Author: Bernard Frischer
Publisher: Univ of California Press
ISBN: 0520312139
Category : History
Languages : en
Pages : 368
Book Description
This study of the recruitment techniques used by the philosophical schools of Hellenistic Greece. Bernard Frischer focusses on the Epicureans, who are of special interest because their approach was at once extremely passive and extremely successful. Unlike other philosophical schools, which depended primarioly on public lectures and books, the Epicureans avoided contract with the dominant culture and attracted members by erecting statues of Epicurus and their other master in public places. These iconologically rich, "sculpted words" appealed to teh very people most likely to be attracted to Epicureanism, those most likely to accept the philosophy of materialism, sensationalism, and the repression of feeling, and those who sought a way of life sperate from teh dominant culture. This book is an innovative application of an inter-disciplinary humanistic an social-scientific approach to ancient Greek philosophy and art. It will appeal to those interested in the history of these subjects and those interested in the sociology of knowledge and communication. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
The Sculpted Word
Author: Bernard Frischer
Publisher: Univ of California Press
ISBN: 0520312139
Category : History
Languages : en
Pages : 368
Book Description
This study of the recruitment techniques used by the philosophical schools of Hellenistic Greece. Bernard Frischer focusses on the Epicureans, who are of special interest because their approach was at once extremely passive and extremely successful. Unlike other philosophical schools, which depended primarioly on public lectures and books, the Epicureans avoided contract with the dominant culture and attracted members by erecting statues of Epicurus and their other master in public places. These iconologically rich, "sculpted words" appealed to teh very people most likely to be attracted to Epicureanism, those most likely to accept the philosophy of materialism, sensationalism, and the repression of feeling, and those who sought a way of life sperate from teh dominant culture. This book is an innovative application of an inter-disciplinary humanistic an social-scientific approach to ancient Greek philosophy and art. It will appeal to those interested in the history of these subjects and those interested in the sociology of knowledge and communication. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Publisher: Univ of California Press
ISBN: 0520312139
Category : History
Languages : en
Pages : 368
Book Description
This study of the recruitment techniques used by the philosophical schools of Hellenistic Greece. Bernard Frischer focusses on the Epicureans, who are of special interest because their approach was at once extremely passive and extremely successful. Unlike other philosophical schools, which depended primarioly on public lectures and books, the Epicureans avoided contract with the dominant culture and attracted members by erecting statues of Epicurus and their other master in public places. These iconologically rich, "sculpted words" appealed to teh very people most likely to be attracted to Epicureanism, those most likely to accept the philosophy of materialism, sensationalism, and the repression of feeling, and those who sought a way of life sperate from teh dominant culture. This book is an innovative application of an inter-disciplinary humanistic an social-scientific approach to ancient Greek philosophy and art. It will appeal to those interested in the history of these subjects and those interested in the sociology of knowledge and communication. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
The Sculpted Word
Author: Grant F. Scott
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
The Sculpted Word not only provides the fullest treatment yet of Keats's use of ekphrasis - a trope by which writer translate visual compositions into words - but also places the poems within their literary, cultural, and historical contexts. Grant F. Scott observes that in Keats we often feel that we are wandering through a museum with a particularly eloquent and subtle guide. On one level, the guide's efforts to capture such visual images as engraved gems, landscape paintings, marbles, and urns represent an attempt to defeat the dominion of the image by writing it into language. On a deeper level, Scott suggests, ekphrasis presents Keats with psychological issues that have less to do with aesthetics than anxieties over such issues as cultural heritage, poetic tradition, and gender identity. Everywhere in ekphrasis studies, he argues, we encounter the language of subterfuge, of conspiracy; there is something taboo about moving across media, even as there is something profoundly liberating.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 256
Book Description
The Sculpted Word not only provides the fullest treatment yet of Keats's use of ekphrasis - a trope by which writer translate visual compositions into words - but also places the poems within their literary, cultural, and historical contexts. Grant F. Scott observes that in Keats we often feel that we are wandering through a museum with a particularly eloquent and subtle guide. On one level, the guide's efforts to capture such visual images as engraved gems, landscape paintings, marbles, and urns represent an attempt to defeat the dominion of the image by writing it into language. On a deeper level, Scott suggests, ekphrasis presents Keats with psychological issues that have less to do with aesthetics than anxieties over such issues as cultural heritage, poetic tradition, and gender identity. Everywhere in ekphrasis studies, he argues, we encounter the language of subterfuge, of conspiracy; there is something taboo about moving across media, even as there is something profoundly liberating.
