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Author: Lindsay Anne Hallam
Publisher: McFarland
ISBN: 0786488379
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.
Author: Lindsay Anne Hallam
Publisher: McFarland
ISBN: 0786488379
Category : Performing Arts
Languages : en
Pages : 221
Get Book Here
Book Description
Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.
Author: Steven Kohm
Publisher: Fernwood Publishing
ISBN: 1552668649
Category : Social Science
Languages : en
Pages : 462
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Book Description
What do Canadian films say about crime and justice in Canada? What purpose to Canadian crime films serve politically and culturally? Screening Justice is a scholarly exploration of films that focus on crime and justice in Canada. Crime films are pivotal for understanding and shaping Canadian sensibilities by setting out widely available templates for thinking about crime and justice in Canadian society. Spanning disciplines and examining films from across Canada, Screening Justice is the first comprehensive Canadian volume on crime films that takes up cultural criminology’s call for more critical scholarly analyses of the interplay between crime, culture and society.
Author: Douglas E. Cowan
Publisher: NYU Press
ISBN: 147980312X
Category : Religion
Languages : en
Pages : 328
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Book Description
From creature features to indie horror flicks, find out what happens when sex, horror, and the religious imagination come together Throughout history, religion has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed—or, more commonly, how they must be hidden. Yet, we remain fascinated, obsessed even, by bodies that have left, or been forced out of, their “proper” place. The Forbidden Body examines how horror culture treats these bodies, exploring the dark spaces where sex and the sexual body come together with religious belief and tales of terror. Taking a broad approach not limited to horror cinema or popular fiction, but embracing also literary horror, weird fiction, graphic storytelling, visual arts, and participative culture, Douglas E. Cowan explores how fears of bodies that are tainted, impure, or sexually deviant are made visible and reinforced through popular horror tropes. The volume challenges the reader to move beyond preconceived notions of religion in order to decipher the “religious imagination” at play in the scary stories we tell over and over again. Cowan argues that stories of religious bodies “out of place” are so compelling because they force us to consider questions that religious belief cannot comfortably answer: Who are we? Where do we come from? Why do we suffer? And above all, do we matter? As illuminating as it is unsettling, The Forbidden Body offers a fascinating look at how and why we imagine bodies in all the wrong places.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 1107024935
Category : Drama
Languages : en
Pages : 287
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Book Description
Pascale Aebischer provides the only comprehensive analysis of early modern drama on screen, expanding the scope of Shakespearean performance studies.
Author: John Wyver
Publisher: Bloomsbury Publishing
ISBN: 1350006602
Category : Drama
Languages : en
Pages : 289
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Book Description
No theatre company has been involved in such a broad range of adaptations for television and cinema as the Royal Shakespeare Company. Starting with Richard III filmed in the Shakespeare Memorial Theatre before World War One, the RSC's accomplishments continue today with highly successful live cinema broadcasts. The Wars of the Roses (BBC, 1965), Peter Brook's film of King Lear (1971), Channel 4's epic version of Nicholas Nickleby (1982) and Hamlet with David Tennant (BBC, 2009) are among their most iconic adaptations. Many other RSC productions live on as extracts in documentaries, as archival recordings, in trailers and in other fragmentary forms. Screening the Royal Shakespeare Company explores this remarkable history of collaborations between stage and screen and considers key questions about adaptation that concern all those involved in theatre, film and television. John Wyver is a broadcasting historian and the producer of RSC Live from Stratford-upon-Avon, and is uniquely well-placed to provide a vivid account of the company's television and film productions. He contributes an award-winning practitioner's insight into screen adaptation's numerous challenges and rich potential.
Author: R. Barton Palmer
Publisher: Springer
ISBN: 331940928X
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
This book offers the first comprehensive discussion of the relationship between Modern Irish Literature and the Irish cinema, with twelve chapters written by experts in the field that deal with principal films, authors, and directors. This survey outlines the influence of screen adaptation of important texts from the national literature on the construction of an Irish cinema, many of whose films because of cultural constraints were produced and exhibited outside the country until very recently. Authors discussed include George Bernard Shaw, Oscar Wilde, Liam O’Flaherty, Christy Brown, Edna O’Brien, James Joyce, and Brian Friel. The films analysed in this volume include THE QUIET MAN, THE INFORMER, MAJOR BARBARA, THE GIRL WITH GREEN EYES, MY LEFT FOOT, THE PICTURE OF DORIAN GRAY, THE SNAPPER, and DANCING AT LUGHNASA. The introduction features a detailed discussion of the cultural and political questions raised by the promotion of forms of national identity by Ireland’s literary and cinematic establishments.
Author: Karen A. Ritzenhoff
Publisher: Springer
ISBN: 1137096632
Category : Performing Arts
Languages : en
Pages : 459
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Book Description
How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship.
Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 1119335019
Category : Performing Arts
Languages : en
Pages : 613
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Book Description
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
Author: Eddie Falvey
Publisher: University of Wales Press
ISBN: 1786836351
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
This book signifies innovative developments in horror cinema research, as well as the current state of the genre within the film and media industries. It is an injection of fresh insights into horror cinema scholarship. This is a book that includes academic studies from established scholars and early career researchers, as well as fans of horror cinema.
Author: Marquis de Sade
Publisher: Simon and Schuster
ISBN: 1625585985
Category : Fiction
Languages : en
Pages : 640
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Book Description
The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.
