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Author: Kl鈇ra·M鈕ricz
Publisher: Univ of California Press
ISBN: 0520250885
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
"This book makes a decisive and controversial contribution to the history of musical modernism. Moricz radically but thoroughly scrutinizes concepts of Jewish identity, and in doing so re-orders our understanding of 'Jewish music' as an outgrowth of nationalist, racist and utopian ideologies. The scholarship is superior in every respect. Jewish Identities is destined to become a seminal work in the reception history of European musical modernism. An absolutely outstanding and intellectually brilliant work."—Harry White, author of The Keeper's Recital: Music and Cultural History in Ireland, 1770-1970
Author: Kl鈇ra·M鈕ricz
Publisher: Univ of California Press
ISBN: 0520250885
Category : Biography & Autobiography
Languages : en
Pages : 456
Get Book Here
Book Description
"This book makes a decisive and controversial contribution to the history of musical modernism. Moricz radically but thoroughly scrutinizes concepts of Jewish identity, and in doing so re-orders our understanding of 'Jewish music' as an outgrowth of nationalist, racist and utopian ideologies. The scholarship is superior in every respect. Jewish Identities is destined to become a seminal work in the reception history of European musical modernism. An absolutely outstanding and intellectually brilliant work."—Harry White, author of The Keeper's Recital: Music and Cultural History in Ireland, 1770-1970
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Walter Simmons
Publisher: Scarecrow Press
ISBN: 1461621194
Category : Music
Languages : en
Pages : 435
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Book Description
Despite the Modernist search for new and innovative aesthetics and rejection of traditional tonality, several twentieth century composers have found their own voice while steadfastly relying on the aesthetics and techniques of Romanticism and 19th century composition principles. Musicological and reference texts have regarded these composers as isolated exceptions to modern thoughts of composition—exceptions of little importance, treated simplistically and superficially. Music critic and scholar Walter Simmons, however, believes these composers and their works should be taken seriously. They are worthy of more scholarly consideration, and deserve proper analysis, assessment, and discussion in their own regard. In Voices in the Wilderness, the first in a series of books celebrating the "Twentieth-Century Traditionalist," Simmons looks at six Neo-Romantic composers: Ernest Bloch Howard Hanson Vittorio Giannini Paul Creston Samuel Barber Nicolas Flagello Through biographical overviews and a comprehensive assessment of musical works, Simmons provides readers with a clear understanding of the significance of the composers, their bodies of work, and their placement in musicological history. The chapters delve deeply and objectively into each composer's oeuvre, addressing their origins, stylistic traits and consistencies, phases of development, strengths and weaknesses, and affinities with other composers. The composers' most representative works are identified, and each chapter concludes with a discography of essential recordings. Visit the author's website to read samples from the book and to listen to representative excerpts of each composer's work.
Author: Assaf Shelleg
Publisher: Oxford University Press
ISBN: 0199354952
Category : Music
Languages : en
Pages : 305
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Book Description
Jewish Contiguities and the Soundtrack of Israeli History unfolds the cultural itineraries of modern Jewish and Israeli art music. Extending from modern Jewish art music in Europe through its dislocation to British Palestine and Israel, the book captures the tensions between national rhetoric and nationalized theological tropes through the way they have been recorded in art music. Author Assaf Shelleg begins with the prehistory of Israeli art music in central and Western Europe. He introduces the reader to the various aesthetic dilemmas in the history of modern Jewish art music, ranging from auto-exoticism to Jewish self-hatred. Moving on to consider the Hebrew culture, he discusses the institutionalization of art music in British Palestine and the dilution of romanticist nationalism during the interregnum of Israeli statehood. Delving into the proliferation of styles in the 1950s and '60s, Shelleg examines the collapse of traditional Hebrew templates and the concomitant surge of linear compositional devices inspired by Arab Jewish music. By the 1970s, he reveals, Israeli composers saw musical Judaism as a cultural discourse that transcended the nation; they deterritorialized the national discourse at the same time that religious Zionist circles had been translating theology into politics. Shelleg unearths the various cultural constraints and dialectics that played a pivotal role in the dislocation of modern Jewish art music to Israel, and looks at the Jewish undercurrents of Hebrew culture and how Jewish secularized concepts outgrew their national functions. Jewish Contiguities and the Soundtrack of Israeli History will be essential reading for scholars of Jewish and Israeli music, culture, and history