The Sculpted Word
Author: Bernard Frischer
Publisher: Univ of California Press
ISBN: 0520307356
Category : History
Languages : en
Pages : 368
Book Description
This study of the recruitment techniques used by the philosophical schools of Hellenistic Greece. Bernard Frischer focusses on the Epicureans, who are of special interest because their approach was at once extremely passive and extremely successful. Unlike other philosophical schools, which depended primarioly on public lectures and books, the Epicureans avoided contract with the dominant culture and attracted members by erecting statues of Epicurus and their other master in public places. These iconologically rich, "sculpted words" appealed to teh very people most likely to be attracted to Epicureanism, those most likely to accept the philosophy of materialism, sensationalism, and the repression of feeling, and those who sought a way of life sperate from teh dominant culture. This book is an innovative application of an inter-disciplinary humanistic an social-scientific approach to ancient Greek philosophy and art. It will appeal to those interested in the history of these subjects and those interested in the sociology of knowledge and communication. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Publisher: Univ of California Press
ISBN: 0520307356
Category : History
Languages : en
Pages : 368
Book Description
This study of the recruitment techniques used by the philosophical schools of Hellenistic Greece. Bernard Frischer focusses on the Epicureans, who are of special interest because their approach was at once extremely passive and extremely successful. Unlike other philosophical schools, which depended primarioly on public lectures and books, the Epicureans avoided contract with the dominant culture and attracted members by erecting statues of Epicurus and their other master in public places. These iconologically rich, "sculpted words" appealed to teh very people most likely to be attracted to Epicureanism, those most likely to accept the philosophy of materialism, sensationalism, and the repression of feeling, and those who sought a way of life sperate from teh dominant culture. This book is an innovative application of an inter-disciplinary humanistic an social-scientific approach to ancient Greek philosophy and art. It will appeal to those interested in the history of these subjects and those interested in the sociology of knowledge and communication. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
In the Frame
Author: Jane Hedley
Publisher: University of Delaware Press
ISBN: 0874130468
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
Publisher: University of Delaware Press
ISBN: 0874130468
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.
W. B. Yeats and the Language of Sculpture
Author: Jack Quin
Publisher: Oxford University Press
ISBN: 019284315X
Category : Art and literature
Languages : en
Pages : 225
Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, publicmonuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in thecity, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
Publisher: Oxford University Press
ISBN: 019284315X
Category : Art and literature
Languages : en
Pages : 225
Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, publicmonuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in thecity, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
Epicureanism and the Gospel of John
Author: Fergus J. King
Publisher: Mohr Siebeck
ISBN: 3161595459
Category : Religion
Languages : en
Pages : 241
Book Description
The Gospel of John and Epicureanism share vocabulary and reject the conventions of Graeco-Roman theology. Would it then have been easy for an Epicurean to become a Christian or vice-versa? Fergus J. King suggests that such claims become unlikely when detailed analyses of the two traditions are set out and compared. The first step in his examination looks at evidence for potential engagement between the two traditions historically and geographically. Both traditions address concerns about the good life, death, and the divine. However, this correspondence soon unravels as their worldviews are far from identical. Shared terms (like Saviour), their respective rituals, and teaching about community life reveal substantial differences in ethos and behaviour.
Publisher: Mohr Siebeck
ISBN: 3161595459
Category : Religion
Languages : en
Pages : 241
Book Description
The Gospel of John and Epicureanism share vocabulary and reject the conventions of Graeco-Roman theology. Would it then have been easy for an Epicurean to become a Christian or vice-versa? Fergus J. King suggests that such claims become unlikely when detailed analyses of the two traditions are set out and compared. The first step in his examination looks at evidence for potential engagement between the two traditions historically and geographically. Both traditions address concerns about the good life, death, and the divine. However, this correspondence soon unravels as their worldviews are far from identical. Shared terms (like Saviour), their respective rituals, and teaching about community life reveal substantial differences in ethos and behaviour.
The Cambridge Companion to Keats
Author: Susan J. Wolfson
Publisher: Cambridge University Press
ISBN: 9780521658393
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture and the relation of his poetry to the visual arts. These specially commissioned essays are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a list of contemporary people and periodicals, a source reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide to further reading.
