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Author: Duncan J. Petrie
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
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Author: Duncan J. Petrie
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
No Marketing Blurb
Author: Sandra-Elisabeth Haider
Publisher: diplom.de
ISBN: 3832461205
Category : Language Arts & Disciplines
Languages : en
Pages : 183
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Book Description
Inhaltsangabe:Abstract: At Glasgow s University Library I discovered a book about Scotland on film, Scotch Reels. Originally, Scotch Reels is the title of a research carried out in 1982 about the depiction of Scotland on screen. It was revealed then that the predominant image of Scotland was very much engaged with stereotypes (defined as the heather and haggis image by one of the book s critics) and had obviously nothing to do with the contemporary reality of Scotland. Not surprisingly, that radical view has found a lot of stern critics. On superficial examination, when I think of all the recent films set in Scotland (ranging from the historical epos Braveheart to the contemporary fast-paced drug story Trainspotting, to mention two of the more popular examples), it seems to me that contemporary films set in Scotland show a wider spectrum of Scottish life than they apparently did before the 1980s, when the stories were mostly (with a few exceptions only) set in the Highlands or on an island, in a community far away from contemporary (modern and industrial) life. As a classic example of those films one can mention the musical Brigadoon by Vicente Minnelli from the year 1954. However, in my thesis I want to concentrate on films set in the City of Glasgow, since there would be far too much material concerned if I considered every single available recent film set in Scotland. I would like to find out whether the image of Glasgow has improved (or widened in its conception) through the release of recent films, compared to its depiction in older movies. As I could not analyse all recent feature films set in Glasgow in this context, I decided to concentrate on a few examples. By taking a closer look at these films I hope to be able to demonstrate how varied (or one-sided as will be determined) the contemporary portrayal of the city is. I do not want to omit mentioning my awareness of the fact that my selection is very subjective. Had I selected other movies, the result would naturally have been a different one. Also, I have not taken into account television films or series set in the Glasgow area. Especially in recent years a whole range of series has been produced and broadcasted, for instance the surreal hospital-drama Psychos, starring Douglas Henshall, the controversial Tinsel Town, set in Glasgow s lively clubbing scene, or Glasgow Kiss, which portrays the city as a modern, airy place, inhabited by sympathetic, educated middle-class people [...]
Author: Jonathan Murray
Publisher: Bloomsbury Publishing
ISBN: 085773962X
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
From a near standing start in the 1970s, the emergence and expansion of an aesthetically and culturally distinctive Scottish cinema proved to be one of the most significant developments within late-twentieth and early twenty-first-century British film culture. Individual Scottish films and filmmakers have attracted notable amounts of critical attention as a result. The New Scottish Cinema, however, is the first book to trace Scottish film culture's industrial, creative and critical evolution in comprehensive detail across a forty-year period. On the one hand, it invites readers to reconsider the known - films such as Shallow Grave, Ratcatcher, The Magdalene Sisters, Young Adam, Red Road and The Last King of Scotland. On the other, it uncovers the overlooked, from the 1980s comedic film makers who followed in the footsteps of Bill Forsyth to the variety of present-day Scottish film making - a body of work that encompasses explorations of multiculturalism, exploitation of the macabre and much else in between.In addition to analysing an eclectic range of films and filmmakers, The New Scottish Cinema also examines the diverse industrial, institutional and cultural contexts which have allowed Scottish film to evolve and grow since the 1970s, and relates these to the images of Scotland which artists have put on screen. In so doing, the book narrates a story of interest to any student of contemporary British film.
Author: David Stone
Publisher:
ISBN: 9780951874219
Category : Medical screening
Languages : en
Pages : 75
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Book Description
Author: Murray Stewart Leith
Publisher: Edinburgh University Press
ISBN: 0748681426
Category : Social Science
Languages : en
Pages : 288
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Book Description
Explores the connectedness of the diaspora to the homeland from a variety of different perspectivesThis book explores a range of different perspectives on the Scottish diaspora, reflecting a growing interest in the subject from academics, politicians and policy makers and coinciding with Scotland's second year of homecoming in 2014. The Scottish Government has actively developed a diaspora strategy, not least in order to encourage 'roots tourism', as those individuals of Scots descent come back to visit their 'homeland' diaspora. Key FeaturesExamines the importance of links within the Scottish diaspora for Scots both at home and abroad.Multi-disciplinary perspectives from literature to sportOf interest to policy makers, genealogists, tourism bodies, politicians and general publicThe Scots form one of the world's largest diasporas, with around 30 million people worldwide claiming a Scottish ancestry. There are few countries around the globe without a Caledonian Society, a Burns Club, a Scottish country dance society, or similar organisation. The diaspora is therefore of interest to politicians, to public policy makers and to Scottish business; as well as to those working in the media, in sport, in literature and in music.
Author: Janice Loreck
Publisher: Springer Nature
ISBN: 3030331962
Category : Social Science
Languages : en
Pages : 243
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Book Description
Screening Scarlett Johansson: Gender, Genre, Stardom provides an account of Johansson’s persona, work and stardom, extending from her breakout roles in independent cinema, to contemporary blockbusters, to her self-parodying work in science-fiction. Screening Scarlett Johansson is more than an account of Johansson’s career; it positions Johansson as a point of reference for interrogating how femininity, sexuality, identity and genre play out through a contemporary woman star and the textual manipulations of her image. The chapters in this collection cast a critical eye over the characters Johansson has portrayed, the personas she has inhabited, and how the two intersect and influence one another. They draw out the multitude of meanings generated through and inherent to her performances, specifically looking at processes of transformation, metamorphosis and self-deconstruction depicted in her work.
Author: Fidelma Farley
Publisher: Cambridge Scholars Publishing
ISBN: 1443804134
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed textual analysis with discussion of industrial issues, scholarship on new movies with historical investigation of unjustly forgotten figures and film from Scotland’s cinematic past, and a focus on international as well as indigenous images of Scottishness. Responding to the ways in recent Scottish filmmaking has transformed the country’s cinematic landscape, Scottish Cinema Now reexamines established critical agendas and sets new ones for the study of Scotland’s relationship with the moving image in the twenty-first century.
Author:
Publisher:
ISBN:
Category : National health services
Languages : en
Pages : 224
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Book Description
Author: Walter Werner Holland
Publisher: Radcliffe Publishing
ISBN: 9781857757705
Category : Medical
Languages : en
Pages : 190
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Book Description
Screening for disease has become a widely accepted concept in health care. Screening in Disease Prevention takes a critical look at the practice of screening throughout the various stages of life. The book highlights three current challenges: the increasing consumer, media and commercial focus on health in general and screening in particular; providing accurate and understandable information; and tackling the continuing variation in the uptake of screening between different areas of the country and different socio-economic groups. Screening in Disease Prevention is important reading for public health professionals, particularly those involved in screening programs. Policy makers and shapers, medical researchers, pressure groups and support organizations for people with screenable conditions will also find it a valuable reference.
Author: John Hill
Publisher: John Wiley & Sons
ISBN: 1118477510
Category : Performing Arts
Languages : en
Pages : 605
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Book Description
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
