Scotch Novel Reading; Or, Modern Quackery. A Novel Really Founded on Facts ... PDF Download
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Author: Cockney
Publisher:
ISBN:
Category :
Languages : en
Pages : 744
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Book Description
Author: Cockney
Publisher:
ISBN:
Category :
Languages : en
Pages : 744
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Book Description
Author: Sarah Faber
Publisher: Taylor & Francis
ISBN: 1003852963
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
From early examples of queer representation in mainstream media to present-day dissolutions of the human-nature boundary, the Gothic is always concerned with delineating and transgressing the norms that regulate society and speak to our collective fears and anxieties. This volume examines British and American Gothic texts from four centuries and diverse media – including novels, films, podcasts, and games – in case studies which outline the central relationship between the Gothic and transgression, particularly gender(ed) and sexual transgression. This relationship is both crucial and constantly shifting, ever in the process of renegotiation, as transgression defines the Gothic and society redefines transgression. The case studies draw on a combination of well-studied and under-studied texts in order to arrive at a more comprehensive picture of transgression in the Gothic. Pointing the way forward in Gothic Studies, this original and nuanced combination of gendered, Ecogothic, queer, and media critical approaches addresses established and new scholars of the Gothic alike.
Author: Caroline McCracken-Flesher
Publisher: Oxford University Press
ISBN: 0195169670
Category : History
Languages : en
Pages : 240
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Book Description
Is Walter Scott to blame for the limitations of modern Scotland? The author argues that Scott used his position as an author to negotiate an identity for his homeland. The variety of Scott's tales suggest not a Scotland receding into the past, but one energetically alive in the past and future of its telling.
Author: Kerstin-Anja Münderlein
Publisher: Routledge
ISBN: 1000487776
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey, to little known and researched titles such as Mary Charlton’s Rosella. Münderlein traces the development of socio-political debates conducted in the late eighteenth and early nineteenth centuries on female roles, behaviour, and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1606
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 806
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 812
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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 802
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 694
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Author: Ian Duncan
Publisher: Princeton University Press
ISBN: 0691144265
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
