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Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 9780521778626
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
A re-examination of the life and work of four poets and Schubert's settings of their verse.
Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 9780521778626
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
A re-examination of the life and work of four poets and Schubert's settings of their verse.
Author: Susan Youens
Publisher: Cornell University Press
ISBN: 9780801499661
Category : Biography & Autobiography
Languages : en
Pages : 352
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Book Description
Youens addresses the different aspects of the Winterreise: its cultural milieu, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.
Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 0521028752
Category : Biography & Autobiography
Languages : en
Pages : 457
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Book Description
A study of songs composed by Schubert in the final six years of his life.
Author: Lisa Feurzeig
Publisher: Routledge
ISBN: 1317059131
Category : Music
Languages : en
Pages : 245
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Book Description
This study of Franz Schubert's settings of poetry by Friedrich Schlegel and Novalis introduces the fascinating world of early German Romanticism in the 1790s, when an energetic group of bold young thinkers radically changed the landscape of European thought. Schubert's encounters with early Romantic poetry some twenty years later reanimated some of the movement's central ideas. Schubert set eleven texts from Schlegel's Abendröte poetic cycle and six poems drawn from Novalis' religious and erotic poetry. Through detailed analyses of how various musical structures in these songs mirror and sometimes even explicate the central ideas of the poems, this book argues that Schubert was an abstract thinker who used his medium of music to diagram the complex ideas of a highly intellectual movement. A comparison is made to the hermeneutic theory of that time, primarily that of Schleiermacher, who was himself linked to the early Romantics. Through exploration of ideas such as Schlegel's representation of the necessary interdependence of part and whole and Novalis' strong association of religious and erotic experience, along with their musical representations by Schubert, this book opens an intriguing world of thought for modern readers. At the same time, Feurzeig explores some of Schubert's little-known songs, which range from quirky to charming to exquisite.
Author: Susan Youens
Publisher: Cambridge University Press
ISBN: 9780521422796
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
This guide to Schubert's much-loved song cycle explores both the music and the poetry from a variety of perspectives. It includes biography and cultural history, literary interpretation, source studies, and musical analysis. The genesis of both Wilhelm Müller's poetry, which began as a literary salon game in 1816, and the music, composed soon after Schubert discovered that he had contracted syphilis, is discussed in the first two chapters, which also include little-known information about the poet, the premier of the cycle, and Eduard Hanslick's critiques later in the nineteenth century. The chapters on the poetry discuss Müller's uneasy relationship to the tenets of Romanticism; the influence of Goethe, folk poems, and medieval poetry on Die schöne Mullerin; and provide a reading of each of the poems, which are reproduced in German and English translation. The last and lengthiest chapter consists of brief analytical commentary on each of the twenty songs in Schubert's masterpiece.
Author: Michael Hall
Publisher: Routledge
ISBN: 1351755331
Category : Music
Languages : en
Pages : 387
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Book Description
This title was first published in 2003. From 1821 until his death, Schubert compiled or specially composed for publication 42 song sets, yet during his own lifetime, and until now, their integrity and importance as sets have been virtually ignored. In this book, Michael Hall asserts that these songs sets are not arbitrary collections, as so often assumed, but highly integrated works in their own right. Approaching these songs as sets the book throws light on Schubert's largely undiscussed intellectual preoccupations. They reveal that he was au fait with most of the philosophical concerns of his time, especially those which touched on Romanticism. But although the sets reflect Romanticism in their topics, Hall maintains that they are the epitome of classical balance. In encouraging students and performers to approach these songs as sets, this study aims to alter perceptions of this important repertory.
Author: James Parsons
Publisher: Cambridge University Press
ISBN: 1139826514
Category : Music
Languages : en
Pages : 543
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Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author: Julian Horton
Publisher: Routledge
ISBN: 1351549960
Category : History
Languages : en
Pages : 583
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Book Description
The collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.
Author: Christopher H. Gibbs
Publisher: Princeton University Press
ISBN: 1400865352
Category : Biography & Autobiography
Languages : en
Pages : 386
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Book Description
The life, times, and music of Franz Schubert During his short lifetime, Franz Schubert (1797–1828) contributed to a wide variety of musical genres, from intimate songs and dances to ambitious chamber pieces, symphonies, and operas. The essays and translated documents in Franz Schubert and His World examine his compositions and ties to the Viennese cultural context, revealing surprising and overlooked aspects of his music. Contributors explore Schubert's youthful participation in the Nonsense Society, his circle of friends, and changing views about the composer during his life and in the century after his death. New insights are offered about the connections between Schubert’s music and the popular theater of the day, his strategies for circumventing censorship, the musical and narrative relationships linking his song settings of poems by Gotthard Ludwig Kosegarten, and musical tributes he composed to commemorate the death of Beethoven just twenty months before his own. The book also includes translations of excerpts from a literary journal produced by Schubert’s classmates and of Franz Liszt’s essay on the opera Alfonso und Estrella. In addition to the editors, the contributors are Leon Botstein, Lisa Feurzeig, John Gingerich, Kristina Muxfeldt, and Rita Steblin.
Author: Siobhán Donovan
Publisher: Camden House
ISBN: 9781571132581
Category : History
Languages : en
Pages : 274
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Book Description
During the Romantic era, many in Germany believed music to be the highest art form, representing the quintessence of Romanticism and able to express what could not be expressed in words. This book studies the work of composers during this period and examines the cross-over between music and literature.
