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Publisher: University of Illinois Press
ISBN: 0252090020
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.
Author:
Publisher: University of Illinois Press
ISBN: 0252090020
Category : Performing Arts
Languages : en
Pages : 250
Get Book Here
Book Description
Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.
Author:
Publisher:
ISBN:
Category : Cuba
Languages : en
Pages : 520
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Book Description
Author: Mark P. Sullivan
Publisher: DIANE Publishing
ISBN: 1437980376
Category : Travel
Languages : en
Pages : 34
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Book Description
Restrictions on travel to Cuba have often been a contentious component in U.S. efforts to isolate Cuba¿s communist gov¿t. since the early 1960s. Under the George W. Bush Admin., restrictions on travel and on private remittances to Cuba were tightened. Under the Obama Admin., Congress took action in 2009 to ease some travel restrictions (TR) to Cuba. Contents of this report: Developments in 2010; Background to TR; Current Permissible Travel to Cuba; Current Restrictions on Remittances; Enforcement of Cuba TR; Arguments for Lifting Cuba TR; Arguments for Maintaining Cuba TR; Legislative Initiatives in the 111th Cong.; Legislative Initiatives on U.S. Travel to Cuba: From the 106th to the 110th Cong. This is a print on demand report.
Author: Dunja Fehimović
Publisher: Springer
ISBN: 3319931032
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ‘independent’ production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.
Author: Jean Stubbs
Publisher:
ISBN:
Category : History
Languages : en
Pages : 168
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Book Description
This book describes the mixture of achievement and obstacle that makes up modern Cuba, concentrating on the issues and dilemmas facing ordinary Cubans: availability of consumer goods, motivation at work, civil rights and decision-making and the country's involvement in war overseas.
Author: Michael Chanan
Publisher: U of Minnesota Press
ISBN: 1452906920
Category : Performing Arts
Languages : en
Pages : 559
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Book Description
New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.
Author: Julia Cooke
Publisher: Seal Press
ISBN: 158005532X
Category : Travel
Languages : en
Pages : 250
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Book Description
Change looms in Havana, Cuba's capital, a city electric with uncertainty yet cloaked in cliché90 miles from U.S. shores and off-limits to most Americans. Journalist Julia Cooke, who lived there at intervals over a period of five years, discovered a dynamic scene: baby-faced anarchists with Mohawks gelled with laundry soap, whiskey-drinking children of the elite, Santerítrainees, pregnant prostitutes, university graduates planning to leave for the first country that will give them a visa. This last generation of Cubans raised under Fidel Castro animate life in a waning era of political stagnation as the rest of the world beckons: waiting out storms at rummy hurricane parties and attending raucous drag cabarets, planning ascendant music careers and black-market business ventures, trying to reconcile the undefined future with the urgent today. Eye-opening and politically prescient, The Other Side of Paradise offers a deep new understanding of a place that has so confounded and intrigued us.
Author: Andrea O'Reilly Herrera
Publisher: State University of New York Press
ISBN: 079147965X
Category : Social Science
Languages : en
Pages : 374
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Book Description
In Cuba, internationally renowned artists, philosophers, and writers reflect on the idea of a nation displaced. Featuring contributions from Isabel Alvarez Borland, Antonio Benítez-Rojo, María Cristina García, William Navarrete, Eliana Rivero, Rafael Rojas, and Carlos Victoria, as well as many others, Cuba is a rich collection of essays, testimonials, and interviews that reveal the complex, often antagonistic cultural and political debates coexisting within the Cuban exile population. As a multivoiced text, Cuba formulates a deeper understanding of diasporic identity, and broadens the discussion of the manner in which Cuban cultural identity and nationhood have been constructed, negotiated, and transformed by physical and cultural displacement.
Author: Asa McKercher
Publisher: Rowman & Littlefield
ISBN: 1793602786
Category : Political Science
Languages : en
Pages : 189
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Book Description
Entangled Terrains: Empire, Identity, and Memories of Guantánamo explores the challenges and conflicts of life in the transnational spaces between Cuba and the United States by examining the lived experiences of Alberto Jones, a first-generation black Cuban who worked at the U.S. naval base at Guantánamo Bay. Asa McKercher and Catherine Krull take readers on a journey through Jones’s life as he crossed the entangled political, racial, cultural, and economic boundaries, both in Cuba and living as a black Cuban in central Florida. McKercher and Krull argue that Jones’s story encapsulates the reality of recent Caribbean and Cuban experiences as they deconstruct the events of his life to reveal the broader cultural and social implications of identity, boundaries, and belonging throughout Caribbean and Cuban history.
Author: Julia E Sweig
Publisher: Oxford University Press, USA
ISBN: 019974081X
Category : History
Languages : en
Pages : 305
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Book Description
Ever since Fidel Castro assumed power in Cuba in 1959, Americans have obsessed about the nation ninety miles south of the Florida Keys. America's fixation on the tropical socialist republic has only grown over the years, fueled in part by successive waves of Cuban immigration and Castro's larger-than-life persona. Cubans are now a major ethnic group in Florida, and the exile community is so powerful that every American president has kowtowed to it. But what do most Americans really know about Cuba itself? In Cuba: What Everyone Needs to Know, Julia Sweig, one of America's leading experts on Cuba and Latin America, presents a concise and remarkably accessible portrait of the small island nation's unique place on the world stage over the past fifty years. Yet it is authoritative as well. Following a scene-setting introduction that describes the dynamics unleashed since summer 2006 when Fidel Castro transferred provisional power to his brother Raul, the book looks backward toward Cuba's history since the Spanish American War before shifting to more recent times. Focusing equally on Cuba's role in world affairs and its own social and political transformations, Sweig divides the book chronologically into the pre-Fidel era, the period between the 1959 revolution and the fall of the Soviet Union, the post-Cold War era, and-finally-the looming post-Fidel era. Informative, pithy, and lucidly written, it will serve as the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community.
