Author: Shekh Moinuddin
Publisher: Springer Nature
ISBN: 3031288513
Category : Social Science
Languages : en
Pages : 175
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Book Description
This book deals with three different subjects: geography, social media and religion equally to discuss e-religiosity in terms of screenscapes that shaped digital socialization processes wherein the role of digital devices in general and smartphones in particular are considered crucial and critical. The spatial dimension is the primary foundation of the book wherein both space and place are discussed in digital manifestations in spatial sense. Religiosity is discussed variably in a sense of spirituality, social theories, religions and images. The book uses some illustrations to understand image politics. Image politics is quintessential in the age of digital technologies when production and reproduction of images are not restricted to business only; rather it attracts politics too and politicians often use the same to make political scores against opponents. The book covers contemporary digital discourses of e-religiosity in a sense of screenscapes that often found pivot in daily discussions across social media platforms. Screenscapes are considered as mediated technologies when contents can be accessed from different social media apps to construct or deconstruct their views, narratives, discourses, ideas, emotions, and perceptions around religious images in day-to-day activities, practices, rituals, customs, traditions, faiths and beliefs. The used illustrations exclusively map Indian religious gestures, identities, values, and rituals in digital-spatial contexts. The book discusses seven major questions and argues the same across the chapters in varied representations and interpretations: How and to what extent has the meaning of religiosity changed in the digital age? What are the dimensions of e-religiosity in India? How are digital devices (re)shaping religiosity in terms of e-religiosity? How and to what extent digital devices are negotiating with social and cultural lives? What is digital spatiality? How and to what extent does social media influence religiosity?
Author: Shekh Moinuddin
Publisher:
ISBN: 9783031288524
Category :
Languages : en
Pages : 0
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Book Description
This book deals with three different subjects: geography, social media and religion equally to discuss e-religiosity in terms of screenscapes that shaped digital socialization processes wherein the role of digital devices in general and smartphones in particular are considered crucial and critical. The spatial dimension is the primary foundation of the book wherein both space and place are discussed in digital manifestations in spatial sense. Religiosity is discussed variably in a sense of spirituality, social theories, religions and images. The book uses some illustrations to understand image politics. Image politics is quintessential in the age of digital technologies when production and reproduction of images are not restricted to business only; rather it attracts politics too and politicians often use the same to make political scores against opponents. The book covers contemporary digital discourses of e-religiosity in a sense of screenscapes that often found pivot in daily discussions across social media platforms. Screenscapes are considered as mediated technologies when contents can be accessed from different social media apps to construct or deconstruct their views, narratives, discourses, ideas, emotions, and perceptions around religious images in day-to-day activities, practices, rituals, customs, traditions, faiths and beliefs. The used illustrations exclusively map Indian religious gestures, identities, values, and rituals in digital-spatial contexts. The book discusses seven major questions and argues the same across the chapters in varied representations and interpretations: How and to what extent has the meaning of religiosity changed in the digital age? What are the dimensions of e-religiosity in India? How are digital devices (re)shaping religiosity in terms of e-religiosity? How and to what extent digital devices are negotiating with social and cultural lives? What is digital spatiality? How and to what extent does social media influence religiosity? .
Author: Stefan Roesch
Publisher: Channel View Publications
ISBN: 184541120X
Category : Business & Economics
Languages : en
Pages : 271
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Book Description
This book examines the on-site experiences of film-induced tourists at various film locations, including locations from The Lord of the Rings, Star Wars and The Sound of Music. The study attempts to understand the needs and wants of film location tourists and also examines how to use films for destination marketing.
Author: Chris Lukinbeal
Publisher: Franz Steiner Verlag Wiesbaden GmbH
ISBN: 9783515091992
Category : Art and geography
Languages : en
Pages : 0
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Book Description
This book addresses questions surrounding the constructions of space, culture, society, identity and representation. The geography of cinema extends beyond the screen, director and audience, to include the wider industrial and political complex of the cultural economy. In this sense, culture can be viewed as an economic commodity set within the broader frame of globalization and postmodernism. A cinematic world occupies a territory between our citys streets, the Cineplex, the TV set, and our geographical imagination and identity. These contexts invite inquiries into the production, distribution, exhibition, and consumption of film as well as global cinema, hapticalities of viewing, critical political economies, and cinematic ethno-graphies. This collection provides unique and eclectic insights into the exciting and emerging subfield of film geography.
Author: Yiu-Wai Chu
Publisher: Springer
ISBN: 9811036683
Category : Social Science
Languages : en
Pages : 238
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Book Description
This book discusses the notion of “Hong Kong as Method” as it relates to the rise of China in the context of Asianization. It explores new Hong Kong imaginaries with regard to the complex relationship between the local, the national and the global. The major theoretical thrust of the book is to address the reconfiguration of Hong Kong’s culture and society in an age of global modernity from the standpoints of different disciplines, exploring the possibilities of approaching Hong Kong as a method. Through critical inquiries into different fields related to Hong Kong’s culture and society, including gender, resistance and minorities, various perspectives on the country’s culture and society can be re-assessed. New directions and guidelines related to Hong Kong are also presented, offering a unique resource for researchers and students in the fields of cultural studies, media studies, postcolonial studies, globalization and Asian studies.
Author: Selvaraj Velayutham
Publisher: Routledge
ISBN: 042952076X
Category : Education
Languages : en
Pages : 229
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Book Description
Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1108298699
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 488
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Book Description
Author: Ray Hutchison
Publisher: SAGE
ISBN: 1412914329
Category : Business & Economics
Languages : en
Pages : 1081
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Book Description
An encyclopedia about various topics relating to urban studies.
Author: Matthew D. Johnson
Publisher: Bloomsbury Publishing USA
ISBN: 1623568471
Category : Performing Arts
Languages : en
Pages : 369
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Book Description
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-mémoires, and works of pirated pastiche. Together, they bear witness to the emergence of a new Chinese cinema characterized by digital and, trans-media representational strategies, the blurring of private/public distinctions, and dynamic reinterpretations of the very notion of 'cinema' itself.
