Saxophone Soloists and Their Music, 1844-1985 PDF Download
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Author: Harry R. Gee
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Gilt decorated blue cloth. Fine. A superb copy of an exhaustive reference to the world of saxophone performance. Includes biographies, bibliographies, discographies, etc. An excellent and essential saxophone reference. The only book of it's kind among the few published titles dealing with the saxophone.
Author: Harry R. Gee
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
Get Book Here
Book Description
Gilt decorated blue cloth. Fine. A superb copy of an exhaustive reference to the world of saxophone performance. Includes biographies, bibliographies, discographies, etc. An excellent and essential saxophone reference. The only book of it's kind among the few published titles dealing with the saxophone.
Author: Harry R. Gee
Publisher:
ISBN: 9780608010618
Category :
Languages : en
Pages : 318
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Book Description
Author: Richard Ingham
Publisher: Cambridge University Press
ISBN: 1107494052
Category : Music
Languages : en
Pages : 252
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Book Description
The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.
Author: Stephen Cottrell
Publisher: Yale University Press
ISBN: 0300190956
Category : Music
Languages : en
Pages : 449
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Book Description
In the first fully comprehensive study of one of the world's most iconic musical instruments, Stephen Cottrell examines the saxophone's various social, historical, and cultural trajectories, and illustrates how and why this instrument, with its idiosyncratic shape and sound, became important for so many different music-makers around the world.After considering what led inventor Adolphe Sax to develop this new musical wind instrument, Cottrell explores changes in saxophone design since the 1840s before examining the instrument's role in a variety of contexts: in the military bands that contributed so much to the saxophone's global dissemination during the nineteenth century; as part of the rapid expansion of American popular music around the turn of the twentieth century; in classical and contemporary art music; in world and popular music; and, of course, in jazz, a musical style with which the saxophone has become closely identified.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 528
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Book Description
Author: Mark C. Ely
Publisher: Oxford University Press
ISBN: 019532918X
Category : Music
Languages : en
Pages : 749
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Book Description
Wind Talk for Woodwinds provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for woodwind instruments found in school instrumental programs. With thorough coverage of the most common woodwind instruments - flute, oboe, clarinet, saxophone, and bassoon - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching woodwind instruments (articles, websites, audio recordings). Without question, Wind Talk for Woodwinds stands alone as an invaluable resource for woodwinds!
Author: Bruce Vermazen
Publisher: Oxford ; Toronto : Oxford University Press
ISBN: 0195165926
Category : Biography & Autobiography
Languages : en
Pages : 317
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Book Description
After its invention in France in 1838, the saxophone, Vermazen argues, was finally brought to the American public by the Six Brown Brothers, one of the most famous musical stage acts of the early 20th century. This title explores how they turned an instrument once derided as the "Siren of Satan", into the crowning symbol of jazz.
Author: May and May (Firm)
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 768
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Book Description
Author: American Musicological Society
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 678
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Book Description
Author: Kurt Bertels
Publisher: Leuven University Press
ISBN: 9462703973
Category : Music
Languages : en
Pages : 192
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Book Description
The saxophone is a globally popular instrument, often closely associated with renowned players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of women saxophonists in the nineteenth century, shortly after the instrument’s invention. Elise Hall (1853–1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career’s profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant mark on the history of the instrument. Yet these contributions have been historically undervalued, largely due to gender bias. This collection of essays, written by mainly women saxophonists/scholars, re-evaluates Elise Hall’s legacy beyond a discrete history, updating the narrative by highlighting the ways in which her identity and the saxophone itself have influenced historical accounts. By analyzing the sociocultural factors surrounding this innovative musician through a contemporary lens, the contributors challenge previously held narratives shaped by patriarchal structures and collectively affirm her place as one of the pioneers in the history of the saxophone.