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 512
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Book Description
Author: Mark Cohen
Publisher: Advancement of Sephardic Studies and Culture
ISBN:
Category : Bitola (Macedonia)
Languages : en
Pages : 444
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Book Description
Discusses the history of the final century of the Jewish community of Monastir (now Bitola) in Macedonia, which originated in the Ottoman Empire and ended its days under occupation by Nazi-allied Bulgaria. Ch. 9 (pp. 169-189), "The Holocaust", recounts the nazification of policies toward the Jews in Bulgarian-occupied Macedonia, where Nuremberg-like laws and ghettoization were introduced, followed by Aryanization of businesses and robbery by taxation. Registration of all Jewish adults in Bulgaria facilitated deportation which, due to protests by prominent Bulgarian non-Jews, was limited to stateless residents of Bulgarian-occupied territories. Almost all of Monastir's Jews were deported to Treblinka, where 3,276 of them were gassed. The small number who escaped deportation were spared as doctors or foreign nationals. Some Jews managed to flee and join partisan groups. Pp. 203-250 contain a list of names (with addresses, ages, and occupations) of the Jews from Monastir who were killed in Treblinka.
Author: Alexander Knapp
Publisher: Cambridge University Press
ISBN: 1316683990
Category : Music
Languages : en
Pages : 499
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Book Description
Ernest Bloch left his native Switzerland to settle in the United States in 1916. One of the great twentieth-century composers, he was influenced by a range of genres and styles - Jewish, American and Swiss - and his works reflect his lifelong struggle with his identity. Drawing on firsthand recollections of relatives and others who knew and worked with the composer, this collection is the most comprehensive study to date of Bloch's life, musical achievement and reception. Contributors present the latest research on Bloch's works and compositional practice, including studies of his Avodath Hakodesh (Sacred Service), violin pieces such as Nigun, the symphonic Schelomo, and the opera Macbeth. Setting the quality and significance of Bloch's output in its historical and cultural contexts, this book provides scholarly analyses as well as a full chronology, list of online resources, catalogue of published and unpublished works, and selected further reading.
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Book Description
Author: Morris Goldenberg
Publisher: Alfred Music
ISBN: 9781457404740
Category : Music
Languages : en
Pages : 188
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Book Description
The "Goldenberg Book" has been used by generations of orchestral snare drum players to develop their skills. As well as studies and etudes, this book includes excerpts of major orchestral repertoire for snare drum and all of the instruments of the percussion family. This edition, edited by Tony Cirone, includes phrasings and stickings along with re-engraved etudes. This book is the primary source for percussionists to learn proper technique and important orchestral repertoire.
Author: Norman Del Mar
Publisher: Oxford University Press
ISBN: 9780198165583
Category : Conducting
Languages : en
Pages : 280
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Book Description
This collection of essays on the interpretation of twenty-two unusual concert pieces was assembled partly with a view to more imaginative program planning. There are many composers who may have written only one or two masterpieces, yet failed to leave a worthy oeuvre; these sadly are often forgotten or overlooked when conductors assemble programs. This compilation spans a little over a hundred years from the 19th and 20th centuries and all the works are colorful and attractive. Once again Norman Del Mar brings his expertise in handling the orchestra to a wide variety of styles. His infectious enthusiasm and broad knowledge make him an invaluable guide to the aspiring conductor, the expert, and the music-loving listener. The essays range from Russia to Spain, from Schoenberg to Kodály, from Wolf to Poulenc, with such established favorites as the overture to La Forza del Destino with its unexpected tricky moments and the Four Sea Interludes and Passacaglia from Peter Grimes for which Del Mar offers suggestions from Britten himself, with whom he worked for many years.
