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Author: Nathaniel Mackey
Publisher: City Lights Books
ISBN: 9780872862784
Category : Poetry
Languages : en
Pages : 108
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Book Description
School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own-fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion- social, sexual, mystic, mythic- both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica, and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jondo, and other musics.
Author: Nathaniel Mackey
Publisher: City Lights Books
ISBN: 9780872862784
Category : Poetry
Languages : en
Pages : 108
Get Book Here
Book Description
School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own-fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion- social, sexual, mystic, mythic- both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica, and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jondo, and other musics.
Author: Robert L. Zamsky
Publisher: University of Alabama Press
ISBN: 081736014X
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Opera, poetics, and the fate of humanism : Ezra Pound and Charles Bernstein -- "Measure, then, is my testament" : Robert Creeley and the poet's music -- Orpheus in the garden : John Taggart -- Eurydice takes the mic : improvisation and ensemble in the work of Tracie Morris -- "Orphic bend" : music and meaning in the work of Nathaniel Mackey.
Author: Brent Hayes Edwards
Publisher: Harvard University Press
ISBN: 0674055438
Category : Education
Languages : en
Pages : 333
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Book Description
Hearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.
Author: Nathaniel Mackey
Publisher: University of Iowa Press
ISBN: 1609385845
Category : Literary Criticism
Languages : en
Pages : 393
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Book Description
Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.
Author: Jeanne Heuving
Publisher: University of Alabama Press
ISBN: 0817358439
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The Transmutation of Love and Avant-Garde Poetics is a probing examination of how the writing of sexual love undergoes a radical revision by avant-garde poets in the twentieth and twenty-first centuries. Today, the exploration of love by poets—long a fixture of Western poetic tradition—is thought to be in decline, with love itself understood to be a mere ideological overlay for the more “real” entities of physical sex and desire. In The Transmutation of Love and Avant-Garde Poetics, Jeanne Heuving claims that a key achievement of poetry by Ezra Pound, H.D., Robert Duncan, Kathleen Fraser, Nathaniel Mackey, and others lies significantly in their engagement with the synergistic relations between being in love and writing love. These poets, she argues, have traded the clichéd lover of yore for impersonal or posthuman poetic speakers that sustain the gloire and mystery of love poetry of prior centuries. As Robert Duncan writes, “There is a love in which we are outcast and vagabond from what we are that we call ‘falling in love.’” Heuving claims that this writing of love is defining for avant-garde poetics, identifying how such important discoveries as Pound’s and H.D.’s Imagism, Pound’s Cantos, and Duncan’s “open field poetics” are derived through their changed writing of love. She draws attention to how the prevailing concept of language as material is inadequate to the ways these poets also engage language as a medium—as a conduit—enabling them to address love afresh in a time defined through preoccupations with sexuality. They engage love as immanent and change it through a writing that acts on itself. The Transmutation of Love and Avant-Garde Poetics ascribes the waning of love poetry to its problematic form: a genre in which empowered poetic speakers constitute their speech through the objectification of comparatively disempowered subjects, or beloveds. Refusing this pervasive practice, the poets she highlights reject the delimiting, one-sided tradition of masculine lovers and passive feminine beloveds; instead, they create a more nuanced, dynamic poetics of ecstatic exploration, what Heuving calls “projective love” and “libidinized field poetics,” a formally innovative poetry, in which one perception leads directly to the next and all aspects of a poem are generative of meaning.
Author: Jerome Rothenberg
Publisher: Univ of California Press
ISBN: 0520208641
Category : Literary Criticism
Languages : en
Pages : 912
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Book Description
"Global anthology of twentieth-century poetry"--Back cover.
Author: Adalaide Morris
Publisher: UNC Press Books
ISBN: 1469647753
Category : Literary Criticism
Languages : en
Pages : 517
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Book Description
By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life. The collection's twelve essays focus on earplay in texts by James Joyce, Ezra Pound, H.D., Samuel Beckett, William Burroughs, Amiri Baraka, Bob Kaufman, Robert Duncan, and Kamau Brathwaite and in performances by John Cage, Caribbean DJ-poets, and Cecil Taylor. From the early twentieth-century soundscapes of Futurist and Dadaist 'sonosphers' to Henri Chopin's electroacoustical audio-poames, the authors argue, these states of sound make bold but wavering statements--statements held only partially in check by meaning. The contributors are Loretta Collins, James A. Connor, Michael Davidson, N. Katherine Hayles, Nathaniel Mackey, Steve McCaffery, Alec McHoul, Toby Miller, Adalaide Morris, Fred Moten, Marjorie Perloff, Jed Rasula, and Garrett Stewart.
Author: Philip Bader
Publisher: Infobase Publishing
ISBN: 1438107838
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today
Author: Peter O'Leary
Publisher: Wesleyan University Press
ISBN: 9780819565648
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Brings together the study of literature with the psychology and history of religions.
Author: J. Ryan
Publisher: Springer
ISBN: 0230109098
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black women have created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers engagements with jazz-based compositional devices represent a new strand of radical black poetics, while their renditions of local-to-global social critique sketch the outlines of a transnational feminism.
