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Author: Henry Moore Institute
Publisher:
ISBN: 9781900081047
Category : Art
Languages : en
Pages : 418
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Book Description
Author: Henry Moore Institute
Publisher:
ISBN: 9781900081047
Category : Art
Languages : en
Pages : 418
Get Book Here
Book Description
Author: Henry Moore Institute (Leeds, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Author: Paul Nash
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221888
Category : Artists
Languages : en
Pages : 0
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Book Description
Paul Nash was one of the most important British artists of the 20th century. An official war artist in both the First and the Second World Wars, his paintings include some of the most definitive artistic visions of those conflicts. This volume is being published to coincide with a major Nash retrospective and incorporates an abridged version of the unpublished 'Memoirs of Paul Nash' by his wife Margaret.
Author: Michael Remy
Publisher: Routledge
ISBN: 042962719X
Category : Art
Languages : en
Pages : 475
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Book Description
This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.
Author: Neil Mulholland
Publisher: Routledge
ISBN: 1351772627
Category : Art
Languages : en
Pages : 394
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Book Description
Title first published in 2003. What happened to art in Britain when the balance began to shift from public to private subsidy following the IMF crisis in 1976? In this polemical book, Neil Mulholland charts the political and cultural shifts in art in Britain from the mid-1970's to the end of the twentieth century. His account covers the key trends and artists of this extraordinarily diverse period, including critical postmodernism, feminism, neoconservatism, object sculpture, the new image, Brit Art, and Scottish neoconceptualism, and traces the development of critical thinking from the opinions of critics such as Richard Cork, John Roberts and Matthew Collings to tabloid press art scandals. The Cultural Devolution offers a broad critical and historical framework within which to understand public debate on the merits of young British artists such as Damien Hirst while looking beyond such celebrities to re-discover the wealth and range of work produced. Essential reading for anyone interested in contemporary art in Britain.
Author: Louise Campbell
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223134
Category : Architecture
Languages : en
Pages : 0
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Book Description
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.
Author: Meirion Harries
Publisher: Michael Joseph
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Overzicht van het werk van beeldende kunstenaars tot en met de Falklandoorlog van 1982.
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 307
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Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Dawn Ades
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 474
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Book Description
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Author: Dr Catherine Jolivette
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472412761
Category : Art
Languages : en
Pages : 313
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Book Description
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
