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Author: David S. Cohen
Publisher: Harper Collins
ISBN: 0061843164
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco. Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.
Author: David S. Cohen
Publisher: Harper Collins
ISBN: 0061843164
Category : Performing Arts
Languages : en
Pages : 356
Get Book Here
Book Description
In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco. Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.
Author: Amanda Wrigley
Publisher: Manchester University Press
ISBN: 1526115956
Category : Performing Arts
Languages : en
Pages : 468
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Book Description
Screen plays is a ground-breaking collection that chronicles the rich and surprising history of stage plays produced for the small screen between 1930 and the present. The volume opens with a substantial historical outline of how plays originally written for the theatre have been presented by the BBC and ITV, as well as independent producers and cultural organisations. Subsequent chapters utilise a variety of critical methodologies to analyse a wide range of outside broadcasts from theatres, screen adaptations of existing stage productions, along with original television productions of classic and contemporary drama. Making a compelling case for the centrality of the theatre to British television’s past and present, Screen plays opens up new areas of research for all those engaged in theatre, media and adaptation studies.
Author: American Football Coaches Association
Publisher: Human Kinetics
ISBN: 9780736062619
Category : Sports & Recreation
Languages : en
Pages : 252
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Book Description
Football Offenses & Plays presents all of the popular offensive systems used today as well as tactical advice for play calling in each of four areas of the field. It features insights from many of the game's top offensive minds, who have conceived, or are extremely successful in employing, a specific means of attack: -Discover the strengths of the I-Formation from Al Borges and the use of the H-back from Joe Novak. -Maximize the use of one-back sets using two, three, or four receivers with the help of Glen Mason, Joe Tiller, and Gregg Brandon. -Make the shotgun a real weapon with the insights of Randy Walker and Rich Rodriguez. -Learn how to use four receivers from shotgun formations from Rich Rodriguez. -Trace the development of running attacks, including the veer with Bill Yeoman, the wing-T with Tubby Raymond, and flexbone with Fisher DeBerry. -Execute soundly in the yellow zone, green zone, red zone, and gold zone with guidance from Dennis Franchione, Ralph Friedgen, Larry Kehres, and Terry Malone. -Employ the best strategies for two-minute and no-huddle situations with advice from Gary Tranquill. -Help your quarterback make effective play calls at the line of scrimmage with the audible system presented by Don Nehlen. Developed by the American Football Coaches Association, Football Offenses & Plays is the most detailed and comprehensive book on offensive tactics ever published. Make it part of your game plan this season and see your side of the scoreboard light up!
Author: Dona Cooper
Publisher: MacMillan Publishing Company
ISBN: 9780671847838
Category : Language Arts & Disciplines
Languages : en
Pages : 212
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Book Description
Revised to cover the latest techniques for crafting first-rate screen plays for film and TV, this 2nd edition provides advice on innovative ideas for structuring the plot, developing characters and building momentum, professional guidance on marketing and a concise encyclopedia of screen-writing techniques.
Author: Robert Riskin
Publisher: Univ of California Press
ISBN: 9780520205253
Category : Performing Arts
Languages : en
Pages : 772
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Book Description
Screenwriter Robert Riskin (1897-1955) was a towering figure even among the giants of Hollywood's Golden Age. Known for his unique blend of humor and romance, wisecracking and idealism, Riskin teamed with director Frank Capra to produce some of his most memorable films. Pat McGilligan has collected six of the best Riskin scripts: Platinum Blonde (1931), American Madness (1932), It Happened One Night (1934), Mr. Deeds Goes to Town (1936), Lost Horizon (1937), and Meet John Doe (1941). All of them were directed by Capra, and although Capra's work has been amply chronicled and celebrated, Riskin's share in the collaboration has been overlooked since his death. McGilligan provides the "backstory" for the forgotten half of the team, indispensable counterpoint to the director's self-mythologizing autobiography--and incidentally the missing link in any study of Capra's career. Riskin's own career, although interrupted by patriotic duty and cut short by personal tragedy, produced as consistent, entertaining, thoughtful, and enduring a body of work as any Hollywood writer's. Those who know and love these vintage films will treasure these scripts. McGilligan's introduction offers new information and insights for fans, scholars, and general readers.
Author: Michael Hauge
Publisher: Harper Collins
ISBN: 0062725009
Category : Language Arts & Disciplines
Languages : en
Pages : 356
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Book Description
Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.
Author: Phyllis Rauch Klotman
Publisher: Indiana University Press
ISBN: 9780253206336
Category : Drama
Languages : en
Pages : 284
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Book Description
Book on African Amrican filmmaking. includes six screenplays by Afro-American screenwriters
Author: Ben Affleck
Publisher: Miramax Books
ISBN: 9780786883448
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
As director Gus Van Sant observes in the introduction to Matt Damon's and Ben Affleck's screenplay Good Will Hunting, the two young actors somewhat resemble the characters they play in the film: they're best friends, and Affleck (who plays Chuckie) habitually chauffeurs Damon (Will), who doesn't drive. Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.
Author: Sam Thomas
Publisher: Crown
ISBN:
Category : Drama
Languages : en
Pages : 424
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Book Description
Crown's third collection of great screenplays showcases the screenwriter's contribution to eight memorable films encompassing more than half a century of American cinema. Sam Thomas has written a major introduction and provided background information on each of the eight screenplays and their screenwriters.
Author: Preston Sturges
Publisher: Univ of California Press
ISBN: 0520055640
Category : Motion picture plays
Languages : en
Pages : 856
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Book Description
Five comic masterpieces by Preston Sturges, who has been called "Hollywood's greatest writer-director, with emphasis on the former." The scripts are drawn from the great period between 1939 and 1944, which Andrew Sarris called "one of the most brilliant and most bizarre bursts of creation in the history of cinema."