Publisher: Cambridge University Press
ISBN: 9780521658393
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture and the relation of his poetry to the visual arts. These specially commissioned essays are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a list of contemporary people and periodicals, a source reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide to further reading.
Afterlives of Romantic Intermediality
Author: Leena Eilittä
Publisher: Lexington Books
ISBN: 1498528007
Category : Art
Languages : en
Pages : 307
Book Description
Afterlives of Romantic Intermediality addresses the manifold, even global artistic developments that were initiated by European Romantics. In the first section, the contributors show how the rising perspective of intermediality was discussed in philosophical terms and adapted itself to Romantic literature and music. In the second section, the contributors show how post-Romantic writers, visual artists, and composers have engaged with Romantic heritage. By exploring primary works that range from European arts to Latin American literature, these essays focus on the interdisciplinary developments that have emerged in literature, music, painting, film, architecture, and video art. Overall, the contributions in this volume demonstrate that intermedial connections—or sometimes the conscious lack of such connections—embody intriguing aspects of modernity and postmodernity.
Publisher: Lexington Books
ISBN: 1498528007
Category : Art
Languages : en
Pages : 307
Book Description
Afterlives of Romantic Intermediality addresses the manifold, even global artistic developments that were initiated by European Romantics. In the first section, the contributors show how the rising perspective of intermediality was discussed in philosophical terms and adapted itself to Romantic literature and music. In the second section, the contributors show how post-Romantic writers, visual artists, and composers have engaged with Romantic heritage. By exploring primary works that range from European arts to Latin American literature, these essays focus on the interdisciplinary developments that have emerged in literature, music, painting, film, architecture, and video art. Overall, the contributions in this volume demonstrate that intermedial connections—or sometimes the conscious lack of such connections—embody intriguing aspects of modernity and postmodernity.
Hawthorne, Sculpture, and the Question of American Art
Author: Deanna Fernie
Publisher: Routledge
ISBN: 1351931547
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
Publisher: Routledge
ISBN: 1351931547
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne's memorable ruined and unfinished images, from the rough-hewn figurehead of 'Drowne's Wooden Image' (1844) to the tattered letter 'A' in the unfinished loft of the Custom House in The Scarlet Letter (1850) and the unfinished bust of Donatello in The Marble Faun (1860). Fernie shows how the tension between the formed and unformed enabled Hawthorne to interrogate the origins and the distinctive possibilities of art in America in relation to established European models. At the same time, she suggests that sculpture challenged and provoked Hawthorne's shaping of his own specifically literary art, stimulating him to develop its capacities for expressing irresolution and change. Fernie establishes the intellectual contexts for her study through a discussion of sculpture and fragmentary form as revealed in American, British, and Continental thought. Her book will be an important text not only for American literature scholars but also for anyone interested in British and Continental Romanticism and the intersections of art and literature.
Paul and the Thessalonians
Author: Abraham J. Malherbe
Publisher: Wipf and Stock Publishers
ISBN: 1610973550
Category : Religion
Languages : en
Pages : 133
Book Description
"This book deals with Paul's practice rather than his theology. It especially traces the way in which Paul established a church in the important city of Thessalonica, the capital city of the Roman province of Macedonia, maintained contact with it in order to ensure its continuing nurture, and instructed its members on how to care for one another. Rather than simply organize a church, Paul founded, shaped, and nurtured a community. In so doing, he was sensitive to the needs of individuals within the community who had committed themselves to new beliefs and a new way of life. Paul was, in fact, engaged in pastoral care, although he does not describe the enterprise in that manner."--from the Introduction
Publisher: Wipf and Stock Publishers
ISBN: 1610973550
Category : Religion
Languages : en
Pages : 133
Book Description
"This book deals with Paul's practice rather than his theology. It especially traces the way in which Paul established a church in the important city of Thessalonica, the capital city of the Roman province of Macedonia, maintained contact with it in order to ensure its continuing nurture, and instructed its members on how to care for one another. Rather than simply organize a church, Paul founded, shaped, and nurtured a community. In so doing, he was sensitive to the needs of individuals within the community who had committed themselves to new beliefs and a new way of life. Paul was, in fact, engaged in pastoral care, although he does not describe the enterprise in that manner."--from the Introduction