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Author: Eve Straussman-Pflanzer
Publisher: Detroit Institute of Arts
ISBN: 9780300256369
Category :
Languages : en
Pages : 192
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Book Description
A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media--from paintings to prints--the fascinating stories of early modern Italian women artists are revealed.
Author: Eve Straussman-Pflanzer
Publisher: Detroit Institute of Arts
ISBN: 9780300256369
Category :
Languages : en
Pages : 192
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Book Description
A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media--from paintings to prints--the fascinating stories of early modern Italian women artists are revealed.
Author: Sheila Barker
Publisher: Harvey Miller Publishers
ISBN: 9781909400351
Category : Painting, Italian
Languages : en
Pages : 0
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Book Description
In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes - so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women's self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst.
Author: Alberto Asor Rosa
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 478
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Book Description
Third volume to appear in conjunction with series of exhibitions of twentieth century art organised by the Royal Academy of Arts, London.
Author: Mattia Reiche
Publisher: Giunti Editore
ISBN: 9788809017719
Category : Art
Languages : it
Pages : 430
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Book Description
Italian art, starting with its origins in the Middle Ages, has developed by the multiplicity of its artists and in the autonomy of its styles that for centuries now have been a constant point of reference for the whole Western World. This magnificent volume, illustrated with nearly 500 works of art, presents a portfolio of the artists who best represent the genesis and development of art in Italy from the twelfth to the nineteenth centuries. With clear and concise narrative, each historical period is brought to life in a way which will both enlighten and entertain the reader. Biographies of the artists featured add an extra dimension to the book.
Author: Sirpa Salenius
Publisher: il prato publishing house srl
ISBN: 8863360723
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
The essays in Sculptors, Painters, and Italy: Italian Influence on Nineteenth-Century American Art examine the influence of Italy in the works of nineteenth-century American sculptors and painters. The focus is on their experience in Italy, their relationship with local workmen, their contact with Italian artists such as the Tuscan Macchiaioli, and the impact of their Italian experience on the formation of American art. The papers in the volume discuss such artists as Horatio Greenough, Thomas Cole, Hiram Powers, Henry Kirke Brown, Elihu Vedder, Edmonia Lewis, and John Singer Sargent. The essays are written by scholars from American universities and museums, and they appear in the following order: Elise Madeleine Ciregna, “’An Example in the Right Direction’: Horatio Greenough’s Life and Work in Italy”; John F. McGuigan Jr, “’A Painter’s Paradise’: Thomas Cole and His Transformative Experience in Florence, 1831-1832”; Rebecca Reynolds, “’No Ordinary Hands’: Hiram Powers’ Artistic and Professionally Related Family”; Karen Lemmey, “’I would just as soon be in Albany as Florence,’ Henry Kirke Brown and the American Expatriate Colonies in Italy, 1842-1846”; Mary K. McGuigan, “A Garden of Lost Opportunities: Elihu Vedder in Florence, 1857-1860”, Marilyn Richardson, “Friends and Colleagues: Edmonia Lewis and Her Italian Circle”; and Kathleen Lawrence, “John Singer Sargent, Italy, and the American Paradox.”
Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
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Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Author: Ascanio Condivi
Publisher: Wentworth Press
ISBN: 9781010718154
Category : History
Languages : en
Pages : 108
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 356
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Book Description
Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential andexciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works,the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, andartist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
Author: Jesse M. Locker
Publisher: Yale University Press
ISBN: 0300259050
Category : Art
Languages : en
Pages : 249
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Book Description
An important reassessment of the later career and life of a beloved baroque artist Hailed as one of the most influential and expressive painters of the seventeenth century, Artemisia Gentileschi (1593–ca. 1656) has figured prominently in the art historical discourse of the past two decades. This attention to Artemisia, after many years of scholarly neglect, is partially due to interest in the dramatic details of her early life, including the widely publicized rape trial of her painting tutor, Agostino Tassi, and her admission to Florence’s esteemed Accademia del Disegno. While the artist’s early paintings have been extensively discussed, her later work has been largely dismissed. This beautifully illustrated and elegantly written book provides a revolutionary look at Artemisia’s later career, refuting longstanding assumptions about the artist. The fact that she was semi-illiterate has erroneously led scholars to assume a lack of literary and cultural education on her part. Stressing the importance of orality in Baroque culture and in Artemisia’s paintings, Locker argues for her important place in the cultural dialogue of the seventeenth century.
