Author: Franz Berwald
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 106
Book Description
Samtliche Werke
Author: Franz Berwald
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 106
Book Description
The American Bookseller
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1128
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1128
Book Description
Sotheran's Price Current of Literature
Author: Henry Sotheran Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 484
Book Description
Music Criticisms, 1846-99
Author: Eduard Hanslick
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1096
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1096
Book Description
Cinema, Religion and the Romantic Legacy
Author: Paul Coates
Publisher: Taylor & Francis
ISBN: 135195153X
Category : Religion
Languages : en
Pages : 225
Book Description
Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).
Publisher: Taylor & Francis
ISBN: 135195153X
Category : Religion
Languages : en
Pages : 225
Book Description
Cinema, Religion and the Romantic Legacy surveys the ways in which notions of religion and spirituality have impinged upon the cinema. Cinema is conceived as a post-Romantic form for which religion and spirituality can be unified only problematically. While inspecting many of the well-established themes and topoi of writing on religion and film (such as films about priests and 'Christ-figures') it also seeks to problematize them, focusing primarily upon the issues of religious representation foregrounded by such European directors as Kieslowski and Godard. Coates draws on theories of theologians, philosophers and cultural and literary critics including: Otto, Kant, Schiller and Girard. Addressing the relationship between religion and spirituality from a film studies specialist's perspective, this book offers all those concerned with film, media or religious studies an invaluable examination of artistic interaction with the theological and aesthetic issues of representation and representability. Paul Coates is Reader in Film Studies at the University of Aberdeen, Scotland, and author of many books including: The Gorgon's Gaze (CUP), Film at the Intersection of High and Mass Culture (CUP), The Story of the Lost Reflection (Verso).
The Literature of German Romanticism
Author: Dennis F. Mahoney
Publisher: Boydell & Brewer
ISBN: 1571132368
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Sharply focused essays on the most significant aspects of German Romanticism.
Publisher: Boydell & Brewer
ISBN: 1571132368
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Sharply focused essays on the most significant aspects of German Romanticism.
The Spectator
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
Book Description
The Athenæum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1276
Book Description
Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1276
Book Description
“Music’s Obedient Daughter”
Author: Sabine Lichtenstein
Publisher: Rodopi
ISBN: 9401210551
Category : Literary Criticism
Languages : en
Pages : 505
Book Description
A libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre’s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres.
Publisher: Rodopi
ISBN: 9401210551
Category : Literary Criticism
Languages : en
Pages : 505
Book Description
A libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre’s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres.