher: Univ of North Carolina Press
ISBN: 0807895717
Category : Design
Languages : en
Pages : 321
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Book Description
Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.
